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courtesy: karlis bogustovs

Monday July 10, 2017 | by Sarah Thaw

Themes of innovation and sustainability explored at decennial “Young Glass” juried exhibition

A lot can change in 10 years, and at the once-a-decade exhibition "Young Glass," the progression within glass art is on full display. Since it's launch in 1987 at the Glasmuseet Ebeltoft in Denmark, the competition has intended to inspire and encourage innovation in the realm of glass art. 

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William Traver and Sarah Traver pictured in the gallery with "White on Black Z Leaves" by Dante Marioni. photo: ben lerman/traver gallery

Monday June 26, 2017 | by Lindsay Hargrave

Traver Gallery turns 40 on July 7th, and there’s much to celebrate

On July 7, 2017, Traver Gallery, an icon in the Seattle glass art community as well as in the Studio Glass Movement, will turn 40, and it plans to celebrate with a party that evening. Founded in 1977, the gallery exhibits paintings, ceramics, and installation art of all kinds, but it has been the medium of glass where the gallery has had a particularly consequential role in developing the careers of artists as prominent as Bertil Vallien and Lino Tagliapietra. The gallery lays claim to helping discover such notable glass artists as Martin Blank, Sonja Blomdahl, Gregory Grenon, Doug Jeck, Dante Marioni, Preston Singletary, Therman Statom, and Jamie Walker. The story of the founding of the gallery by a young interior designer who discovered a need for better sourcing of local artists, is one of seizing an opportunity, and then executing it so well it changes the field. Seattle's role as an epicenter of glass art would not have been as firmly established without Traver's important role as a leading art dealer in the field.

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Matthew Szösz, untitled (inflatable) no.73, 2017. H 12 1/2 W 7 D 8 in. Glass. courtesy: Wheaton Arts

Monday May 29, 2017 | by Lindsay Hargrave

OPENING: Second “Emanation” at WheatonArts harnesses synergy between fabrication and concept

WheatonArts in Millville, New Jersey, is preparing to unveil its second “Emanation” exhibition during its long-running GlassWeekend event, a biennial gathering of collectors and artists to celebrate, discuss, buy and sell glass artwork coming up on June 9, 10 and 11, 2017. WheatonArts is a multi-dimensional nonprofit in Southern New Jersey, with programs ranging from a museum of American glass history to programming celebrating regional folk culture. But “Emanation,” initiated in 2015, is focused on the contemporary moment in art through an ambitious program to break down the barriers between fabricators and contemporary artists, something that other programs such as the high-profile Glasstress program by Berengo Studio in Venice don't directly address. Unlike that program, which brings well-known artists to Venice to have their ideas realized by glass masters, the "Emanation" project is based in the studios of WheatonArts' Creative Glass Center of America, best-known for its long-running fellowship program that allows artists free rein to realize experimental ideas at this unique facility. The New Jersey project is careful to avoid the one-way street of becoming a fabrication station. There are multiple efforts to create synergy between the artists and the facility, including during the installation of the exhibition component. The artists chosen for the second iteration of "Emanation" -- Emily Brown, Vanessa German, Michael Joo, Lorna Simpson, Therman Statom, Matthew Szösz, and the group Flock the Optic -- reveal varying levels of technical expertise working with glass, which creates interactions that cross-pollinate between artists approaching the project with different perspectives. 

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Tyler MFA graduate and faculty member Amber Cowan is the event's featured artist.

Tuesday March 14, 2017 | by Andrew Page

Co-chair Amy Lemaire talks about the more academic line-up at the 2017 Flameworking Conference

FILED UNDER: Education, Events, News
The upcoming international flameworking conference, which will run from March 24th through 26th at Salem Community College in Carney's Point, New Jersey, will be the 17th gathering of artists specializing in borosilicate glass. It will also mark a notable shift as many of the featured speakers and demonstrators are graduates of fine-art-degree programs, including the featured artist Amber Cowan. Throughout the programming of the three-day event which has recently featured highly skilled flameworkers such as Eusheen Goines (2016), Vittorio Costantini (2013), Loren Stump (2007), Cesare Toffolo (2004), a decidedly more academic tone is notable, starting with the opening-night lecture on the history of flameworking courtesy of The Corning Museum of Glass's reference librarian Beth Hylen joined by the museum's properties of glass programs supervisor Eric Goldschmidt. Featured artist Amber Cowan not only holds an MFA in glass and ceramics from Tyler School of Art of Temple University, but is also on faculty. Other presenters include Beccy Feather, Jacob Moskowitz, Zach Puchowitz, Ryan Tanner, and Kim Thomas, all of whom studied art at the university level. The GLASS Quarterly Hot Sheet checked in with conference co-chair Amy LeMaire to learn more about the lineup for the 2017 event.

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Thursday February 2, 2017 | by Andrew Page

CALL FOR PAPERS: October 2017 UrbanGlass academic symposium to focus on post-graduate outcomes

For its third biennial academic symposium, UrbanGlass is again partnering with the Robert M. Minkoff Foundation to present an international gathering of department heads, professors, and educators to discuss best practices in the lecture hall and studio. The upcoming symposium, titled "Issues in Glass Pedagogy: Curriculum and Career," will take place from October 12 -14, 2017 in New York City, and will examine the factors that determine students' post-graduate success. Among the areas of interest are investigations into the economic challenges facing professional contemporary artists, as well as the educational interventions that are most effective in preparing graduates to thrive. The symposium organizers are now accepting proposals for lecture presentations, panel dicussions, and studio demonstrations that address how academic curricula and programs can affect career outcomes, with a special focus on best practices, statistical analysis, and case studies.

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Works by Ron Desmett and Kathleen Mulcahy to be displayed on January 26th at Alfstad& Contemporary. courtesy: alfstad& contemporary

Wednesday January 25, 2017 | by Awura Barnie-Duah

OPENING: Work by Kathleen Mulcahy and the late Ron Desmett featured at Florida glass art event

The late Ron Desmett (1948-2016) and his wife, Kathleen Mulcahy will both have their work featured at Alfstad& Contemporary, which will kick off the Third Annual Sarasota Art Glass Weekend on January 27th. A collaboration between Longboat Key Center for the Arts, a division of Ringling College, and Habatat Galleries of Michigan, the weekend event will include exhibitions, auctions, studio tours, talks by internationally-known artists, glass-blowing demonstrations, and private tours of the museum featuring glass. The event's opening reception will take place on Thursday, January 26th.

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Monday January 2, 2017 | by Malcolm Morano

North Lands Creative Glass announces first summer program under artistic director Jeffrey Sarmiento

FILED UNDER: Announcements, Events, News
North Lands Creative Glass has announced its 2017 summer program, its first under recently appointed artistic director Jeffrey Sarmiento. The program of classes and a conference will be centered around the theme of faith. The program, titled "Leap of Faith," is billed as exploring the relationships between glass and belief in its varied forms — religious belief, social dogmas, and artistic conviction. Master-classes will be headed by artists Anne Vibeke Mou, Annie Cattrell, Beth Lipman, and the duo of Michael Schunke and Josie Gluck. The one-day conference, "Taking a Leap: Concept, Conservation and Innovation in Architectural Glass," is organized in collaboration with Bullseye Glass Company, and will take place on July 16th, 2017, in the county of Caithness in the northern reaches of Scotland.

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Thursday December 1, 2016 | by Andrew Page

It’s Official: 2018 Glass Art Society Conference to be held in Murano, Italy

FILED UNDER: Announcements, Events, News
UPDATED 01/10/2017 For it's 47th annual conference, the Glass Art Society is going overseas for the first time since the 2005 Adelaide, Australia, conference sent intrepid artists on long-haul flights Down Under. The 2018 event is set to take place in Murano, Italy, from May 16th through 20th, a notably longer duration than recent conferences, which have been three-day affairs. Led by Lino Tagliapietra, the conference steering committee for 2018 includes Cesare Toffolo, Lucio Bubacco, Davide Salvadore, Marina Tagliapietra, Roberto Donà, Adriano Berengo, and the Consorzio Promovetro Murano, an association of craft and industrial businesses in Venice dedicated to the preservation and promotion of Murano’s artistic glass and centuries of history.

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An image of the largest fair for glass art work taken during SOFA CHICAGO 2015. photo: kate jordan

Tuesday November 22, 2016 | by Mary Roll

RED DOT REPORT: What sold at SOFA CHICAGO 2016

FILED UNDER: Art Market, Events, News
In the gallery above, the GLASS Quarterly Hot Sheet presents its annual "Red Dot Report," surveying works that sold at the SOFA CHICAGO art fair in early November. With the Chicago Cubs historic World Series win, and their celebratory parade the following Friday impeding access to Navy Pier, this year's SOFA got mixed reviews from exhibiting dealers. Maurine Littleton, owner of Maurine Littleton Gallery, in Washington, D.C. said that while this year's fair was better than last year, the pre-election contentious political climate and the Cubs crowds weren't helpful to sales. While the overall the fair was okay, it didn't match the really strong SOFA she had in 2014, said Littleton, adding that the two subsequent years have fallen flat. Kurt Nelson, owner of Palette Contemporary Art and Craft in Albuquerque, New Mexico, said that while the show was big enough this year, there was so much work in glass that it seemed almost saturated.

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Rui Sasaki, Object Lessons "Residue" (overview), 2014. Glass, ash (from plants in Awashima), fluorescent light, mineral oil. H 31 1/2, W 23 1/2, D 47 1/4 in. Project at the Awashima Artist Village, Kagawa, Japan.

Thursday October 6, 2016 | by Andrew Page

AWARD: Rui Sasaki receives $5,000 UArts Borowsky Prize for 2016

FILED UNDER: Award, Events, News
Japanese native Rui Sasaki has been named the 2016 Borowsky Prize winner, a $5,000 award named for the late University of the Arts trustee Irvin J. Borowsky, and awarded by the Philadelphia arts institution each year. The prize seeks to identify "an artist whose work is conceptually daring, exemplifies technical skill and innovation, and advances the field of contemporary glass," and includes the invitation for the winning artist to present a lecture. Sasaki, who is currently based in Toyama, Japan, will deliver her lecture on November 10, 2016. In addition to the top prize, juror's awards have been given to prize finalists David King (who also won a juror's award in 2015) and Sean Salstrom.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.