Viewing articles by Farah Rose Smith

Friday March 27, 2020 | by Farah Rose Smith

INTERVIEW: David King discusses his postponed exhibition "Reduced to Uncertainty," which explores transience and loss

FILED UNDER: Announcements, Artist Interviews, Events, Exhibition, News, Opening

Because of the ongoing temporary closure of UrbanGlass and its Window Gallery due to COVID-19, David King's exhibition "Reduced to Uncertainty" will have to wait until at least April 30th to be featured in this area of the nonprofit's Agnes Varis Art Center that presents exhibitions, performances and other community-engagement programs of work by emerging artists in its ground-level Rockwell Street windows. (Glass Quarterly is a program of UrbanGlass.) The exhibition is part of a 2019-20 series curated by Yael Ebon of Tiger Strikes Asteroid Gallery. While you may have to wait to see the work in person, the Glass Quarterly Hot Sheet is sharing an in-depth conversation with David King about the highly personal work in the exhibition.

Artist and curator Shelley Muzylowski Allen organized the "Invitation Glass Exhibition" coming up at Blue Rain in June.

Saturday March 21, 2020 | by Farah Rose Smith

A year in the making, June exhibition curated by Shelley Muzylowski Allen still on schedule at Blue Rain Gallery, depending on state of coronavirus crisis

FILED UNDER: Announcements, Events, Exhibition, New Work, Opening

Artist Shelley Muzylowski Allen is expanding her role, adding " curator" to her already extensive resume for an upcoming show at Blue Rain Gallery, intended to "expand our understanding and visual vocabulary in Studio Glass art," according to the show announcement. In light of the current health crisis, Blue Rain's Santa Fe location is temporarily closed to the public (though still offering private viewings by appointment), but the gallery's executive director Denise Phetteplace is hopeful that Allen's invitational exhibition featuring 22 artists will open as planned in three months' time. "Currently we are operating with some optimism," Phetteplace told the Glass Quarterly Hot Sheet in a telephone exchange. Acknowledging the importance of slowing the spread of the virus, the gallery is shuffling its schedule for the next two upcoming exhibitions, but Allen's invitational exhibition is at the moment set to run as scheduled, opening June 12th and running through the Fourth of July.

2020 Studio Air Working Portrait 2 Peretti Sibylle 0

Sibylle Peretti at work in her New Orleans studio.

Thursday March 19, 2020 | by Farah Rose Smith

INTERVIEW: A conversation with Sibylle Peretti, whose upcoming Heller Gallery exhibition has been moved online

FILED UNDER: Artist Interviews, Events, Exhibition, New Work, News, Opening, Public Art

"Backwaters," an exhibition at the Heller Gallery of nine new major works by German-born glass artist Sibylle Peretti, will shift to an online exhibition in light of the ongoing coronavirus (COVID-19) crisis. The in-person gallery event has been indefinitely postponed, with the hope that improving conditions will allow the gallery to reopen. (Heller has temporarily closed its 10th Avenue gallery in the Chelsea art district of New York City, but can be reached via email or phone.) The online exhibition will open on April 2nd, 2020.

The Metropolitan Museum of Art, New York City. courtesy: creative commons. photo: carlos delgado

Saturday March 14, 2020 | by Farah Rose Smith

Glass-art exhibition venues around the U.S. cancelling public programs or closing altogether to help stem spread of coronavirus

The Metropolitan Museum of Art, perhaps the most revered art museum in the U.S., has closed its doors as a precaution against the spread of COVID-19 in New York City, where the mayor has declared a state of emergency. This flagship museum has closed before due to major threats -- after 9/11 in 2001 and Hurricane Sandy in 2012 -- but unlike those brief days-long closures, this break will run at least from March 13th, 2020, through March 31st, 2020, and could even go longer depending on the evolving conditions. The Met is among a lengthy list of art museums and institutions in New York City taking safety precautions against large gatherings, and includes all large Broadway theaters, Carnegie Hall, all stages of Lincoln Center, as well as other major art museums.

Siren, 2020. Skeleton model, Marble dust, Resin, Steel, fishing net. 64x28x18. photo courtesy: paul mutino

Friday March 13, 2020 | by Farah Rose Smith

Rachel Owens employs glass for museum installation in Connecticut that sifts specific historical site for exploration of identity, environment, and economics

FILED UNDER: Announcements, Events, Exhibition, News, On Other Blogs

"The Hypogean Tip," an exhibition featuring works in glass by artist Rachel Owens, will be on display at the Housatonic Museum of Art through March 21, 2020. The exhibition explores the history of Bridgeport, Connecticut, including sculptures rendered in various materials, including large-scale casts in broken glass from the porch of the home of Mary Freeman (listed on the National Register of Historic Places) and works cast in coal and marble dust that "invoke P.T. Barnum’s specter as well as his adverse impact." An extension of the larger "Life on the Other Side of a Cracked Glass Ceiling" project. The Hypogean Tip (The word Hypogean comes from the Greek words hypo (under) and Gaia (earth) together meaning underground), explores the history of Bridgeport through the lives of radical unmarried sisters of color Mary and Eliza Freeman, PT Barnum, and the ecology of the area affected by racism, industrialization, and capitalism from the turn of the century to present day.

courtesy: mary childs and the duncan mcclellan gallery

Tuesday March 10, 2020 | by Farah Rose Smith

After the success of the 2019 GAS conference, St. Petersburg glass-art venues celebrate the "Glass Coast"

Energized by their successful run as the host city of the 2019 Glass Art Society Conference, St. Petersburg's vibrant, contemporary local glass community have come together for a glass-centric event which will "acquaint people with the art of the glass medium and the area artists working in glass," according to the event announcement. Taking place from March 26, 2020, to March 29, 2020, the self-titled "Glass Coast" celebration will feature demonstrations and lectures by local and visiting artists, with the goal to educate the public about American and International glass art.

The artist in her studio. photo courtesy: james schnepf and the american craft council.

Wednesday March 4, 2020 | by Farah Rose Smith

CONVERSATION: Shayna Leib talks flow, glass, and movement

FILED UNDER: Artist Interviews, Exhibition, Image Gallery

Shayna Leib, whose artwork ranges from undulating undersea plant life to glistening, hyper-realistic French pastries, has appeared in 75 exhibitions since graduating from University of Wisconsin, Madison, with an MFA in glass in 2003. Her "Pâtisserie" series is currently on view in a group exhibition titled "Céramiques Gourmandes" at the Bernardaud Fondation in Limoges, France. While her impeccable desserts realized in glass and ceramic are the product of her intense precision and technical mastery, Leib's sea-inspired work is more spontaneous and flowing, inspired by her love of diving and attraction to the aquatic world. Her "Deep Aquarium" series was acquired for the permanent collection of The Deep aquarium in Hull, England.

A scene from the 2014 edition of the Glass Virus.

Monday March 2, 2020 | by Farah Rose Smith

CALL FOR ABSTRACTS: The Glass Virus Think Tank VI, with the theme "Relevance of Critical Making: Practice and Education," will take place this November in Amsterdam

FILED UNDER: Announcements, Call for Submissions, Events, News

The Glass Virus, a Think Tank for educational strategies, is inviting researchers and postgraduates to submit abstracts for Relevance of Critical Making: Practice and Education Think Tank VI to be held at the Rietveld Academie, Amsterdam, November 6-7, 2020. The deadline to submit abstracts is March 23, 2020.

A portrait of Toots Zynsky by Mary Van Cline as part of her ongoing "Documenta" project.

Thursday February 27, 2020 | by Farah Rose Smith

Vermont glass-artist group to celebrate tenth anniversary with Toots Zynsky lecture and member exhibition

FILED UNDER: Announcements, Events, Exhibition

Ten years ago, a group of glass artists decided to form a guild as a way to procure more buying power, market collectively, and simply to build a community in a large, mostly-rural New England state. The Vermont Glass Guild, a non-profit organization that now numbers more than 40 Vermont-based glass artists, will be celebrating their 10th Anniversary on May 9, 2020, with a hybrid exhibition and lecture event at the Southern Vermont Art Center's Wilson Museum that will feature a presentation by New England-based glass artist Toots Zynsky.

Tuesday February 25, 2020 | by Farah Rose Smith

CALL FOR APPLICATIONS: The VCUarts Fountainhead Fellowship offers a 9-month residency with housing and stipend for recent MFA grads

FILED UNDER: Announcements, Call for Submissions, Fellowship, News

Graduate from an MFA program in the past five years? An exceptional opportunity for artists in fiber, metal, glass, or wood -- a nine-month residency in Richmond, Virginia -- is now accepting applications. The VCUarts Fountainhead Fellowship in Craft/Material Studies provides opportunities to concentrate on advancing your artist practice, community building, gaining teaching experience, and participating in what the announcement describes as "a vital, interdisciplinary, socially progressive community of artists." The Fountainhead Fellowship is a joint project of Virginia Commonwealth University’s School of the Arts, the Departments of Craft/Material Studies, Painting + Printmaking, and Sculpture + Extended Media as well as Fountainhead Development Services. One of many degree-offering schools at VCU, the School of the Arts comprises 18 bachelor's degree programs and six master's degree programs.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.