On Saturday, May 11, 2019, the landmark museum survey exhibition "New Glass Now" will kick off at The Corning Museum of Glass with a museum-members' premier, artist talks, and an evening party to celebrate the long awaited launch. Featuring work made over the last three years, the exhibition includes work by 100 artists of 32 nationalities, hailing from more than 25 countries. The show is being framed as the third in a series of era-defining glass-art exhibitions at Corning that began with "Glass 1959," followed 20 years later by "New Glass: A Worldwide Survey" in 1979. The effort to reconnect with these important predecessor exhibitions after a 40-year break is explicit in the introduction by curator of modern glass Susie J. Silbert, who cites both in detail in her introductory essay titled "New Glass is not New," which seeks to place this forward-facing exhibition in historic context.
The theme of last night's 2019 Met Costume Institute Gala was tied to its current exhibition on "camp," so the celebrity red carpet this year featured even more outrageous outfits than the usual star-studded fashion show. Pop singer Katy Perry, a self-professed fan of camp who has dressed up as a hamburger in the past, knew this was a special opportunity to pull out all the stops. In a New York Post interview leading up to the big event on Monday evening, Perry's longtime fashion guru Moschino creative director Jeremy Scott said "there probably isn’t a performer in pop history that’s used camp and humor more than she has. I have guesses at what people expect from us, but I’m trying to outdo those expectations. It’s going to be an eleganza extravaganza.“
The Toyama City Institute of Glass Art (TIGA) in Toyama, Japan invites international glass artists to apply for its Artist-in-Residence program, now in its ninth year. The residency, which will last six weeks from October 17 through November 27, 2019, grants the artist access to the facilities of the Toyama Glass Studio, including the hot shop, kiln shop, and cold shop, to create new work. Works made during the residency will be featured in a solo exhibition at the Toyama Glass Museum at the end of the six weeks.
For her third solo show at Heller Gallery, opening this evening, Amber Cowan will present the latest iterations of her reimagining and reconstruction of vintage pressed glassware, which she remakes through painstaking cutting and fusing at her flameworking torch. Cowan's unique artistic process invovles travel, scavenging, and an ability to map out new landscapes of detail and decoration, elevating industrially produced decorative products into singular works.
Recently wrapping up a successful conference in St. Petersburg, Florida, in March under the leadership of interim executive director Brandi Clark, the Glass Art Society is turning its attention to the future, and has launched a search for a permanent Executive Director who will report to, and act on behalf of the Board of Directors. The incoming Executive Director will support the board, and have a strong and authoritative hand in the management of programs such as scouting and developing yearly conferences, event planning, and marketing. The successful candidate will also act as the chief fundraiser for the organization.
The 2019 UrbanGlass Academic Symposium will take place on the updated dates of October 24th, 25th, and 26th in venues in Brooklyn and Manhattan. The jury has also been updated to include artist and educator Alli Hoag. In addition, the deadline for proposals on the expanded theme of "criticism, critique, and critical thinking" has been extended to June 1, 2019.
Urban Glass has launched a search for a director of education to lead its successful teaching programs that reach over 3,000 students a year at this leading Brooklyn, New York, nonprofit arts center. The UrbanGlass studios accommodate a wide-range of glassmaking techniques, and feature a dedicated educational hotshop, flame working studio, extensive kilnworking facilities, as well as areas for mosaics and neon.
The glassblowing reality show included (at left) Pilchuck executive director Christopher Taylor as a guest judge, and artist and educator Katherine Gray as the show's "resident glass master." Also pictured is Blown Away host Nick Uhas (at right).
More than most other art-making processes, working in the glass hotshop lends itself to spectacle with the attendant smoke, fire, and heat. It's surprising then that it's taken so long for a reality television show to be themed around the practice. Blown Away, which has wrapped up shooting but is not yet available for streaming on Netflix, is tentatively set to debut in the U.S. in July 2019. (It had its world premier on the newly launched Makeful satellite channel in Canada in February).
UrbanGlass, the nonprofit art center that publishes the Glass Quarterly Hot Sheet, will celebrate its 2019 Gala + Auction on May 16, 2019. The event will honor UrbanGlass-affiliated contemporary artists Tauba Auerbach and Keith Sonnier as well as principals Zesty Meyers and Evan Snyderman of the design gallery R & Company. The annual gala is a critical fundraiser for the Brooklyn non-profit's year-round programs serving more than 12,000 people each year through exhibitions, studio demonstrations, performances, and the internationally distributed magazine Glass: The UrbanGlass Art Quarterly. Since its founding in 1977 as the New York Experimental Glass Workshop, UrbanGlass has been a resource for major artists such as Robert Rauschenberg and Kiki Smith who have relied on its facilities and community to realize their ambitious projects in glass. This year's honorees continue that tradition:
Opening today at New York City's Heller Gallery is "Memoria Technica: Old Venetian Glass," a solo exhibition by artist Kim Harty who serves as the head of the glass department at the College for Creative Studies in Detroit. The title, "Memoria Technica," refers to a mnemonic device -- a system for remembering things -- which is appropriate as the works' main subject is object memory. The exhibition includes photographs and small-scale sculptures that extend upon Harty's 2013 project in which she made slow-exposure light drawings in total darkness to reproduce her impressions of 72 historical glass vessel forms she discovered in a book of the holdings of Czech collector Vojtech Lanna simply titled Old Venetian Glass. The resulting photos featured Harty's blurred body in the background with the lines of light a relic of her hand movements, which brought home the relationship between these glass vessels and the human body. The work in the Heller exhibition takes the translation one step further. Working with a expert in 3-D printing, Harty has created new objects based on the photographed light drawings which bring the project back to three dimensions.
GLASS: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for 35 years.