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Former Corning curator of modern and contemporary glass Tina Oldknow pictured in 2012. courtesy: the corning museum of glass

Tuesday March 20, 2018 | by Allison Adler

LECTURE: Tina Oldknow will dissect the American Studio Glass Movement in New York City presentation

FILED UNDER: Events
This Thursday, curator and critic Tina Oldknow will present a public lecture “A Short History of the American Studio Glass Movement, from Beginning to End” at the Bard Graduate Center in New York City. Oldknow, who describes her upcoming talk as an “informal recap of the history of the American Studio Glass movement,” brings a unique perspective to this topic as she presided over the restructuring and expansion of the contemporary glass collections at The Corning Museum of Glass and its Contemporary Art and Design Gallery. This new wing debuted in 2015, adding thousands of feet of exhibition space for new, larger-scale artworks in glass, while also creating new opportunities to define the Studio Glass movement and its influence on contemporary artists working in the material. She explained, “I feel it is important to distinguish what happened in the United States from what happened in Europe, Australia, and Japan, for example, because all those histories are parallel but separate.”

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Thursday March 15, 2018 | by Allison Adler

An up-and-coming Boca Raton art fair features new work in glass at the display of Berengo Studio

FILED UNDER: Events
The third edition of the relatively new art fair Art Boca Raton is underway this evening and through the weekend with a mix of international and Florida galleries representing over 250 contemporary artists whose work hbas taken over the International Pavilion of the Palm Beaches at Florida Atlantic University. Representing the world of contemporary glass art is Berengo Studio 1989, the brainchild of Venetian art entrepreneur Adriano Berengo, who is dedicated to pushing the boundaries of glass art as part of the mission, according to Berengo Studio 1989’s website, to make glass art “beautiful, aesthetic and truly contemporary.”

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Jen Blazina, Separation, 2016. Cast glass and bronze. H 15 W 15 D 1 in. courtesy: artist website

Wednesday August 9, 2017 | by Lindsay Hargrave

Philadelphia glass-art museum to spotlight philanthropists, artist Jen Blazina at annual gala

The National Liberty Museum in Philadelphia will feature Separation, a sculpture by Jen Blazina as part of its 18th annual glass auction and gala coming up on October 7, 2017. The museum fundraiser not only supports this unique institution that sees a linkage between the material of glass and the concept of freedom, but also calls attention to the work of community role models, as well as spotlights the philanthropic efforts of an individual artist. This year’s honorees are Sandy and Steve Sheller, who funded the Stephen and Sandra Sheller Center for Social Justice at Temple University Beasley School of Law, The Stephen and Sandra Sheller 11th Street Family Health Services Center of Drexel University, and The Stephen and Sandra Sheller Commons of the South Philadelphia Free Library. This year’s "artist hero" is Pearl Dick, who co-founded Project Fire, an initiative to use glassblowing as a healing and mentoring, and job-creating tool for trauma victims and young victims of gun violence.

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Carried on Both Sides, research image, 2016. courtesy: the artist

Tuesday July 25, 2017 | by Sarah Thaw

Artist Talk: Past, present, and imagined future of @ symbol explored in collaborative inquiry

New York-based artist Caroline Woolard set out to satisfy her curiosity about the links between an ancient container to transport liquids and a ubiquitous symbol of our contemporary digital moment. For good measure, she extends this inquiry into speculation on how this typographical element might further evolve. This journey into the past, present, and imagined future of the symbol for digital communication "@" is the subject of her project Carried on Both Sides, which she will be discussing at the Metropolitan Museum of Art this Friday evening, July 28, 2017 with her collaborators present. To realize the project, Woolard partnered with glass artists Helen Lee and Alexander Rosenberg as well as textile artist Lika Volkova during residencies at the Pilchuck Glass School and UrbanGlass. She explained her intent for Carried on Both Sides in her proposal for the residency at Pilchuck as a project “that traces the transmutation of an ancient vessel into a common computer symbol -- the @ [at sign]. Our work links 6th-century terra cotta and glass amphorae to the handwritten @ of 16th century mercantile scripts to the ubiquitous contemporary vector graphic we use in email and in social media.”

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Verena Schatz, Bundle, 2015. borosilicate tubes, slumped. H 53 1/2, W 14, D 14 in. courtesy: Hans-Martin Lorch

Thursday July 20, 2017 | by Sarah Thaw

OPENING: Berlin gallery devotes summer to exhibition of high-level student work in glass

Jens Gussek, an accomplished artist in his own right and a winner of the 2015 International Glass Prize in Lommel, Belgium, has also worked steadily as a university professor throughout his career. He currently holds the title of Head of the Institute of Ceramic and Glass Art (IKKG) at the University of Applied Science in Koblenz, Germany. A unique exhibition of work by 11 of his former students is opening at a commercial gallery in Berlin this summer, a testament to the caliber of work Gussek has helped his students achieve. Entitled “subtext glas(s),” the exhibition opens July 22 and will run through September 2, 2017, at the lorch+seidel contemporary gallery in Berlin, Germany.

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Martin Janecky working on The Infant Jesus of Prague.

Monday July 17, 2017 | by Lindsay Hargrave

A notable Corning lecture by the two Czech glass art stars named Martin: Janecky and Rosol

The Corning Museum of Glass will be hosting a lecture from Martin Janecky and Martin Rosol on the evening of Tuesday, January 18th, as a part of an ongoing lecture series by Corning Studio faculty in an effort to bring some of the most well-known names in glass to the public, free of charge. While the talk is open to the public, the Studio aims these weekly lectures at the students taking their intensive classes during the summer.

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The exterior of the Museum of Glass in Tacoma, with its signature chimney that vents its active glass studio in its center. courtesy: museumofglass.org

Wednesday July 12, 2017 | by Sarah Thaw

Taking a page from Corning’s successful GlassFest, the Northwest glass museum launches public event

FILED UNDER: Announcements, Events, Museums
GlassFest is the massive four-day glass art celebration that has taken the Gaffer District in Corning, New York, by storm. Although the event is sponsored and supported by the world-renowned Corning Museum of Glass, it is the business association known as the Corning Gaffer District itself which throws the event — closing its Historic Market Street off to car traffic to instead fill the space with art, food and entertainment vendors. Having completed its 8th celebration in May 2017, GlassFest has become a cherished community event celebrating glass artistry in and around the town of Corning, proving that glass can thrive outside the walls of the famed museum and setting a precedent for other cities to follow. Taking a page (and the name) from the New York event, the Museum of Glass in Tacoma will be co-hosting its first ever glass festival, Glass Fest Northwest, a free event to showcase Pacific Northwest glasswork. Taking place on Sunday, July 23rd from 12 noon to 5 PM, the event will feature over two dozen local artists and artisans who will join together with area art institutions to celebrate, display and sell artwork made from glass. There will also be live glassmaking demonstrations, food, beer and wine, music and family-oriented activities for the community to partake in.

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courtesy: karlis bogustovs

Monday July 10, 2017 | by Sarah Thaw

Themes of innovation and sustainability explored at decennial “Young Glass” juried exhibition

A lot can change in 10 years, and at the once-a-decade exhibition "Young Glass," the progression within glass art is on full display. Since it's launch in 1987 at the Glasmuseet Ebeltoft in Denmark, the competition has intended to inspire and encourage innovation in the realm of glass art. 

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William Traver and Sarah Traver pictured in the gallery with "White on Black Z Leaves" by Dante Marioni. photo: ben lerman/traver gallery

Monday June 26, 2017 | by Lindsay Hargrave

Traver Gallery turns 40 on July 7th, and there’s much to celebrate

On July 7, 2017, Traver Gallery, an icon in the Seattle glass art community as well as in the Studio Glass Movement, will turn 40, and it plans to celebrate with a party that evening. Founded in 1977, the gallery exhibits paintings, ceramics, and installation art of all kinds, but it has been the medium of glass where the gallery has had a particularly consequential role in developing the careers of artists as prominent as Bertil Vallien and Lino Tagliapietra. The gallery lays claim to helping discover such notable glass artists as Martin Blank, Sonja Blomdahl, Gregory Grenon, Doug Jeck, Dante Marioni, Preston Singletary, Therman Statom, and Jamie Walker. The story of the founding of the gallery by a young interior designer who discovered a need for better sourcing of local artists, is one of seizing an opportunity, and then executing it so well it changes the field. Seattle's role as an epicenter of glass art would not have been as firmly established without Traver's important role as a leading art dealer in the field.

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Matthew Szösz, untitled (inflatable) no.73, 2017. H 12 1/2 W 7 D 8 in. Glass. courtesy: Wheaton Arts

Monday May 29, 2017 | by Lindsay Hargrave

OPENING: Second “Emanation” at WheatonArts harnesses synergy between fabrication and concept

WheatonArts in Millville, New Jersey, is preparing to unveil its second “Emanation” exhibition during its long-running GlassWeekend event, a biennial gathering of collectors and artists to celebrate, discuss, buy and sell glass artwork coming up on June 9, 10 and 11, 2017. WheatonArts is a multi-dimensional nonprofit in Southern New Jersey, with programs ranging from a museum of American glass history to programming celebrating regional folk culture. But “Emanation,” initiated in 2015, is focused on the contemporary moment in art through an ambitious program to break down the barriers between fabricators and contemporary artists, something that other programs such as the high-profile Glasstress program by Berengo Studio in Venice don't directly address. Unlike that program, which brings well-known artists to Venice to have their ideas realized by glass masters, the "Emanation" project is based in the studios of WheatonArts' Creative Glass Center of America, best-known for its long-running fellowship program that allows artists free rein to realize experimental ideas at this unique facility. The New Jersey project is careful to avoid the one-way street of becoming a fabrication station. There are multiple efforts to create synergy between the artists and the facility, including during the installation of the exhibition component. The artists chosen for the second iteration of "Emanation" -- Emily Brown, Vanessa German, Michael Joo, Lorna Simpson, Therman Statom, Matthew Szösz, and the group Flock the Optic -- reveal varying levels of technical expertise working with glass, which creates interactions that cross-pollinate between artists approaching the project with different perspectives. 

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GLASS: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for 35 years.