Viewing: Announcements

The Corning Museum of Glass's 2024 residents (top to bottom from top left): Ali Hoag, Fatma Çiftçi, Peadar Lamb, Debbie Dawson, Catie Newell, Ross Delano, Percy Echols II, Runa Kosogawa, Jason McDonald, Brie Ruais, Birgit Maixner, Joe Stadolnik.

Thursday February 1, 2024 | by Jana Elsayed

The Studio at The Corning Museum of Glass announces 2024 residencies

FILED UNDER: Announcements

Not long after announcing the completion of phase one of their expansion and renovation, The Studio at The Corning Museum of Glass announced its 2024 roster of residencies. The artists and scholars chosen for 2024 will fill 12 residencies that include the Black, Indigenous, and People of Color (BIPOC) Residency; the Instructor Collaborative Residency; the Burke Residency; the David Whitehouse Research Residency for Artists; and the David Whitehouse Research Residency for Scholars.

Architectural rendering of the expansion project done by Saunders + Crouse Architects

Wednesday December 20, 2023 | by Jana Elsayed

The Barry Art Museum in Norfolk, Virginia, will double in size thanks to longtime friendship between art-collecting families

FILED UNDER: Announcements, Museums

Richard and Carolyn Barry, the founders of the Barry Art Museum at Old Dominion University in Norfolk, Virginia, are planning a major expansion, with the institution that bears their name doubling in size with the planned addition of the Waitzer Wing, named after their late art-collector mentors, philanthropists Richard and Leah Waitzer, who died in 2019 and 2021 respectively. The two couples not only shared a love of art, but the older pair were instrumental in inspiringthe Barrys to begin their collecting many years earlier. That the Weitzer collection would end up finding a home within the museum built to house much of the Barry collection is just the latest development in the intertwined histories of two art-collecting couples.

Steffen Dam, ‘toilettransformation’, 2020.
Permanent installation. photo courtesy of https://glasmuseet.dk/presse/?lang=en

Wednesday July 15, 2020 | by Farah Rose Smith

INSTALLATION: "Journey to M31" permanent exhibit by Steffen Dam at Glasmuseet Ebeltoft features glass cabinet

FILED UNDER: Announcements, Events, Exhibition, News, Opening

Journey to M31, A Toilet Transformation by Steffen Dam is a new site-specific permanent installation at Glasmuseet Ebeltoft, a contemporary glass museum in Denmark. Dam is a Danish artist who's been working with glass for over 30 years. Originally trained as a toolmaker, Dam merges casting and grinding techniques from other mediums, and has pioneered a unique body of work that frequently references aquatic specimens. The installation, his most comprehensive work to date, was made possible through a donation from The New Carlsberg Foundation. It occupies the former restroom on the first floor of the museum and the artist, who is represented in the U.S. by New York's Heller Gallery, suggests it be considered as a sort of 'Cabinet of Curiosities.'

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photo courtesy of the Pilchuk Glass School Facebook page.

Sunday June 28, 2020 | by Farah Rose Smith

Pilchuck Glass School announces cancellation of all 2020 programming, teaching artists to be paid anyway thanks to generous donor

FILED UNDER: Announcements, Education, Events, News

With the uncertainty around containing the Covid-19 pandemic in the United States in general, and Washington state in particular, Pilchuck Glass School has announced it is cancelling all of its summer and fall programs and residencies for 2020. Included in the announcement was the positive news that an anonymous donor has gifted Pilchuck with sufficient funds to pay all artists who had been scheduled to teach the cancelled classes.

photo courtesy of https://www.glassart.org/

Tuesday June 23, 2020 | by Farah Rose Smith

After a successful virtual conference, The Glass Art Society seeks diverse proposals for next year's 50th-anniversary conference in Tacoma, Washington

FILED UNDER: Announcements, Call for Submissions, Events, News

The 2021 Glass Art Society conference in Tacoma, Washington, was announced at the close of its successful first-ever Virtual Conference last month. Free and open to the public, the 2020 online event included awards ceremonies, demos, panel discussions, lectures, tours, and happy hours via live-stream and recorded video. Next year's event is planned to be an in-person gathering and proposals are now being accepted. The 2021 Conference will mark the organizations 50th year, and the landmark event is set to take place from May 19th through May 22nd. In a reflection of greater awareness of the work the glass-art field needs to do, the artist organization is encouraging presentations from diverse voices.

A still from a virtual tour of the Preston Singletary exhibition "Artifacts from the Future" at Traver Gallery.

Thursday April 16, 2020 | by Farah Rose Smith

Using technology to connect artists and collectors during extended closure, Traver Gallery to host virtual happy hour with Preston Singletary

FILED UNDER: Announcements, Events, Exhibition, News, Video

The Traver Gallery will host an "In Conversation" event with artist Preston Singletary on Thursday, April 16th, from 5 PM to 6 PM PDT (8 PM to 9 PM EST) to make up for the inability to host a real-time opening event around Singletary's ongoing exhibition "Artifacts from a Future Dream". The exhibition, which Singletary describes as "an homage to the future generations of Indigenous people", explores the the healing power of amulets, art, and shared stories. Topics to be discussed in this evening's conversation between the artist and gallery director Sarah Traver include stories and objects that inspired the artistic works, as well as the intersection of tradition and modern life.

courtesy: the artist

Saturday April 4, 2020 | by Farah Rose Smith

INTERVIEW: Mel Douglas, who took top honors and AUD $15,000 in the 2020 Tom Malone Prize, discusses inspiration and process

FILED UNDER: Announcements, Award, News

Australian glass artist Mel Douglas, whose works (according to her own words) "explore and interweave the creative possibilities of this liminal space" has won the coveted Tom Malone Prize of 2020 for her work Tonal Value (2019). The Tom Malone Prize is a highly respected national event within the Australian glass arts community. Each year’s winning entrant is awarded AUD $15,000 and their work becomes a part of the State Art Collection where it joins works by previous winners. Now in its 18th year, the Tom Malone Prize continues with the generous support of Ms Sheryl Grimwood, AGWA Foundation Benefactor.

Friday March 27, 2020 | by Farah Rose Smith

INTERVIEW: David King discusses his postponed exhibition "Reduced to Uncertainty," which explores transience and loss

FILED UNDER: Announcements, Artist Interviews, Events, Exhibition, News, Opening

Because of the ongoing temporary closure of UrbanGlass and its Window Gallery due to COVID-19, David King's exhibition "Reduced to Uncertainty" will have to wait until at least April 30th to be featured in this area of the nonprofit's Agnes Varis Art Center that presents exhibitions, performances and other community-engagement programs of work by emerging artists in its ground-level Rockwell Street windows. (Glass Quarterly is a program of UrbanGlass.) The exhibition is part of a 2019-20 series curated by Yael Ebon of Tiger Strikes Asteroid Gallery. While you may have to wait to see the work in person, the Glass Quarterly Hot Sheet is sharing an in-depth conversation with David King about the highly personal work in the exhibition.

Artist and curator Shelley Muzylowski Allen organized the "Invitation Glass Exhibition" coming up at Blue Rain in June.

Saturday March 21, 2020 | by Farah Rose Smith

A year in the making, June exhibition curated by Shelley Muzylowski Allen still on schedule at Blue Rain Gallery, depending on state of coronavirus crisis

FILED UNDER: Announcements, Events, Exhibition, New Work, Opening

Artist Shelley Muzylowski Allen is expanding her role, adding " curator" to her already extensive resume for an upcoming show at Blue Rain Gallery, intended to "expand our understanding and visual vocabulary in Studio Glass art," according to the show announcement. In light of the current health crisis, Blue Rain's Santa Fe location is temporarily closed to the public (though still offering private viewings by appointment), but the gallery's executive director Denise Phetteplace is hopeful that Allen's invitational exhibition featuring 22 artists will open as planned in three months' time. "Currently we are operating with some optimism," Phetteplace told the Glass Quarterly Hot Sheet in a telephone exchange. Acknowledging the importance of slowing the spread of the virus, the gallery is shuffling its schedule for the next two upcoming exhibitions, but Allen's invitational exhibition is at the moment set to run as scheduled, opening June 12th and running through the Fourth of July.

Siren, 2020. Skeleton model, Marble dust, Resin, Steel, fishing net. 64x28x18. photo courtesy: paul mutino

Friday March 13, 2020 | by Farah Rose Smith

Rachel Owens employs glass for museum installation in Connecticut that sifts specific historical site for exploration of identity, environment, and economics

FILED UNDER: Announcements, Events, Exhibition, News, On Other Blogs

"The Hypogean Tip," an exhibition featuring works in glass by artist Rachel Owens, will be on display at the Housatonic Museum of Art through March 21, 2020. The exhibition explores the history of Bridgeport, Connecticut, including sculptures rendered in various materials, including large-scale casts in broken glass from the porch of the home of Mary Freeman (listed on the National Register of Historic Places) and works cast in coal and marble dust that "invoke P.T. Barnum’s specter as well as his adverse impact." An extension of the larger "Life on the Other Side of a Cracked Glass Ceiling" project. The Hypogean Tip (The word Hypogean comes from the Greek words hypo (under) and Gaia (earth) together meaning underground), explores the history of Bridgeport through the lives of radical unmarried sisters of color Mary and Eliza Freeman, PT Barnum, and the ecology of the area affected by racism, industrialization, and capitalism from the turn of the century to present day.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.