Opeyemi "Ope" Omojola was an artist-in-residence at the UrbanGlass Bead Project in the Fall of 2019 (Disclosure: The Hot Sheet is a program of the nonprofit art center UrbanGlass.) and she is looking forward to returning to the studios as borosilicate glass is figuring more and more into her work. Omojola owns Octave Jewelry, a company that is inspired by the balance between sharp geometry and soft organic form, showcasing kinetic pieces are inspired by both the infinite malleability of metal and the permanence of stone.
With the uncertainty around containing the Covid-19 pandemic in the United States in general, and Washington state in particular, Pilchuck Glass School has announced it is cancelling all of its summer and fall programs and residencies for 2020. Included in the announcement was the positive news that an anonymous donor has gifted Pilchuck with sufficient funds to pay all artists who had been scheduled to teach the cancelled classes.
Brooklyn-based glass architectural and interior designer Allison Eden, who has been designing handmade glass and tile mosaics in New York City, has started a new artistic venture: fashionable mask-making. Graduating in 1995 with a degree in fashion from FIT, Eden originally parlayed her clothing design skills to elaborately patterned glass tile mosaics, which have attracted a celebrity clientele. With the downturn in the home design business during the pandemic, Eden has refocused her design studio on a fashion-forward mask line, which started as her personal effort to stay safe at a museum opening as the pandemic started to arrive in NYC in March 2020.
The 2021 Glass Art Society conference in Tacoma, Washington, was announced at the close of its successful first-ever Virtual Conference last month. Free and open to the public, the 2020 online event included awards ceremonies, demos, panel discussions, lectures, tours, and happy hours via live-stream and recorded video. Next year's event is planned to be an in-person gathering and proposals are now being accepted. The 2021 Conference will mark the organizations 50th year, and the landmark event is set to take place from May 19th through May 22nd. In a reflection of greater awareness of the work the glass-art field needs to do, the artist organization is encouraging presentations from diverse voices.
The 2020 Glass Art Society Conference scheduled to take place in Småland, Sweden became one of the countless events to be scrapped due to the global Covid-19 pandemic. But that won't mean this year will miss the annual gathering of the glass tribe. Kicking off at 10 AM Seattle time on Thursday, May 21st, and running through Saturday the 23rd (the original events scheduled dates) much of the planned program will be in place for the first-ever, totally-online event. The Virtual Conference will be free and open to the public via live-streamed and recorded video. Awards ceremonies, demos, panel discussions, lectures, tours, happy hours, and more will all be available. The goblet grab, portfolio review, and silent auction will all be part of the three-day event. There will even be a virtual version of the prized conference t-shirt, as well as a video experience of the annual collectors' tour.
Nancy Callan’s artistic voice as a glass sculptor reflects her high-level training and talents. Callan attended the Massachusetts College of Art (BFA 1996) and lives in Seattle, where she is part of the vibrant Northwest glass community. On April 18th, 2020, she conducted a Virtual Tour of her Seattle studio. She showed attendees how she creates complex glass patterns. She also highlighted several of her popular series: "Droplets", "Panels", and "Palomas".
The Traver Gallery will host an "In Conversation" event with artist Preston Singletary on Thursday, April 16th, from 5 PM to 6 PM PDT (8 PM to 9 PM EST) to make up for the inability to host a real-time opening event around Singletary's ongoing exhibition "Artifacts from a Future Dream". The exhibition, which Singletary describes as "an homage to the future generations of Indigenous people", explores the the healing power of amulets, art, and shared stories. Topics to be discussed in this evening's conversation between the artist and gallery director Sarah Traver include stories and objects that inspired the artistic works, as well as the intersection of tradition and modern life.
Australian glass artist Mel Douglas, whose works (according to her own words) "explore and interweave the creative possibilities of this liminal space" has won the coveted Tom Malone Prize of 2020 for her work Tonal Value (2019). The Tom Malone Prize is a highly respected national event within the Australian glass arts community. Each year’s winning entrant is awarded AUD $15,000 and their work becomes a part of the State Art Collection where it joins works by previous winners. Now in its 18th year, the Tom Malone Prize continues with the generous support of Ms Sheryl Grimwood, AGWA Foundation Benefactor.
Amid the ongoing Covid-19 crisis, museums, galleries, and auction houses have temporarily closed their doors to the public, and many exhibitions have been postponed for weeks until the lifting of a government-ordered shut down to stem the spread of the pandemic. But Chicago based Wright (and its New York/New Jersey-partner Rago, with which it merged business operations in 2019) will proceed with its much anticipated April 2nd auction of "Important Italian Glass," with individual estimates up to half a million dollars and rarely seen works by Carlo Scarpa, Nicolò Barovier, Tomaso Buzzi, and Ercole Barovier, among the more than 100 works available for sale.
Because of the ongoing temporary closure of UrbanGlass and its Window Gallery due to COVID-19, David King's exhibition "Reduced to Uncertainty" will have to wait until at least April 30th to be featured in this area of the nonprofit's Agnes Varis Art Center that presents exhibitions, performances and other community-engagement programs of work by emerging artists in its ground-level Rockwell Street windows. (Glass Quarterly is a program of UrbanGlass.) The exhibition is part of a 2019-20 series curated by Yael Ebon of Tiger Strikes Asteroid Gallery. While you may have to wait to see the work in person, the Glass Quarterly Hot Sheet is sharing an in-depth conversation with David King about the highly personal work in the exhibition.
Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.