Placeholder
Click here for updates about UrbanGlass' reopening

Viewing: Events


18449661 10154784749744527 8883891031391028962 O

photo courtesy of the Pilchuk Glass School Facebook page. 

Sunday June 28, 2020 | by Farah Rose Smith

Pilchuck Glass School announces cancellation of all 2020 programming, teaching artists to be paid anyway thanks to generous donor

With the uncertainty around containing the Covid-19 pandemic in the United States in general, and Washington state in particular, Pilchuck Glass School has announced it is cancelling all of its summer and fall programs and residencies for 2020. Included in the announcement was the positive news that an anonymous donor has gifted Pilchuck with sufficient funds to pay all artists who had been scheduled to teach the cancelled classes.

Continue Reading

50Th Gas Logos 02

photo courtesy of https://www.glassart.org/

Tuesday June 23, 2020 | by Farah Rose Smith

After a successful virtual conference, The Glass Art Society seeks diverse proposals for next year's 50th-anniversary conference in Tacoma, Washington

The 2021 Glass Art Society conference in Tacoma, Washington, was announced at the close of its successful first-ever Virtual Conference last month. Free and open to the public, the 2020 online event included awards ceremonies, demos, panel discussions, lectures, tours, and happy hours via live-stream and recorded video. Next year's event is planned to be an in-person gathering and proposals are now being accepted. The 2021 Conference will mark the organizations 50th year, and the landmark event is set to take place from May 19th through May 22nd. In a reflection of greater awareness of the work the glass-art field needs to do, the artist organization is encouraging presentations from diverse voices.

Continue Reading

Preston Exhibition Still2

A still from a virtual tour of the Preston Singletary exhibition "Artifacts from the Future" at Traver Gallery.

Thursday April 16, 2020 | by Farah Rose Smith

Using technology to connect artists and collectors during extended closure, Traver Gallery to host virtual happy hour with Preston Singletary

The Traver Gallery will host an "In Conversation" event with artist Preston Singletary on Thursday, April 16th, from 5 PM to 6 PM PDT (8 PM to 9 PM EST) to make up for the inability to host a real-time opening event around Singletary's ongoing exhibition "Artifacts from a Future Dream". The exhibition, which Singletary describes as "an homage to the future generations of Indigenous people", explores the the healing power of amulets, art, and shared stories. Topics to be discussed in this evening's conversation between the artist and gallery director Sarah Traver include stories and objects that inspired the artistic works, as well as the intersection of tradition and modern life.

Continue Reading

Friday March 27, 2020 | by Farah Rose Smith

INTERVIEW: David King discusses his postponed exhibition "Reduced to Uncertainty," which explores transience and loss

Because of the ongoing temporary closure of UrbanGlass and its Window Gallery due to COVID-19, David King's exhibition "Reduced to Uncertainty" will have to wait until at least April 30th to be featured in this area of the nonprofit's Agnes Varis Art Center that presents exhibitions, performances and other community-engagement programs of work by emerging artists in its ground-level Rockwell Street windows. (Glass Quarterly is a program of UrbanGlass.) The exhibition is part of a 2019-20 series curated by Yael Ebon of Tiger Strikes Asteroid Gallery. While you may have to wait to see the work in person, the Glass Quarterly Hot Sheet is sharing an in-depth conversation with David King about the highly personal work in the exhibition.

Continue Reading

Shelley Allen

Artist and curator Shelley Muzylowski Allen organized the "Invitation Glass Exhibition" coming up at Blue Rain in June.

Saturday March 21, 2020 | by Farah Rose Smith

A year in the making, June exhibition curated by Shelley Muzylowski Allen still on schedule at Blue Rain Gallery, depending on state of coronavirus crisis

Artist Shelley Muzylowski Allen is expanding her role, adding " curator" to her already extensive resume for an upcoming show at Blue Rain Gallery, intended to "expand our understanding and visual vocabulary in Studio Glass art," according to the show announcement. In light of the current health crisis, Blue Rain's Santa Fe location is temporarily closed to the public (though still offering private viewings by appointment), but the gallery's executive director Denise Phetteplace is hopeful that Allen's invitational exhibition featuring 22 artists will open as planned in three months' time. "Currently we are operating with some optimism," Phetteplace told the Glass Quarterly Hot Sheet in a telephone exchange. Acknowledging the importance of slowing the spread of the virus, the gallery is shuffling its schedule for the next two upcoming exhibitions, but Allen's invitational exhibition is at the moment set to run as scheduled, opening June 12th and running through the Fourth of July.

Continue Reading

2020 Studio Air Working Portrait 2 Peretti Sibylle 0

Sibylle Peretti at work in her New Orleans studio.

Thursday March 19, 2020 | by Farah Rose Smith

INTERVIEW: A conversation with Sibylle Peretti, whose upcoming Heller Gallery exhibition has been moved online

"Backwaters," an exhibition at the Heller Gallery of nine new major works by German-born glass artist Sibylle Peretti, will shift to an online exhibition in light of the ongoing coronavirus (COVID-19) crisis. The in-person gallery event has been indefinitely postponed, with the hope that improving conditions will allow the gallery to reopen. (Heller has temporarily closed its 10th Avenue gallery in the Chelsea art district of New York City, but can be reached via email or phone.) The online exhibition will open on April 2nd, 2020.

Continue Reading

1Ro

Siren, 2020. Skeleton model, Marble dust, Resin, Steel, fishing net. 64x28x18. photo courtesy: paul mutino

Friday March 13, 2020 | by Farah Rose Smith

Rachel Owens employs glass for museum installation in Connecticut that sifts specific historical site for exploration of identity, environment, and economics

"The Hypogean Tip," an exhibition featuring works in glass by artist Rachel Owens, will be on display at the Housatonic Museum of Art through March 21, 2020. The exhibition explores the history of Bridgeport, Connecticut, including sculptures rendered in various materials, including large-scale casts in broken glass from the porch of the home of Mary Freeman (listed on the National Register of Historic Places) and works cast in coal and marble dust that "invoke P.T. Barnum’s specter as well as his adverse impact." An extension of the larger "Life on the Other Side of a Cracked Glass Ceiling" project. The Hypogean Tip (The word Hypogean comes from the Greek words hypo (under) and Gaia (earth) together meaning underground), explores the history of Bridgeport through the lives of radical unmarried sisters of color Mary and Eliza Freeman, PT Barnum, and the ecology of the area affected by racism, industrialization, and capitalism from the turn of the century to present day.

Continue Reading

Think Tank 2014 3Bw

A scene from the 2014 edition of the Glass Virus.

Monday March 2, 2020 | by Farah Rose Smith

CALL FOR ABSTRACTS: The Glass Virus Think Tank VI, with the theme "Relevance of Critical Making: Practice and Education," will take place this November in Amsterdam

The Glass Virus, a Think Tank for educational strategies, is inviting researchers and postgraduates to submit abstracts for Relevance of Critical Making: Practice and Education Think Tank VI to be held at the Rietveld Academie, Amsterdam, November 6-7, 2020. The deadline to submit abstracts is March 23, 2020.

Continue Reading

Toots Zynsky Portrait

A portrait of Toots Zynsky by Mary Van Cline as part of her ongoing "Documenta" project.

Thursday February 27, 2020 | by Farah Rose Smith

Vermont glass-artist group to celebrate tenth anniversary with Toots Zynsky lecture and member exhibition

Ten years ago, a group of glass artists decided to form a guild as a way to procure more buying power, market collectively, and simply to build a community in a large, mostly-rural New England state. The Vermont Glass Guild, a non-profit organization that now numbers more than 40 Vermont-based glass artists, will be celebrating their 10th Anniversary on May 9, 2020, with a hybrid exhibition and lecture event at the Southern Vermont Art Center's Wilson Museum that will feature a presentation by New England-based glass artist Toots Zynsky.

Continue Reading

Dan Dailey 02 Dubious

Dan Dailey, Dubious from the series Individuals, 2011. Blown, sandblasted, and acid-polished glass; metal. photo: bill truslow. © dan dailey

Thursday February 20, 2020 | by Farah Rose Smith

OPENING: Dan Dailey's portraiture explored in "Character Sketch" exhibition at Chrysler Museum

"Dan Dailey: Character Sketch," an exhibition focusing on figurative work of prolific glass artist Dan Dailey, opens this Friday. The work will be on view at The Chrysler Museum from February 21 to May 31, 2020. The Chrysler-curated show will feature 33 artworks and span the artist’s 40-year career. The museum's Carolyn and Richard Barry Curator of Glass Carolyn Swan Needell has written a catalog to accompany the exhibition. Subjective and narrative in nature, Dailey’s work is “inspired by the human character and based upon his direct observation of the world,” reads the exhibition announcement. The artist "articulates his perceptions and thoughts about humanity through the medium of glass, pushing the material to new frontiers in order to tell stories about human nature," the announcement continues. Dailey is known as one of the most unique voices within the field of contemporary glass, and the exhibition will include blown and hot-worked glass vases and sculpture, glass cane murals, wall reliefs made from Vitrolite, industrial colored glass, as well as his original drawings.

Continue Reading

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.