Alison Grace Koehler, who's been seeking ways to fuse stained glass and poetry through innovative performances that use projected imagery during live readings, has recently published a book that brings together the word and ethereal image in printed form. An American expatriate, Koehler discovered stained-glass while walking along a winding street near the Gare du Nord in Paris and spotted a series of paintings and glass panels through a studio window. Out of curiosity, she knocked on the door and was invited in by the Kurdish artist, who for decades had been living in Paris, where he offered stained glass workshops. Koehler had experience cutting glass when she assisted an artist in Copenhagen, Denmark, after graduating with a BA from Macalester College in 2008, and so she signed up. She was so enamored by the stained-glass process, she would go on to get an advanced degree from the École Nationale Supérieure des Arts Appliqués et des Métiers d’Art, and would be admitted into a guild of emerging stained-glass artists. Based in Paris, Koehler now shares a studio space with another stained-glass artist from the guild. Since she began working with stained glass, she has sought ways to animate the form -- from manipulating glass components on an old-fashioned transparency projector to using a live video feed projected on her own figure as she reads her poems, using the sounds of breaking glass as rhythmic interludes of the performance. The Glass Quarterly Hot Sheet recently interviewed Koehler via email about her new book project, and her attempts to bring her various media together into a single work.