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Viewing articles by Andrew Page


Thursday May 6, 2010 | by Andrew Page

Opening: Glass design show “Breakable” will debut at Heller Gallery on Friday evening

FILED UNDER: Exhibition, New Work, Opening
Opening Friday, May 7th, “BREAKABLE: Glass By Design” will showcase new work that pushes the limits of glass as a material for cutting-edge design. Organized by the American Design Club in association the Heller Gallery, the exhibition will overlap with the International Contemporary Furniture Fair which runs from May 15th — 18th, 2010. The “BREAKABLE” exhibition will continue through May 28th, 2010, and a special reception on Sunday, May 16th, will celebrate the “Best in Show,” which will be announced that same evening.

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Wednesday May 5, 2010 | by Andrew Page

Call for Entries: June 2nd deadline for Red Hot Party and Juried Auction

In the glass world, the typical auction fundraiser works something like this: Artists are asked to donate a work and, in return, he or she helps support an institution while getting exposure to the collectors in attendance—as well as some modest percentage of the sales price. That’s the way it’s been working for years at institutions such as the Pittsburgh Glass Center, Pilchuck, UrbanGlass and the National Liberty Museum, to name just a few of the better-known glass auctions that reach out to artists every year for donated work. The Museum of Glass in Tacoma, Washington, however, has been taking a different approach. Its annual “Red Hot Party and Juried Auction“ is a novel blend of fund-raising and head-to-head competition that pits artists against one another. Selected works are auctioned off to support the institution with no percentage returned to the artists. However, three of the donated works will be chosen — two by an expert jury, one by those attending the actual auction — for generous cash prizes. The top two prizes of $10,000 and $5,000 both include a week of studio time at the Museum of Glass’s fabled hotshop.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.