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Sunday April 12, 2015 | by Justyna Turek

OPENING: The touring “European Glass Experience” exhibit moves to Venice

On Saturday, April 18th, The Murano Glass Museum in Murano, Italy, will present the final international exhibition of the European Glass Experience project curated by director Chiara Squarcina. After two years of showcasing the artworks and sketches in Finland, Spain, and Portugal, the upcoming show is considered as the most important one due to larger number of artworks and the historic venue. Almost 80 international artists will present their works to the public. On a special note are the sketches, designed by the artists, which were selected by the scientific committee to be produced by Consorzio Promovetro’s Murano glass masters.The exhibition will run through June 7, 2015, with an opening reception on Saturday, April 17th, starting at 6.30 PM with special conference with remarks by Milan Hlaveš, curator at the Museum of decorative arts in Prague, and Gabriella Belli, director of the Fondazione Musei Civici di Venezia and it will continues to the official opening at 7.30 PM. (Disclosure: The author Justyna Turek is one of the artists whose work will be exhibted.)

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Tuesday April 7, 2015 | by Emily Ma-Luongo

OPENING: Pittsburgh gallery mounts ninth annual “Teapots!” exhibit, celebrating a timeless form

“Teapots! 9,” an exhibition opening in Pittsburgh this Friday, will be both a celebration of the myriad ways the timeless form can be interpreted. For each of the past nine years, Morgan Contemporary Glass Gallery has held an annual exhibit of teapots that broadens their material focus to include fiber, ceramics, wood, and metal. Over 60 artists' work will be featured in the upcoming exhibit that runs through June 13, 2015. For director Amy Morgan, who has arranged it and invited the artists herself, the iconic shape is a platform ready to burst with adventurous narratives. The works of several glass artists’ reimagine spouts and handles as a lamp, a chandelier, or even an octopus. “All artists are challenged to explore the teapot form literally, metaphorically, narratively or abstractly, while keeping true to their own aesthetic,” reads an exhibition statement on the Morgan website.

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Friday April 3, 2015 | by Justyna Turek

OPENING: Ione Thorkelssohn’s dual exhibitions in Ottowa engage biologies synthetic and natural

On Saturday, April 11th, the L.A. Pai Gallery in Ottowa, Ontario, will present the work of glass sculptor Ione Thorkelssohn at “Emerge Establish Emerge,” a group exhibition showcasing the work of four artists working in two distinct styles: glass sculpture and art jewelry (the other glass artist featured is the kiln-cast work of Cheryl Wilson Smith). An older marine-biology-inspired work by Thorkelssohn, mD31704: partial reconstruction of marine avifauna, will provide an excellent example of her probing of organic forms for universal truths, celebrating the wonder and complexity of the natural world. A concurrent solo exhibition of the Manitoba-based artist's work provides a fascinating counterpoint. Since 2012, when she heard news of a new life form being created in a science lab, Thorkelssohn has wrestled with the implications of this watershed event, one she saw far less debate or discussion of than she expected. Her concerns are given physical form in her solo exhibition "Synthia's Closet," which will be on view at the Ottowa School of Art from April 9 through May 14, 2015.

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Anne Peabody, For Kelly, 2015. Drawing on 14k gold leaf on glass, hand turned and finished wooden frame. D 9 in. courtesy: the artist

Thursday March 26, 2015 | by Justyna Turek

OPENING: Anne Peabody’s glass memorial for a homeless man debuts in group exhibition in Brooklyn

A group exhibition curated by artist and arts organizer Megan Suttles presents work created by 14 artists during the MOREart’s Engaging Artists Residency Show “Artwork inspired by working with the homeless," which opens this Saturday, March 28th, at the Hot Wood Arts Center in Brooklyn, New York. Of special note is artist Anne Peabody's painted glass portrait, which grew out of her friendship with a man with no fixed address who she befriended. Like the other artists during this project, Peabody volunteered for six weeks with homeless advocacy organizations in the summer of 2014. In 14K-gold-leaf on glass, Peabody memorializes “Gilbert Kelly,” who was shot to death by a teenager in a random act of violence. The exhibition, will run through April 19, 2015, with an opening reception on Saturday, March 28th from 7 to 10 PM.

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Stig Persson  Stacked  2015
Stacked (2015) by Stig Persson

Wednesday March 25, 2015 | by Emily Ma-Luongo

OPENING: The history and future of Danish glass art and design explored in museum exhibit

FILED UNDER: Events, Exhibition, Museums, Opening
On Saturday, March 28th, the Glasmuseet Ebeltoft, will premier “DG15,” a two-part show that covers a 40-year timeline of Danish glass. "Part I" is a historical narrative curated by a former Holmegaard glass factory designer. "Part II," a juried selection, cuts to a contemporary focus of glass as art, expanding on genres and different practices of the material by showing the works of present and emerging artists. A follow-up to two exhibitions at this museum dedicated to contemporary glass art worldwide, one in 1994 (“Danish Glass 94” ) and one in 2004 (“What’s New?...Danish Glass 2004”), "DG15" is a continuing project to document current glass works and compare as well as contrast them with the designs of an earlier era. With over 100 works by 53 glass artists, the exhibition will run through September 27, 2015.

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Tuesday March 24, 2015 | by Andrew Page

The glorious new Corning wing pioneers the use of Gorilla Glass to make display cases disappear

As readers of the Spring 2015 edition of GLASS (#138) know, the design of the new Contemporary Art + Design wing at The Corning Museum of Glass is based on the power of natural light to allow artwork in glass to come alive. The issue's feature article ("A New Frame for Contemporary Glass") and back-page essay by the wing's architect Thomas Phifer ("Designing the New Contemporary Wing of The Corning Museum of Glass") reveal a single-minded focus on bathing glass in indirect natural daylight to provide optimal viewing conditions. With architect Phifer viewing the museum wing itself as a vitrine, how to approach protecting the work without interfering with the visual effects so painstakingly achieved? The answer came when the architect, together with the Corning team and exhibit designer Kubik Maltbie, hit upon using the museum's corporate parent's specialty-glass known as "Corning Gorilla Glass," which is widely used in smart phones and tablet computers for its strength, lightness, and optical clarity.

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John Moran, Stand Your Ground, 2013. Freehand sculpted glass head, hands and arms, epoxy resin, fabric, latex and enamels. photo: edwin pieters

Wednesday March 18, 2015 | by Justyna Turek

OPENING: John Moran’s solo exhibition at the S12 Gallery in Norway

FILED UNDER: Exhibition, News, Opening
A solo exhibition “Youth_Anasia” by provocative American glass artist John Moran opening this Friday, March 20th, at the gallery of S12 in Bergen, Norway. Currently residing in Gent, Belgium, this emerging artist is known for his willingness to take on controversial subjects in his work. Moran’s practice reflects his interest in politics, philosophy, religion, and human social behavior. He is one of the rare artists using glass for work that explores social justice, awareness of conflicts, and government controls. The exhibition, which will run through April 19, 2015, features new works he made during his residency at S12, as well as earlier work, organized around the theme of youth.

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Wednesday March 4, 2015 | by Justyna Turek

OPENING: Close-up, works by Josepha Gasch-Muche reveal their strong emotional qualities

FILED UNDER: Exhibition, New Work, News, Opening
On view at Galerie B in Baden-Baden, Germany, through June 13, 2015 is a solo exhibition of the remarkable glass assemblages of Josepha Gasch-Muche. Titled “Cube,” the gallery show features two new works in addition to several pieces made between 2010 and 2014. Using overlaid thin glass elements, Gasch-Muche invites us into a geometric world where the complex surfaces and intricate lighting veers close to chaos but is ordered and made comprehensible by the careful attention to structure. From a distance, Gasch-Muche’s art pieces look like creations of cold perfection with sharp cutting edges, but they come to life when you come closer to see the sublime tenderness and vulnerability evident in the fragile quality of crystal glass elements.

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white lace bowl #5

Thursday August 7, 2014 | by Elena Tafone

OPENING: “New Works” from Tobias Møhl debut at Traver

FILED UNDER: Exhibition, New Work, News, Opening
Venetian inspired, but with an unmistakable Scandinavian twist, the glass work of Tobias Møhl is simplistic, yet striking. His blown glass platters, vessels, and bowls, almost exclusively in shades of black, gray, and white, are characterized by lace-like intricacy surrounded by flowing, clean lines. The Danish artist’s newest exhibition—aptly titled “New Works”—will be on display at the Traver Gallery from August 7th through the 31st.  

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Hiroshi Yamano From East To West Scene Of Japan Fs 159 2012 Blown Sculpted Glass Silver Leaf Engraving Copper Plating 5X10X9
Hiroshi Yamano's From East to West "Scene of Japan" (FS #159), H 18 1/2, W 26, D 17 3/4 in.

Friday August 1, 2014 | by Andrew Page

OPENING: Hiroshi Yamano’s “Branches” exhibition explores natural beauty

FILED UNDER: Award, Exhibition, New Work, News, Opening
Art, at its best, is interpretation. It allows the viewer, for a brief time, to share in the artist’s perspective on reality, be it the physical or the metaphysical — and gain new insights into one's own experience as a result. In the joint exhibition “Branches,” which opens at the LewAllen Galleries in the Santa Fe Railyard on August 8, artists Hiroshi Yamano and Pedro Surroca offer up different perspectives on the understated beauty of tree branches.  

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.