Journey to M31, A Toilet Transformation by Steffen Dam is a new site-specific permanent installation at Glasmuseet Ebeltoft, a contemporary glass museum in Denmark. Dam is a Danish artist who's been working with glass for over 30 years. Originally trained as a toolmaker, Dam merges casting and grinding techniques from other mediums, and has pioneered a unique body of work that frequently references aquatic specimens. The installation, his most comprehensive work to date, was made possible through a donation from The New Carlsberg Foundation. It occupies the former restroom on the first floor of the museum and the artist, who is represented in the U.S. by New York's Heller Gallery, suggests it be considered as a sort of 'Cabinet of Curiosities.'
With the uncertainty around containing the Covid-19 pandemic in the United States in general, and Washington state in particular, Pilchuck Glass School has announced it is cancelling all of its summer and fall programs and residencies for 2020. Included in the announcement was the positive news that an anonymous donor has gifted Pilchuck with sufficient funds to pay all artists who had been scheduled to teach the cancelled classes.
The 2021 Glass Art Society conference in Tacoma, Washington, was announced at the close of its successful first-ever Virtual Conference last month. Free and open to the public, the 2020 online event included awards ceremonies, demos, panel discussions, lectures, tours, and happy hours via live-stream and recorded video. Next year's event is planned to be an in-person gathering and proposals are now being accepted. The 2021 Conference will mark the organizations 50th year, and the landmark event is set to take place from May 19th through May 22nd. In a reflection of greater awareness of the work the glass-art field needs to do, the artist organization is encouraging presentations from diverse voices.
The Traver Gallery will host an "In Conversation" event with artist Preston Singletary on Thursday, April 16th, from 5 PM to 6 PM PDT (8 PM to 9 PM EST) to make up for the inability to host a real-time opening event around Singletary's ongoing exhibition "Artifacts from a Future Dream". The exhibition, which Singletary describes as "an homage to the future generations of Indigenous people", explores the the healing power of amulets, art, and shared stories. Topics to be discussed in this evening's conversation between the artist and gallery director Sarah Traver include stories and objects that inspired the artistic works, as well as the intersection of tradition and modern life.
Australian glass artist Mel Douglas, whose works (according to her own words) "explore and interweave the creative possibilities of this liminal space" has won the coveted Tom Malone Prize of 2020 for her work Tonal Value (2019). The Tom Malone Prize is a highly respected national event within the Australian glass arts community. Each year’s winning entrant is awarded AUD $15,000 and their work becomes a part of the State Art Collection where it joins works by previous winners. Now in its 18th year, the Tom Malone Prize continues with the generous support of Ms Sheryl Grimwood, AGWA Foundation Benefactor.
Because of the ongoing temporary closure of UrbanGlass and its Window Gallery due to COVID-19, David King's exhibition "Reduced to Uncertainty" will have to wait until at least April 30th to be featured in this area of the nonprofit's Agnes Varis Art Center that presents exhibitions, performances and other community-engagement programs of work by emerging artists in its ground-level Rockwell Street windows. (Glass Quarterly is a program of UrbanGlass.) The exhibition is part of a 2019-20 series curated by Yael Ebon of Tiger Strikes Asteroid Gallery. While you may have to wait to see the work in person, the Glass Quarterly Hot Sheet is sharing an in-depth conversation with David King about the highly personal work in the exhibition.
"Backwaters," an exhibition at the Heller Gallery of nine new major works by German-born glass artist Sibylle Peretti, will shift to an online exhibition in light of the ongoing coronavirus (COVID-19) crisis. The in-person gallery event has been indefinitely postponed, with the hope that improving conditions will allow the gallery to reopen. (Heller has temporarily closed its 10th Avenue gallery in the Chelsea art district of New York City, but can be reached via email or phone.) The online exhibition will open on April 2nd, 2020.
"The Hypogean Tip," an exhibition featuring works in glass by artist Rachel Owens, will be on display at the Housatonic Museum of Art through March 21, 2020. The exhibition explores the history of Bridgeport, Connecticut, including sculptures rendered in various materials, including large-scale casts in broken glass from the porch of the home of Mary Freeman (listed on the National Register of Historic Places) and works cast in coal and marble dust that "invoke P.T. Barnum’s specter as well as his adverse impact." An extension of the larger "Life on the Other Side of a Cracked Glass Ceiling" project. The Hypogean Tip (The word Hypogean comes from the Greek words hypo (under) and Gaia (earth) together meaning underground), explores the history of Bridgeport through the lives of radical unmarried sisters of color Mary and Eliza Freeman, PT Barnum, and the ecology of the area affected by racism, industrialization, and capitalism from the turn of the century to present day.
The Glass Virus, a Think Tank for educational strategies, is inviting researchers and postgraduates to submit abstracts for Relevance of Critical Making: Practice and Education Think Tank VI to be held at the Rietveld Academie, Amsterdam, November 6-7, 2020. The deadline to submit abstracts is March 23, 2020.
Graduate from an MFA program in the past five years? An exceptional opportunity for artists in fiber, metal, glass, or wood -- a nine-month residency in Richmond, Virginia -- is now accepting applications. The VCUarts Fountainhead Fellowship in Craft/Material Studies provides opportunities to concentrate on advancing your artist practice, community building, gaining teaching experience, and participating in what the announcement describes as "a vital, interdisciplinary, socially progressive community of artists." The Fountainhead Fellowship is a joint project of Virginia Commonwealth University’s School of the Arts, the Departments of Craft/Material Studies, Painting + Printmaking, and Sculpture + Extended Media as well as Fountainhead Development Services. One of many degree-offering schools at VCU, the School of the Arts comprises 18 bachelor's degree programs and six master's degree programs.
Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.