A new interactive glass art facility opens in the Czech Republic

FILED UNDER: Education, Events, News

With the opening of the Glass Art Centre in Sazava, the Czech Republic has opened a new door of interaction and opportunity for glass artists and aspiring artists. It will also help promote glass art to the general public. “There is not any other place in the Czech Republic at the moment, which would offer the same interactive environment and conditions for visitors, artists, experts and students as our new Glass Art Centre in Sazava,” said Frantisek Janak, an Art Manager at the Glassworks Frantisek, a newly renovated, non-profit organization owned by the “Josef Viewegh´s Foundation Glassworks Frantisek.” It was previously an old glassworks, part of the Kavalier Company.

Thursday March 20, 2014 | by Andrew Page

International Flameworking Conference featuring Joyce Scott to get underway March 28

FILED UNDER: Education, Events, News

Joyce Scott and Karen Willenbrink-Johnsen will be the featured artists at the International Flameworking Conference, taking place from March 28th through 30th at Salem County Community College in Carney's Point, New Jersey. The 14th annual event is the leading annual gathering of flameworkers spanning the full range of torch work from artistic, scientific, and pipe making pursuits. Beadwork will take center stage in this year's big event as Scott's beaded sculptural forms and neckpieces take center stage, addressing political and social concerns with a frank engagment of issues of gener, race, and class.

Wednesday March 19, 2014 | by Andrew Page

Glass Secessionists to “gather” at the GAS conference on heels of American Craft interview

FILED UNDER: Events, News

The Glass Secessionist Facebook discussion group, in which artist Tim Tate moderates an online bulletin-board conversation about wide-ranging work in glass that in the eyes of followers draws a line where Studio Glass ends and a new type of work begins, is holding an in-person meeting during the 2014 Glass Art Society conference in Chicago. Taking place at 12 noon on Friday, March 21st, and billed as "the Gathering," the idea is to bring together in real life those who know each other mostly from the posting of photos of glass artwork, installations, and architecture and responding politely and usually positively. (Tate admonishes members to "keep it civil or have your post deleted" and keeps a tight rein on the exchange to prevent "cyber-bullying.") (Disclosure: Tim Tate published an essay laying out why he embarked on his Facebook enterprise in GLASS #133, and GLASS contributing editor William Warmus is one of the most frequent contributors to Glass Secessionism after Tate).

Tuesday March 18, 2014 | by Andrew Page

OPENING: Online commercial exhibition billed as a tribute to Harvey Littleton

FILED UNDER: Exhibition, Opening

The online shopping site Artful Home has grouped 22 glass works in its extensive "Art Glass" section as a "Tribute exhibiiton to Harvey Littleton."There is no opportunity to actually see these works in real life, and no catalogue essay, but each of the artists featured in this grouping have provided quotes on the influence of the late founder of Studio Glass on his or her work and career. The quotes range from the personal to the generic, depending on the level of familiarity each artist had with Littleton.

Tuesday March 18, 2014 | by Samuel Paul

Video interview: Norwood Viviano talks about turning data into sculpture

FILED UNDER: Artist Interviews, Exhibition, New Work

GLASS Quarterly Hot Sheet contributor Samuel Paul sat down with Norwood Viviano to discuss his current exhibition at Heller Gallery.

Thursday March 13, 2014 | by Andrew Page

At-Risk Youth Program summit at the Glass Art Society Conference

FILED UNDER: Education, Events, News

In the two decades since Hilltop Artists in Residence was formed in 1994, the unique power of hot glass to reach at-risk youth who may have been left behind by traditional education has been established. Programs using hot glass to teach life lessons have been cropping up around the U.S. separated by thousands of miles and limited communication. The distance between these programs is about to narrow considerably thanks to a summit taking place as part of the 2014 Glass Art Society conference. A special panel from 10:30 AM to 12 noon on Friday, March 21st, will offer instructors and program heads a chance to exchange best practices and share success stories. But the more important goal of this event (sponsored by the Robert M. Minkoff Foundation) is to build bridges that will continue into the future in hopes of advancing the field through shared knowledge and experience (Disclosure: GLASS Quarterly Hot Sheet editor Andrew Page is also the director of the Robert Minkoff Foundation). To that end, a special Website at www.atriskglass.org seeks to be a hub for interorganization dialogue and cross-pollination into the future.

Mel Douglas, Camber, 2013. Kiln-formed cold-worked and engraved. H 13 1/4, W 24 3/4, D 2 in.

Thursday March 13, 2014 | by Paulina Switniewska

Artist Mel Douglas wins Australia’s Tom Malone Prize

FILED UNDER: Announcements, Award

The Tom Malone Prize, which that promotes the creation, appreciation, and enjoyment of glass made in Australia, has been awarded to the country's top glass artists since its inception in 2003. The prize-winning entry is acquired by the State Art Collection and includes a $12,000 cash award as well. This year’s winning entry, titled Camber, was created by Mel Douglas, and judged by the Governor of the Art Gallery of Western Australia Elizabeth Malone, glass artist David Hay, AGWA’s Director Stefano Carboni, and AGWA’s Curator of Modern and Contemporary Photography and Design, Robert Cook.

Tuesday March 11, 2014 | by Andrew Page

WheatonArts 2014 CGCA Fellowships announced

FILED UNDER: Fellowship, News

The Creative Glass Center of America at WheatonArts, a Millville, New Jersey, center for glass art, has announced the fellows for its 2014 program. Visiting CGCA fellows are given up to 3 months to develop and refine their work, with access to the glass shop, housing, and a stipend. There are three sessions, April 23rd to July 16th; August 27th to October 8th; and October 22nd to December 3rd.

Thursday March 6, 2014 | by Paulina Switniewska

OPENING: Traver Gallery explores the absence of color in new exhibition “Shades of White”

FILED UNDER: Announcements, Exhibition, Opening

The Traver Gallery, located in Seattle, will be playing host to a new exhibition titled, “Shades of White,” with an opening reception to take place this evening, Thursday, March 6th from 5 PM - 8 PM. The exhibit features sculptures composed of several types of media, ranging from paper and wood to glass and ceramics.

Thursday March 6, 2014 | by Andrew Page

OPENING: Norwood Viviano mines the past in second solo exhibition at Heller Gallery

FILED UNDER: New Work, Opening

Opening this evening at Heller Gallery in New York City will be a solo exhibtion of recent glass works of Norwood Viviano entitled "Mining Industries." The second solo exhibition by the Alfred graduate (BFA) and Cranbrook Academy of Art (MFA, Sculpture), the exhibition features 11 rapid-prototyped cast-glass works based on the topography of three U.S. cities over time -- Detroit, Houston, and Seattle. By layering the present over previous topographies, these works seek to capture the growth or decay of each cities primary industries in hopes of sparking consideration of the ways of looking at change over time and its meaning, which is somewhat obscured by the process of layering.