"The Hypogean Tip," an exhibition featuring works in glass by artist Rachel Owens, will be on display at the Housatonic Museum of Art through March 21, 2020. The exhibition explores the history of Bridgeport, Connecticut, including sculptures rendered in various materials, including large-scale casts in broken glass from the porch of the home of Mary Freeman (listed on the National Register of Historic Places) and works cast in coal and marble dust that "invoke P.T. Barnum’s specter as well as his adverse impact." An extension of the larger "Life on the Other Side of a Cracked Glass Ceiling" project. The Hypogean Tip (The word Hypogean comes from the Greek words hypo (under) and Gaia (earth) together meaning underground), explores the history of Bridgeport through the lives of radical unmarried sisters of color Mary and Eliza Freeman, PT Barnum, and the ecology of the area affected by racism, industrialization, and capitalism from the turn of the century to present day.
From June 18th through the 21st, 2015 the American Glass Guild will kick off its 10th Anniversary Conference in Rockville, Maryland, and Washington, DC. The event will include workshops by leading stained-glass artists as well as lectures and demonstrations. The three-day event will be preceded by The Annual Live Auction, which raises funds for the James Whitney Memorial Scholarship. Accompanying the whole event will be the exhibition "American Glass Now," a showcase of the most recognized stained-glass works from 2015. On a special note is the special event at the spectacular National Cathedral.
The cable-and-glass multi-story atrium window designed by James Carpenter, seen here directly across from the obelisk, was not affected by the spontaneous shattering of a sixth-story window on another face of the complex on last Friday afternoon.
Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.