Viewing: Events

Dan Dailey, Dubious from the series Individuals, 2011. Blown, sandblasted, and acid-polished glass; metal. photo: bill truslow. © dan dailey

Thursday February 20, 2020 | by Farah Rose Smith

OPENING: Dan Dailey's portraiture explored in "Character Sketch" exhibition at Chrysler Museum

FILED UNDER: Announcements, Artist Interviews, Events, Exhibition, Museums

"Dan Dailey: Character Sketch," an exhibition focusing on figurative work of prolific glass artist Dan Dailey, opens this Friday. The work will be on view at The Chrysler Museum from February 21 to May 31, 2020. The Chrysler-curated show will feature 33 artworks and span the artist’s 40-year career. The museum's Carolyn and Richard Barry Curator of Glass Carolyn Swan Needell has written a catalog to accompany the exhibition. Subjective and narrative in nature, Dailey’s work is “inspired by the human character and based upon his direct observation of the world,” reads the exhibition announcement. The artist "articulates his perceptions and thoughts about humanity through the medium of glass, pushing the material to new frontiers in order to tell stories about human nature," the announcement continues. Dailey is known as one of the most unique voices within the field of contemporary glass, and the exhibition will include blown and hot-worked glass vases and sculpture, glass cane murals, wall reliefs made from Vitrolite, industrial colored glass, as well as his original drawings.

Jennifer Caldwell and Jason Chakravarty, Small Octopus/Purple. Lampworked glass. H 3 1/2, W 8, D 3 1/2 in.

Thursday February 20, 2020 | by Farah Rose Smith

EXHIBITION: "Fins, Whales, and Octopus Tales" gathers a diverse range of ocean-themed work in glass for Texas gallery show

FILED UNDER: Announcements, Artist Interviews, Events, Exhibition, News

"Fins, Whales, and Octopus Tales" is the title of a lively group exhibition of contemporary glass art concerned with depicting the undersea world. While all the work in the exhibition shares an association with the sea, Barbara Kittrell, curator and co-founder of the Kittrell/Riffkind Gallery in Dallas, Texas, didn't want to lock the artists into narrow parameters when she invited them to be in the show, which runs until March 1, 2020.

A Tiffany mosaic adorns a chapel wall at St. Michael's Episcopal Church in Manhattan, where the Art Glass Forum meets.

Tuesday February 4, 2020 | by Farah Rose Smith

CALL FOR SUBMISSIONS: New York glass art and design group invites emerging scholars to submit papers

FILED UNDER: Announcements, Call for Submissions, Events, News

The Art Glass Forum | New York invites submissions for short papers to be presented at its third annual Emerging Scholars Lecture exploring the use or history of glass as an artistic medium. This group of glass collectors, dealers, curators, and aficionados seek proposals from current and recent graduate students as well as young professionals for a 20-minute illustrated lecture that presents original research. The purpose of the Emerging Scholars Lecture is to "provide a forum for sharing and discussing new research and discoveries with a community of glass scholars and enthusiasts," according to the group's website.

Former Corning curator of modern and contemporary glass Tina Oldknow pictured in 2012. courtesy: the corning museum of glass

Tuesday March 20, 2018 | by Allison Adler

LECTURE: Tina Oldknow will dissect the American Studio Glass Movement in New York City presentation

FILED UNDER: Events

This Thursday, curator and critic Tina Oldknow will present a public lecture “A Short History of the American Studio Glass Movement, from Beginning to End” at the Bard Graduate Center in New York City. Oldknow, who describes her upcoming talk as an “informal recap of the history of the American Studio Glass movement,” brings a unique perspective to this topic as she presided over the restructuring and expansion of the contemporary glass collections at The Corning Museum of Glass and its Contemporary Art and Design Gallery. This new wing debuted in 2015, adding thousands of feet of exhibition space for new, larger-scale artworks in glass, while also creating new opportunities to define the Studio Glass movement and its influence on contemporary artists working in the material. She explained, “I feel it is important to distinguish what happened in the United States from what happened in Europe, Australia, and Japan, for example, because all those histories are parallel but separate.”

Thursday March 15, 2018 | by Allison Adler

An up-and-coming Boca Raton art fair features new work in glass at the display of Berengo Studio

FILED UNDER: Events

The third edition of the relatively new art fair Art Boca Raton is underway this evening and through the weekend with a mix of international and Florida galleries representing over 250 contemporary artists whose work hbas taken over the International Pavilion of the Palm Beaches at Florida Atlantic University. Representing the world of contemporary glass art is Berengo Studio 1989, the brainchild of Venetian art entrepreneur Adriano Berengo, who is dedicated to pushing the boundaries of glass art as part of the mission, according to Berengo Studio 1989’s website, to make glass art “beautiful, aesthetic and truly contemporary.”

Jen Blazina, Separation, 2016. Cast glass and bronze. H 15 W 15 D 1 in. courtesy: artist website

Wednesday August 9, 2017 | by Lindsay Hargrave

Philadelphia glass-art museum to spotlight philanthropists, artist Jen Blazina at annual gala

FILED UNDER: Announcements, Auction, Events, Museums, News

The National Liberty Museum in Philadelphia will feature Separation, a sculpture by Jen Blazina as part of its 18th annual glass auction and gala coming up on October 7, 2017. The museum fundraiser not only supports this unique institution that sees a linkage between the material of glass and the concept of freedom, but also calls attention to the work of community role models, as well as spotlights the philanthropic efforts of an individual artist. This year’s honorees are Sandy and Steve Sheller, who funded the Stephen and Sandra Sheller Center for Social Justice at Temple University Beasley School of Law, The Stephen and Sandra Sheller 11th Street Family Health Services Center of Drexel University, and The Stephen and Sandra Sheller Commons of the South Philadelphia Free Library. This year’s "artist hero" is Pearl Dick, who co-founded Project Fire, an initiative to use glassblowing as a healing and mentoring, and job-creating tool for trauma victims and young victims of gun violence.

Carried on Both Sides, research image, 2016. courtesy: the artist

Tuesday July 25, 2017 | by Sarah Thaw

Artist Talk: Past, present, and imagined future of @ symbol explored in collaborative inquiry

FILED UNDER: Artist Interviews, Curiosities, Events, Exhibition, Museums, New Work

New York-based artist Caroline Woolard set out to satisfy her curiosity about the links between an ancient container to transport liquids and a ubiquitous symbol of our contemporary digital moment. For good measure, she extends this inquiry into speculation on how this typographical element might further evolve. This journey into the past, present, and imagined future of the symbol for digital communication "@" is the subject of her project Carried on Both Sides, which she will be discussing at the Metropolitan Museum of Art this Friday evening, July 28, 2017 with her collaborators present. To realize the project, Woolard partnered with glass artists Helen Lee and Alexander Rosenberg as well as textile artist Lika Volkova during residencies at the Pilchuck Glass School and UrbanGlass. She explained her intent for Carried on Both Sides in her proposal for the residency at Pilchuck as a project “that traces the transmutation of an ancient vessel into a common computer symbol -- the @ [at sign]. Our work links 6th-century terra cotta and glass amphorae to the handwritten @ of 16th century mercantile scripts to the ubiquitous contemporary vector graphic we use in email and in social media.”

Verena Schatz, Bundle, 2015. borosilicate tubes, slumped. H 53 1/2, W 14, D 14 in. courtesy: Hans-Martin Lorch

Thursday July 20, 2017 | by Sarah Thaw

OPENING: Berlin gallery devotes summer to exhibition of high-level student work in glass

FILED UNDER: Education, Events, Exhibition, Museums, New Work, News, Opening

Jens Gussek, an accomplished artist in his own right and a winner of the 2015 International Glass Prize in Lommel, Belgium, has also worked steadily as a university professor throughout his career. He currently holds the title of Head of the Institute of Ceramic and Glass Art (IKKG) at the University of Applied Science in Koblenz, Germany. A unique exhibition of work by 11 of his former students is opening at a commercial gallery in Berlin this summer, a testament to the caliber of work Gussek has helped his students achieve. Entitled “subtext glas(s),” the exhibition opens July 22 and will run through September 2, 2017, at the lorch+seidel contemporary gallery in Berlin, Germany.

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Martin Janecky working on The Infant Jesus of Prague.

Monday July 17, 2017 | by Lindsay Hargrave

A notable Corning lecture by the two Czech glass art stars named Martin: Janecky and Rosol

FILED UNDER: Announcements, Education, Events, Museums

The Corning Museum of Glass will be hosting a lecture from Martin Janecky and Martin Rosol on the evening of Tuesday, January 18th, as a part of an ongoing lecture series by Corning Studio faculty in an effort to bring some of the most well-known names in glass to the public, free of charge. While the talk is open to the public, the Studio aims these weekly lectures at the students taking their intensive classes during the summer.

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The exterior of the Museum of Glass in Tacoma, with its signature chimney that vents its active glass studio in its center. courtesy: museumofglass.org

Wednesday July 12, 2017 | by Sarah Thaw

Taking a page from Corning’s successful GlassFest, the Northwest glass museum launches public event

FILED UNDER: Announcements, Events, Museums

GlassFest is the massive four-day glass art celebration that has taken the Gaffer District in Corning, New York, by storm. Although the event is sponsored and supported by the world-renowned Corning Museum of Glass, it is the business association known as the Corning Gaffer District itself which throws the event — closing its Historic Market Street off to car traffic to instead fill the space with art, food and entertainment vendors. Having completed its 8th celebration in May 2017, GlassFest has become a cherished community event celebrating glass artistry in and around the town of Corning, proving that glass can thrive outside the walls of the famed museum and setting a precedent for other cities to follow. Taking a page (and the name) from the New York event, the Museum of Glass in Tacoma will be co-hosting its first ever glass festival, Glass Fest Northwest, a free event to showcase Pacific Northwest glasswork. Taking place on Sunday, July 23rd from 12 noon to 5 PM, the event will feature over two dozen local artists and artisans who will join together with area art institutions to celebrate, display and sell artwork made from glass. There will also be live glassmaking demonstrations, food, beer and wine, music and family-oriented activities for the community to partake in.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.