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Tuesday April 7, 2015 | by Emily Ma-Luongo

OPENING: Pittsburgh gallery mounts ninth annual “Teapots!” exhibit, celebrating a timeless form

“Teapots! 9,” an exhibition opening in Pittsburgh this Friday, will be both a celebration of the myriad ways the timeless form can be interpreted. For each of the past nine years, Morgan Contemporary Glass Gallery has held an annual exhibit of teapots that broadens their material focus to include fiber, ceramics, wood, and metal. Over 60 artists' work will be featured in the upcoming exhibit that runs through June 13, 2015. For director Amy Morgan, who has arranged it and invited the artists herself, the iconic shape is a platform ready to burst with adventurous narratives. The works of several glass artists’ reimagine spouts and handles as a lamp, a chandelier, or even an octopus. “All artists are challenged to explore the teapot form literally, metaphorically, narratively or abstractly, while keeping true to their own aesthetic,” reads an exhibition statement on the Morgan website.

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Friday April 3, 2015 | by Justyna Turek

OPENING: Ione Thorkelssohn’s dual exhibitions in Ottowa engage biologies synthetic and natural

On Saturday, April 11th, the L.A. Pai Gallery in Ottowa, Ontario, will present the work of glass sculptor Ione Thorkelssohn at “Emerge Establish Emerge,” a group exhibition showcasing the work of four artists working in two distinct styles: glass sculpture and art jewelry (the other glass artist featured is the kiln-cast work of Cheryl Wilson Smith). An older marine-biology-inspired work by Thorkelssohn, mD31704: partial reconstruction of marine avifauna, will provide an excellent example of her probing of organic forms for universal truths, celebrating the wonder and complexity of the natural world. A concurrent solo exhibition of the Manitoba-based artist's work provides a fascinating counterpoint. Since 2012, when she heard news of a new life form being created in a science lab, Thorkelssohn has wrestled with the implications of this watershed event, one she saw far less debate or discussion of than she expected. Her concerns are given physical form in her solo exhibition "Synthia's Closet," which will be on view at the Ottowa School of Art from April 9 through May 14, 2015.

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Thursday April 2, 2015 | by Andrew Page

Susie Silbert to deliver Metropolitan Glass Club lecture linking Tiffany to Studio Glass

FILED UNDER: Announcements, Events, News
Meeting the first Tuesday of the month, from Fall through the Spring, the New York Metropolitan Glass Club brings together historic and contemporary glass collectors, dealers, and enthusiasts for a monthly lecture presented at an Upper West Side church that features a number of significant Tiffany windows. The setting will be especially appropriate for the upcoming April 7th meeting, in which design historian, GLASS magazine contributor, and educator Susie Silbert discusses the relationship between the legendary designer Louis Comfort Tiffany and the Studio Glass movement.

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Tuesday March 31, 2015 | by Emily Ma-Luongo

OPENING: Susan Glasgow Taylor exhibit at PS Gallery to include live modeling of chandelier dress

FILED UNDER: Events, Exhibition, New Work
On Thursday, April 2, artist Susan Taylor Glasgow will give a talk about her new exhibition at the PS Gallery in Columbia, Missouri. The next day, her ideas will come to life as a live model exhibits one of her signature chandelier dresses for the opening reception on Friday evening. With a focus on her wearable work, Glasgow's talk will explore how she transfers her “domestic” skills of dressmaking into glass pieces that appropriate 1950s imagery. Several of her "Spring 2015" pieces are sewn, fitted glass components stitched together with nylon ribbon, resulting in compact, dressy handbags and colorful slices of cakes. They will be on view through May 30, 2015.

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Anne Peabody, For Kelly, 2015. Drawing on 14k gold leaf on glass, hand turned and finished wooden frame. D 9 in. courtesy: the artist

Thursday March 26, 2015 | by Justyna Turek

OPENING: Anne Peabody’s glass memorial for a homeless man debuts in group exhibition in Brooklyn

A group exhibition curated by artist and arts organizer Megan Suttles presents work created by 14 artists during the MOREart’s Engaging Artists Residency Show “Artwork inspired by working with the homeless," which opens this Saturday, March 28th, at the Hot Wood Arts Center in Brooklyn, New York. Of special note is artist Anne Peabody's painted glass portrait, which grew out of her friendship with a man with no fixed address who she befriended. Like the other artists during this project, Peabody volunteered for six weeks with homeless advocacy organizations in the summer of 2014. In 14K-gold-leaf on glass, Peabody memorializes “Gilbert Kelly,” who was shot to death by a teenager in a random act of violence. The exhibition, will run through April 19, 2015, with an opening reception on Saturday, March 28th from 7 to 10 PM.

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Stig Persson  Stacked  2015
Stacked (2015) by Stig Persson

Wednesday March 25, 2015 | by Emily Ma-Luongo

OPENING: The history and future of Danish glass art and design explored in museum exhibit

FILED UNDER: Events, Exhibition, Museums, Opening
On Saturday, March 28th, the Glasmuseet Ebeltoft, will premier “DG15,” a two-part show that covers a 40-year timeline of Danish glass. "Part I" is a historical narrative curated by a former Holmegaard glass factory designer. "Part II," a juried selection, cuts to a contemporary focus of glass as art, expanding on genres and different practices of the material by showing the works of present and emerging artists. A follow-up to two exhibitions at this museum dedicated to contemporary glass art worldwide, one in 1994 (“Danish Glass 94” ) and one in 2004 (“What’s New?...Danish Glass 2004”), "DG15" is a continuing project to document current glass works and compare as well as contrast them with the designs of an earlier era. With over 100 works by 53 glass artists, the exhibition will run through September 27, 2015.

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Tuesday March 24, 2015 | by Andrew Page

The glorious new Corning wing pioneers the use of Gorilla Glass to make display cases disappear

As readers of the Spring 2015 edition of GLASS (#138) know, the design of the new Contemporary Art + Design wing at The Corning Museum of Glass is based on the power of natural light to allow artwork in glass to come alive. The issue's feature article ("A New Frame for Contemporary Glass") and back-page essay by the wing's architect Thomas Phifer ("Designing the New Contemporary Wing of The Corning Museum of Glass") reveal a single-minded focus on bathing glass in indirect natural daylight to provide optimal viewing conditions. With architect Phifer viewing the museum wing itself as a vitrine, how to approach protecting the work without interfering with the visual effects so painstakingly achieved? The answer came when the architect, together with the Corning team and exhibit designer Kubik Maltbie, hit upon using the museum's corporate parent's specialty-glass known as "Corning Gorilla Glass," which is widely used in smart phones and tablet computers for its strength, lightness, and optical clarity.

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John Moran, Stand Your Ground, 2013. Freehand sculpted glass head, hands and arms, epoxy resin, fabric, latex and enamels. photo: edwin pieters

Wednesday March 18, 2015 | by Justyna Turek

OPENING: John Moran’s solo exhibition at the S12 Gallery in Norway

FILED UNDER: Exhibition, News, Opening
A solo exhibition “Youth_Anasia” by provocative American glass artist John Moran opening this Friday, March 20th, at the gallery of S12 in Bergen, Norway. Currently residing in Gent, Belgium, this emerging artist is known for his willingness to take on controversial subjects in his work. Moran’s practice reflects his interest in politics, philosophy, religion, and human social behavior. He is one of the rare artists using glass for work that explores social justice, awareness of conflicts, and government controls. The exhibition, which will run through April 19, 2015, features new works he made during his residency at S12, as well as earlier work, organized around the theme of youth.

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Tuesday March 17, 2015 | by Andrew Page

Flameworkers to gather in South Jersey for international conference this weekend

FILED UNDER: Announcements, Events, News
Headlining the 2015 International Flameworking Conference (IFC) at Salem Community College taking place this weekend (March 20 - 22) will be Junichi Kojima, a.k.a, Rose Roads, and David Willis. Collaborative demonstrations by Eric Franklin and Jason Chakravarty will also be a major draw. The three-day event kicks off Friday evening at 7 PM with a presentation by the Chrysler Museum of Art curator of glass, Diane Wright who will deliver a lecture titled "From B.C. to Boro: A Short History of Flameworking" at the Sol and Jean Davidow Performing Arts Theatre at Davidow Hall on the community college's Carneys Point, New Jersey, campus.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.