EXHIBITION: Tina Aufiero makes provocative words into challenging glass sculptures

FILED UNDER: Announcements, Artist Interviews, Events, Exhibition, Opening

Artist Tina Aufiero doesn’t make Word Art — written language rendered in glass and presented in a gallery context — as a way to reclaim meaning, as some of the best-known practioners of the genre such as Jenny Holzer do, but rather to consider how her own perception of a word develops in time while she is creating the piece. For Aufiero, meaning develops as a response to the process of creation. She works with a variety of materials, but returns to glass, possibly because the material is uniquely suited to conveying elusive concepts and surface reflections with a purity of expression. Though her work has been described as whimsical, the playfulness of her art speaks to deeper questions of our everyday language, as well as elusive concepts such as “love” and “happiness.”…

Thursday October 1, 2015 | by Andrew Page

OPENING: Dante Marioni, Rik Allen at Traver Gallery

FILED UNDER: Exhibition, Opening

New work by Dante Marioni and Rik Allen is being unveiled at Traver Gallery in Seattle this evening. Marioni is continuing to push scale and precision in his newest work that features bravura canework patterning rendered at unforvingly large scale. A 39-inch-tall blue leaf, titled Standing Reticello Leaf (2015) is a further exploration of his attempts to push traditional technique to new levels, marrying it to a decidedly contemporary color scheme. The outsized scale takes this work out of the realm of design in a bid to make a monumental statement on technical skill and skills passed down for centuries.

Thursday September 17, 2015 | by Emily Ma-Luongo

OPENING: Katherine Gray’s “A Rainbow Like You” is a Feast for the Senses

FILED UNDER: Announcements, Exhibition, Museums, New Work, Opening

UPDATED 9/19/2015

Thursday September 3, 2015 | by Emily Ma-Luongo

OPENING: “Canberra + Berlin” celebrates the Australian-German glass art connection

FILED UNDER: Announcements, Exhibition, Opening

"Canberra + Berlin," a collaborative exhibition between the nonprofit center Berlin Glas e.V. and the Australian National University, will open on September 18th in Berlin. The show features a variety of artists graduating from the Australian art school (ANU-SOA). Founded by Hamburg-born artist Klaus Moje in 1982, the glass program at ANU's School of Art was one of the first that was not limited to glassblowing, emphasizing instead kiln-forming, carving, and cold-working techniques. Moje's significant influence on Australia's glass movement came from his formative effect on the country's first university curriculum for glass as a fine art medium, which he created to stress technique as much as concept. Moje's own work has advanced the international Studio Glass movement through its aesthetic of glass fusing, through which rods, strips or canes are joined in an interplaying pattern which is then melted together. Moje's role in glass education is credited for a generation of artists using glass as a principal material, several of whom will be represented in the upcoming show.

Friday July 17, 2015 | by Emily Ma-Luongo

“Delicate Matter” exhibition in Athlone, Ireland

FILED UNDER: Exhibition, New Work, Opening

Through the end of August 2015, the Luan Gallery in Ireland is exhibiting "Delicate Matter," a show compiling the works of Karen Donnellan, Jennifer Hickey and Liz Nilsson joined together under the theme of "human existence," with each artist's series varying on a spectrum of elemental inspirations. A mix of glass, china sculpture and conceptual installations, the pieces share a spiritual and ethereal aesthetic, each medium exploring a different subject, focusing in the metaphysical, nature, and memory.

Greg Fleischaker at Glassworks building in 2002.

Saturday July 11, 2015 | by Emily Ma-Luongo

OPENING: Exhibition presents a look back at pioneers of Louisville glass art scene

FILED UNDER: Announcements, Exhibition, News, Opening

Set to open on August 7, 2015 is "502," an exhibition that aims to bring attention to the forerunners of the glass scene in Louisville, Kentucky. Taking place at the gallery of Flame Run, one of the five glass galleries that operate in the region, the show promises to be an homage to the people who first worked in their backyards and garages to produce hot and blown glass works. The exhibition will celebrate artists that paved the way for glass art in the community before it could be practiced through public access.

Several participating artists, alongside Deborah Harding, selecting their artifacts from the collection. Courtesy of Nathan J. Shaulis.

Tuesday June 16, 2015 | by Alexander Charnov

OPENING: New Pittsburgh exhibition mines ancient glass for inspiration and inquiry

FILED UNDER: Exhibition, Museums, New Work, News, Opening

New movements in art can be understood as conversations with contemporaries, as peers engage in aesthetic dialogues that can reshape the art world. A new project at the Pittsburgh Glass Center facilitated a related but contrasting conversation between contemporary glass artists and their long-departed precursors — the anonymous makers of ancient glass who created extraordinary glass objects two millennia ago, which are in the permanent collection of the Carnegie Museum of Natural History. An innovative partnership between two Pittsburgh organizations, the project resulted in an exhibition opening Friday, June 19th, entitled “Out of the Archives and Into the Gallery.”

"Glass: In the Nature of Things" as installed at the Bullseye Resource Center New York.

Tuesday June 9, 2015 | by Alexander Charnov

Opening Reception: “Glass: In the Nature of Things” at the Bullseye Resource Center

FILED UNDER: Events, Exhibition, New Work, Opening

Opening on Saturday June 13th in Mamaroneck, New York, an exhibition entitled “Glass: In The Nature of Things” will feature new work by Sandy Gellis, Susan Cox, and Jane Bruce—three New York-based artists who recently partook in a joint residency at the Bullseye Resource Center, the site of the exhibition which will include Sandy Gellis’ Charting Earth, River Sediments and Compounds (2015), Susan Cox’s Cathy’s Memories (2015), and Jane Bruce’s From the Edge (2015).

Elaine Miles and Adrian Lander, Glass Doors, 2015. Blown glass, found objects, mixed media. H 47, W 47, D 55 in. photo: adrian lander

Wednesday May 27, 2015 | by Emily Ma-Luongo

OPENING: Elaine Miles subverts magazine styling of glass in collaborative exhibit in Australia

FILED UNDER: Exhibition, New Work, Opening

"Glass Doors", opening on June 11th, will be the inaugural show at The Grey Area gallery in Collingwood, Victoria, as well as the debut of work from a new collaborative project of Australian artist Elaine Miles and photographer Adrian Lander. In experimental works dealing with perspective and light, glass installations will be paired with photographs lining the walls to explore the concept of "photogenic glass," or the kind of stylized images that you might see in a home catalog or interior design magazine and subverting them by creating unnerving tableaus.

Tuesday April 14, 2015 | by Emily Ma-Luongo

Chihuly takes over Norfolk, Virginia, with garden installation and opera set

FILED UNDER: Announcements, Exhibition, Museums, New Work, Opening, Public Art

The glass artwork of Dale Chihuly is taking center stage this month in the city of Norfolk, Virginia, site of the Chrysler Museum of Art Glass Pavillion. “Chihuly In The Garden” at the Chrysler Museum of Art, is an outdoor installation currently on view in the museum’s waterfront garden, where it showcases Chihuly’s "Reeds" and "Marlins" in natural lighting outside of the confines of the galleries. The second place to see Chihuly's work is onstage, where it will be featured in two performances of Bela Bartok’s “Bluebeard’s Castle” taking place as part of the Virginia Arts Festival (April 18th & 19th). The opera, which will be performed by the Virginia Symphony Orchestra and held in Chrysler Hall, will utilize six Chihuly sculptures as set pieces to the performance.

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