The Glass Quarterly Hot Sheet recently checked in with artist Benjamin Wright, who served as the Pilchuck Glass School's artistic director from 2019 through 2022, to check in about his tenure at the Northwest Coast outpost of glass art, and to find out about his future plans. Glass Quarterly Hot Sheet: It sounds like the Covid-19 pandemic, which hit before the Summer 2020 Pilchuck sessions began, really defined your tenure at Pilchuck in some ways, would you agree? Ben Wright: Well, yes, but not entirely. I came on in the Spring of 2019, arriving right before the Summer program, which was entirely designed and organized by my predecessor as artistic director, Tina Aufiero. In addition to helping to run that session, I was working to put together the program for Summer 2020, which unfortunately ended up pretty much getting canceled entirely due to the lockdowns. At first it looked feasible that there would be a full summer program in 2021, but in the end, we had to pivot to an intensive residency program for that summer. I am very proud of the programs we put together for 2022, which we ran during the summer of the various Omicron variants rising and falling. It was an intense experience in terms of our staff and students all dealing with people in isolation. It was challenging but also hugely rewarding, having worked on three different programs over three years, and finally getting to see all the magic happen for everybody who works there. Having that put off year after year and finally seeing it run, it was phenomenal to see it actually happening at last in the Summer of 2022 and I can’t wait to see my last season of programs unfold this coming summer.