IN MEMORIAM: Gerry King (1945 - 2024)

The sudden passing of prolific artist and educator Gerry King, who died of a stroke on April 18, has sent shockwaves through the Australian and international glass communities who knew and cherished a true pioneer in contemporary glass. In addition to building an impressive art practice over the past four decades, as well as his work as a teacher and mentor, King was a past chair and president of the board of Ausglass, and an honorary lifetime member. With work in the collections of many prominent museums, he recently was celebrated in a retrospective 2022 exhibition entitled "Towards the Finishing Line" at the National Art Glass Gallery of the Wagga Wagga Art Gallery in New South Wales, which was followed by a solo exhibition at Sabbia Gallery in Sydney that same year.

Installation shot of the SARAHCROWN Gallery exhibition "THE BUILDERS" photo: amy lemaire

Friday April 19, 2024 | by Andrew Page

CONVERSATION: John Drury discusses curating his New York City gallery exhibition exploring contemporary approaches to glass

Through May 11, unusual glass constructions have taken over the white cube of SARAHCROWN Gallery, bringing new forms and rare coloration. Collaborations by Amy Lemaire & Nicolas Touron occupy the center of the gallery, while works by Michael Aschenbrenner, and Jennifer Crescuillo round out the experimental nature of the various objects arranged on plinths or along the wall. Some of the works are made with the mediation of technology, as in the Lemaire-Touron collaborations that merge flameworking with 3D-printed porcelain, a dialogue between two makers, but also between the machine-made and hand-worked processes. Aschenbrenner's meditations on mortality, shaped by his experiences during the Vietnam War, contrast man's capacity for brutality with literal and figurative healing. Crescuillo's intuitive hand-built vessels and sculptures remind us of why we are drawn to the handmade, objects that reflect intuition and encapsulate time in their subject matter and making. The Glass Quarterly Hot Sheet recently caught up with curator John Drury (who is also a contributing editor to the print publication Glass: The UrbanGlass Quarterly) to find out more about his choices and intentions in grouping these artists together in a single exhibition. The interview was conducted via email exchange.

Monday April 15, 2024 | by Andrew Page

CALL FOR APPLICATIONS: Fall 2024 Toyama Institute of Glass Art Residency

The Toyama Institute of Glass Art, better known as "TIGA," is seeking applications for its 2024 artist residency. This program has been bringing international artists to Toyama City since 2020 as a way to promote glass art and the development of this center for glass in Japan known as "Glass Art City." The six-week residency offers a studio space for the duration of the residency, as well as opportunities to interact with art students and local citizens through artist lectures and demonstrations. It culminates in a solo exhibition at the Toyama Glass Museum.

Artists and friends Jason Christian and Dan Friday collaborated on Heritage Totem, blending their varied approaches to hot-working and transparent glass sculpture in a single work.

Thursday April 11, 2024 | by Andrew Page

A Seattle friendship takes physical form in Dan Friday and Jason Christian's Montague Gallery exhibition in San Francisco

Two different approaches to hot-sculpting glass find common ground in "Transparent Collaborations," an exhibit opening tonight at San Francisco's Montague Gallery that features work by longtime glassblowing friends Jason Christian and Dan Friday.

A poignant documentary film examines the life and work of Paul Stankard, who set the standard for botanical compositions encased in glass. film still courtesy: paul stankard: flower and flame

Thursday March 28, 2024 | by Andrew Page

REVIEW: An exquisitely crafted film examines Paul Stankard's elevation of the paperweight form, as well as the life and times of the man behind the torch

The film Paul J. Stankard: Flower & Flame quickly sets itself apart from many documentaries about glass artists with its opening scene. With sonorous Baroque chamber music as the soundtrack, a close-up lens tracks across the artist's softly lit studio, passing over a pair of gloves on a workbench, plates arranged with botanical components waiting for encasement in glass, a library of color rods, and an unlit torch. Then the moving camera comes to rest on a set of hands poised to light the burner. With a bright flick of the sparker, the flame comes alive as the film begins, cutting away from the jet of flame to Paul Stankard himself, facing the camera in the first of many intimate interviews about his life and work that are inter-cut with archival images, shots of process, and experts who extol what Stankard almost singlehandedly accomplished -- to bring the botanical paperweight to another level.Art dealer Doug Heller, who has shown Stankard's work for decades, recounted his first encounter with Stankard's early paperweights and being impressed even though he disliked the genre in general."He transcended the paperweight world," Heller said. "Paul takes it somewhere else completely."

A 2011 photo of Jeffrey Beers at an UrbanGlass gala celebration.

Wednesday March 20, 2024 | by Andrew Page

In Memoriam: Architect, artist, and longtime UrbanGlass board member Jeffrey Beers dies of cancer (1956 - 2024)

New York City-based architect Jeffrey Beers, founder and CEO of the successful hotel and hospitality design firm Jeffrey Beers International, died on Monday, March 18, 2024, from complications of cancer. Even as he built JBI into the global architecture firm it has become, and, with his wife, Connie, raised two sons, Beers found time to remain an active board member of UrbanGlass, which publishes the Glass Quarterly Hot Sheet. As an architecture student at Rhode Island School of Design, Beers had taken courses in glass with department chair Dale Chihuly, and, when he later moved to New York City, he continued to blow glass at The New York Experimental Glass Workshop before it moved to Brooklyn and became UrbanGlass.

Tuesday March 19, 2024 | by Andrew Page

Cedric Mitchell featured in the Los Angeles TImes for his bold designs, work ethic, willingness to take chances, and successful reinvention.

El Segundo, California-based glassblower Cedric Mitchell and his Etorre Sotsass-inspired glass designs are the subjects of a feature article in the Los Angeles Times. Staff Writer Lisa Boone tracks Mitchell's evolution from his mid-20s as an up-and-coming hip-hop artist born and raised in Tulsa, Oklahoma. The article credits his discovery of glass at the Tulsa Glassblowing School, and his rapid skills acquisition to all the hard work and dedication Mitchell has devoted to mastering glassblowing. The article also notes some of the artist's fortuitous meetings, including his long friendship with Joe Carriati, which brought Mitchell to Los Angeles, and led to further connections in the design world that have allowed Mitchell to launch his own successful business, Cedric Mitchell Design.

Saturday February 24, 2024 | by Andrew Page

HOT OFF THE PRESSES: The Spring 2024 edition of Glass (#174)

The Spring 2024 edition of Glass: The UrbanGlass Art Quarterly (#174) is hitting newsstands and subscriber mailboxes. On the cover is a striking collage of works by the father-and-son team of Leopold and Rudolf Blaschka, who, in the 19th century, were hired by universities around the world to create life-like models of plants and invertebrates for scientific study. The article considers the invertebrates drawn from the Harvard University collection, which are currently on view at the Mystic Seaport Museum in Connecticut in an exhibition that blends art, history, and science. Because the Blaschkas were not divers themselves, they had to imagine how the examples pulled from the deep would have appeared far below the surface, as the article’s author and experienced scuba diver William Warmus points out in his wide-ranging article that considers how to best understand this work in our contemporary moment.

Tuesday February 20, 2024 | by Andrew Page

CONVERSATION: Curator Davira S. Taragin on her exhibition "Look What Harvey Did" at the Chazen Museum of Art in Wisconsin

The Chazen Museum of Art, which originally opened on the University of Wisconsin's Madison campus in 1970, is home to 24,000 works in its permanent collection, ranging from ancient Greek to modern African. In 2005, the museum was renamed after a major gift from university alumni Simona and Jerome Chazen (1927 - 2002), which allowed for a significant expansion when a second museum building opened in 2011. Running through August 16, 2024, is an exhibition of 40 works from the patrons' glass works. Titled "Look What Harvey Did! Harvey K. Littleton's Legacy in the Simona and Jerome Chazen Collection of Studio Glass," the exhibition spans 60 years and includes works from Michael Aschenbrenner, Dale Chihuly, Daniel Clayman, Dan Dailey, Clifford Rainey, Ginny Ruffner, and Lino Tagliapietra, among others. The exhibition was curated by Davira S. Taragin, who spoke to the Glass Quarterly Hot Sheet by telephone about how she approached the project.

Tuesday January 30, 2024 | by Andrew Page

Judith Schaechter reflects on receiving the 2024 Smithsonian Visionary Award

On its website, the Smithsonian Women's Committee prominently lists its motto as: "Harnessing the Power of Women to Make a Difference." This group of Smithsonian supporters has certainly made a difference for artists working in glass at all levels. The SWC organizes the annual high-profile Smithsonian Craft Show (as well as an autumn show of wearable crafts), and also makes direct grants to Smithsonian-affiliated institutions. Each year, the SWC also presents its Smithsonian Visionary Awards, which over the years has gone to some of the most prominent artists working in craft materials such as Dale Chihuly, David Ellsworth, Joyce J. Scott, Albert Paley, Toots Zynsky, Faith Ringgold, and Patti Warashina, among others. in 2024, the award was given to two artists who work primarily in glass -- Judith Schaechter and Dan Dailey.