An archival exhibition of work by William Morris, on view at Hawk Galleries in Columbus, Ohio, unearths new insights

In some ways, we were all buried by the pandemic -- cloistered away in our homes facing an uncertain but deadly virus, laying low. There was a shift inward, one that allowed introspection but also digging in to the essentials of identity, mortality, our place in the world. Now, as the pandemic recedes, as vaccines and new treatments take away its lethality, we are emerging into a new world, and one facing new uncertainties and brutalities in the East with the harrowing weeks-old Russian invasion of Ukraine. In times like these, one seeks the universal as both a higher truth and proof that we can endure as a species. These are some of the reasons why the William Morris retrospective exhibition on view atHawk Galleries in Columbus, Ohio, is so timely. The Glass Quarterly Hot Sheet had an opportunity to learn more about the exhibition of an artist who retired from making new work in 2007, about how the exhibition came to be and why it is important now, through an exchange with Tom Hawk.

Monday February 28, 2022 | by Andrew Page

HOT OFF THE PRESSES: The Spring 2022 edition of Glass (#166)

The Spring 2022 edition of Glass: The UrbanGlass Art Quarterly (#166) is hitting newsstands and subscriber mailboxes. On the cover is a work by Ché Rhodes, artist and head of the glass program at the University of Louisville, who was instrumental in the exhibition "Crafting the Vernacular" now on view at the Kentucky Museum of Art and Craft. Rhodes had been discussing a solo exhibition with KMAC curator Joey Yates, and he was inspired to propose expanding it into a group show featuring work by artists of color working with glass. Yates agreed, and the result is among the first museum exhibitions focusing exclusively on Black glass artists. The cover article's author, director emeritus of the Speed Art Museum Peter Morris, states that with this exhibition, we "are witnessing a new moment in contemporary glass."

Saturday January 29, 2022 | by Andrew Page

The second "Better Together" gathering showcases the BIPOC glass community at YAYA in New Orleans

Through internships and partnerships with educational institutions,Crafting the Future has been working since 2019 to advance equity and opportunity in the arts by facilitating scholarships to craft schools and pre-college art programs, compiling directories of job opportunities and residencies, and offering an online shopping directory of "black and brown makers." Crafting the Future's website also features a link to its "Better Together" events, gatherings to celebrate and showcase the growing community of glass artists of color, the latest of which took place on January 15, 2022, at YAYA, a New Orleans educational facility whose name stands for Young Aspirations, Young Artists. Seven black glassblowers from around the U.S. traveled to YAYA, where a pop-up market for local makers had been set up, and where a week of youth programming followed the public event. Visiting artists included Jason McDonald, Tijahnni Newton, SaraBeth Post, Cedric Mitchell, Ché Rhodes, Corey Pemberton, and Nate Watson.

Monday January 3, 2022 | by Andrew Page

The Barry Art Museum promotes Charlotte Potter Kasic from "interim" to full executive director

After 14 months as interim director of the Barry Art Museum in Norfolk, Virginia, Charlotte Potter Kasic has shed the "interim" from her official title, and has been named as the three-year-old museum's full executive director. Previously the founding program director of the glass studio at the Chrysler Museum of Art, Potter Kasic helped to put this coastal Virginia city on the glass art map, also working to create an arts district there and co-chairing the 2017 Glass Art Society Conference.

Friday December 31, 2021 | by Andrew Page

As 2021 comes to a close, a look back at a year's worth of feature articles in Glass: The UrbanGlass Art Quarterly

From Lino Tagliapietra's retirement to Fred Tschida's epic European exhibition; from Carmen Lozar's flameworked figuration to Rui Sasaki's ethereal environments, Glass: The UrbanGlass Art Quarterly covered the world in 2021. As a new year approaches, we wanted to take a moment to look back at where we've been. All our best wishes to the wonderful and resilient glass community as we look ahead to a new year of hope and new possibilities. We invite you to join us for another year of in-depth features, reviews, essays and news. Subscribe and don't miss a single issue.

Tuesday December 21, 2021 | by Andrew Page

CONVERSATION: Jasmine Anokye on #BlackGirlMagic, bridging cultures, and challenging stereotypes through multimedia glass artwork

Jasmine Anokye, a Ghanaian-American artist, celebrates the resilience and triumph of Black women through her multimedia glassworks. A sculptor, painter, and glass artist, Anokye combines her range of skills to create pieces that encourage reflection and introspection on the black female experience. With her childhood spent between Ghana and America, she brings together ethnic and street cultures in an aggressive harmony that explores the diversity of femininity and pushes back against stereotypes that limit black women. Earlier this year, Anokye's day/dreams exhibition graced the Agnes Varis Art Gallery's window gallery with wall-to-wall beaded curtains and mixed media art focused on African proverbs that allowed the viewer to truly dream as they passed by. (Disclosure: UrbanGlass is also the publisher of the Glass Quarterly Hot Sheet.)

Tuesday December 7, 2021 | by Andrew Page

The annual Rakow Commission returns with a large-scale assemblage by New York City's Leo Tecosky

After a hiatus during the pandemic in 2020, The Corning Museum of Glass has resumed its annual Rakow Commission, in which an artist is granted $25,000 to fund explorations into glass that would not have been possible due to financial limitations. For 2021, the resumed Rakow Commission has been awarded to multimedia artist, Leo Tecosky, who recently installed his work, The 36th Chamber, in the museum's Contemporary Art and Design Wing.

Saturday November 27, 2021 | by Andrew Page

HOLIDAY SPECIAL: Give A Year's Worth of Glass, and Get a Gift-Wrapped Bonus of an Additional Year

SPECIAL LIMITED-TIME HOLIDAY OFFER: When you give the gift of a year's subscription to Glass: The UrbanGlass Art Quarterly, there's no waiting for the first issue to arrive in the mailbox. A gift-wrapped set of the full year's worth of issues from 2021 (including our two blockbuster articles on Lino's retirement and legacy), will be rushed to your gift-recipient's mailbox with a hand-written holiday card featuring your name as the source of this bountiful package.

Monday September 6, 2021 | by Andrew Page

HELP WANTED: UrbanGlass seeks a Development Director

Do you have five or more years leading the fundraising for a non-profit organization? Familiar with a wide range of funding sources, including corporate partnerships and special events? Are you a fantastic communicator? Do you look for the big picture and approach your projects from a strategic perspective? Are you a Google suite expert who has also tamed the wild world of Salesforce or other CRM?

Monday August 30, 2021 | by Andrew Page

Hot Off the Presses: The Fall 2021 edition of Glass (#164)

The Fall 2021 edition of Glass: The UrbanGlass Art Quarterly (#164) is hitting newsstands and subscriber mailboxes. On the cover is a time-based work by David Schnuckel, an epic story told in 16 panels. Like a graphic novel, it records a decay sequence as an expertly created wineglass made by the artist is subjected to the intense heat of the kiln, which causes it to deform, collapse, and end as a shriveled silica mass. Rich with metaphor for the lifecycle, it was chosen as fitting for the season of harvest, and for its challenge to the tendency to fetishize technique in glassmaking. Schuckel's work is highly original, takes advantage of new technical opportunities thanks to a high-temperature camera setup at Corning, and revels in the artist's interest in provocation and deconstruction.