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Viewing: New Work


Lino Demo
The studio demo at UrbanGlass on Saturday, May 3, has sold out but there is a waiting list.

Thursday May 1, 2014 | by Samuel Paul

OPENING: Lino Tagliapietra in New York for gallery opening, demo, and birthday party

Lino Tagliapietra, a world-renown maestro with 69 years of experience working with glass, will be the subject of a solo exhibition at Heller Gallery that opens this evening, mixing his blown work with some of his large-scale glass panels. When Lino first began visiting the U.S. from Murano, Italy, in the late 1970s, he brought with him traditional Venetian techniques and, just as importantly, a desire to share them. He was inspired to connect with the spirit of discovery and experimentation he saw in the U.S. Studio Glass movement in the late 1970s and early 1980s. As he told GLASS Quarterly magazine in an exclusive interview (GLASS #104, Fall 2006), America represented a liberation, and he says he became "a better artist" as a result.

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Tuesday April 29, 2014 | by Andrew Page

OPENING: Dan Graham collaborates with landscape architect for Metropolitan Museum rooftop project

On a blustery spring day, the site-specific work "The Roof Garden Commission" by artist Dan Graham in collaboration with landscape architect Günther Vogt opened atop the Metropolitan Museum of Art in Manhattan. Architectural constructions of sensuously curving beams of steel supporting curved panels of lightly mirrored glass, the work is arranged on a grassy lawn that connects the rooftop to the adjacent green landscape of Central Park. The glass is carefully designed to both reflect and be permeable to light, offering complex and constantly-shifting perspectives for visitors walking in and out of the structure. The outdoor installation will be up through November 2, 2014, available to museum visitors when the weather permits.

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Friday April 25, 2014 | by Andrew Page

3 Questions for ... Daniel Cutrone

The GLASS Quarterly Hot Sheet blog recently caught up to Daniel Cutrone, an assistant professor in the glass area at Tyler School of Art in Philadelphia, and a practicing artist with a solo exhibition currently on view at the Delaware Center for the Contemporary Arts. Holding an MFA in glass from Tyler, as well as a BFA in painting from the University of the Arts, Cutrone writes in his artist statment about his work's efforts to "engender a state of questioning" and to test and challenge boundaries. Below, we present an exchange with the artist about his latest work, his inspirations, and where his work is on view.

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Demagall 01
Work by Lisa Demagall

Thursday April 17, 2014 | by Paulina Switniewska

Pittsburgh Glass Center to exhibit work by four emerging female artists

The Pittsburgh Glass Center’s newest exhibition titled, "Breaking Through: Moving 4ward," is slated to open at the Hodge Gallery on May 2, 2014 and run through July 20, 2014. The four up-and-coming women artists whose work will be featured— Lisa Demagall, Laura Beth Konopinski, Anna Mlasowski, and Nadine Saylor — have each spent a month in residence at PGC, where they experimented with new techniques for their craft, displaying varying styles and concepts as they worked from four different studios within PGC.

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Tuesday April 15, 2014 | by Andrew Page

Coburg Glass Prize awarded to Danish artist Karen Lise Krabbe

FILED UNDER: Award, Exhibition, New Work, News
The fourth Coburg Prize for Contemporary Glass was awarded over the weekend, with the top honor including a 15,000 Euro (more than US$ 20,000) prize going to Karen Lise Krabbe of Denmark. Open to European artists working with glass, the richest prize in glass is awarded at multi-year intervals. The first was given in 1977, followed by 1985, and 2006. Second prize was awarded to American Jeff Zimmer (currently living in Scotland and thus qualifying for the competition). Sylvie Vandenhoucke of Belgium won third prize.

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Tuesday April 15, 2014 | by Andrew Page

PERFORMANCE: Classic Greek play of vengence adapted for glass studio event

FILED UNDER: Events, New Work, News
Billed as a "glassblowing-theater adaptation," a novel production of the Euripedes' drama Medea will fuse the sights, heat, and sounds of glassblowing with ancient Greek tragedy that charts the horrific vengence undertaken by a woman scorned. Patricia Coleman, a New York City writer and theater director, has adapted the classic drama "developing a pared-down text that goes to the heart of female aggression," according to a Website about the upcoming event, taking place at the for-profit studios of Brooklyn Glass for four performances (on April 18, 19, 25, and 26th at 8 pm).

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Thursday March 6, 2014 | by Andrew Page

OPENING: Norwood Viviano mines the past in second solo exhibition at Heller Gallery

FILED UNDER: New Work, Opening
Opening this evening at Heller Gallery in New York City will be a solo exhibtion of recent glass works of Norwood Viviano entitled "Mining Industries." The second solo exhibition by the Alfred graduate (BFA) and Cranbrook Academy of Art (MFA, Sculpture), the exhibition features 11 rapid-prototyped cast-glass works based on the topography of three U.S. cities over time -- Detroit, Houston, and Seattle. By layering the present over previous topographies, these works seek to capture the growth or decay of each cities primary industries in hopes of sparking consideration of the ways of looking at change over time and its meaning, which is somewhat obscured by the process of layering.

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Tuesday March 4, 2014 | by Andrew Page

Lino Tagliapietra’s tiny birds coming to roost at the Toledo Museum of Art

FILED UNDER: Exhibition, New Work
A smaller exhibition of 21 of Lino Tagliapietra's hand-blown birds will be installed in a gallery of the Glass Pavilion at the Toledo Museum of Art, timed to coincide with the maestro's residency as part of the museum's Guest Artist Pavilion Project from March 26th through the 28th. The exhibition will run through May 25, 2014. The birds' elaborate plumage is created using filigrana canework, and there will be three separate groupings of the magical creatures: in flight, roosting, and as a firebird rising phoenix-like.

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Diverging 2013 Torch Worked Borosilicate Glass 66 5 X 16 X 1 Inches Detail
Blowing in the Wind, 2013, torch-worked borosilicate glass, 105.5 x 10 x 10 inches

Tuesday February 11, 2014 | by Samuel Paul

INTERVIEW: David Licata talks glass chain mail

Chain-mail technology—linked elements used as an extra layer of armor by the Roman army, Tibetan Warriors, and Japanese Samurai—is employed to create abstracted glass chain sculptures by artist and educator David Licata. An exhibition of his current work featuring four large pieces of glass chain sculptures, two wall hung pieces, and two large draped pieces—is entitled, “Sublime” and currently on view at Kenise Barnes Fine Art gallery through February 22, 2014. Recently, the GLASS Quarterly Hot Sheet caught up with Licata by telephone and asked him about his work.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.