As the economics of handmade glass production are battered by globalization, the centuries-old glass-making culture in Europe is increasingly opening up (see the 2018 Glass Art Society conference in Murano, or the upcoming 2020 conference at Kosta Boda) and looking internationally for ideas of how to reinvent their businesses. One example comes in the story of Jonathan Capps, who graduated from Ohio State with an MFA in glass in 2016. Last year, Capps applied for and was awarded a Fulbright Scholarship to spend a year in Finland working with the Nuutajärvi Glass Village Cultural Foundation (NGVCF), which operates out of a shuttered historic glass factory and was set up to preserve and study traditions of Finnish glass art. Capps was driven by his interest in learning a Scandinavian approach to working with glass, but it quickly became clear that there was an equal interest in his uniquely American approach. The culmination of Capps’ year in Finland came with a group exhibition titled “Why Not? Finnish American Art Glass,” which is on view at the formerly thriving Nuutajärvi Glass Factory through September 1, 2019. Between his studio research and informal artist residency at Tavastia Vocational College (a local glass school) glass school, Capps soon became aware of a strong interest in his own way of doing things. Through his interactions with artists and teachers at Tavastia, and the welcoming embrace of local glass artists and designers, Capps became intimately involved with Nuutajärvi's search for a new type of glass identity.