CALL FOR ENTRIES: Emerging Canadian glass artists vie for $10,000 prize

FILED UNDER: Announcements, Call for Submissions

Applications are now being accepted for the 2015 RBC Award for Glass, which goes to artists working in glass professionally for no more than 10 years, and who are Canadian citizens or permanent residents. Organized by the Canadian Clay & Glass Gallery in Waterloo, Ontario, the competition's winner will receive $10,000. The jury is made up of contemporary glass artists (there is also a $10,000 award for ceramic artists) and is limited to artists who sell their work, and who have developed their skills "through training and/or practice in the field." The deadline for applications is September 14, 2015, and winners will be presented with their awards at a gala event in Waterloo, Ontario, on November 14, 2015.

Thursday April 2, 2015 | by Andrew Page

Susie Silbert to deliver Metropolitan Glass Club lecture linking Tiffany to Studio Glass

FILED UNDER: Announcements, Events, News

Meeting the first Tuesday of the month, from Fall through the Spring, the New York Metropolitan Glass Club brings together historic and contemporary glass collectors, dealers, and enthusiasts for a monthly lecture presented at an Upper West Side church that features a number of significant Tiffany windows. The setting will be especially appropriate for the upcoming April 7th meeting, in which design historian, GLASS magazine contributor, and educator Susie Silbert discusses the relationship between the legendary designer Louis Comfort Tiffany and the Studio Glass movement.

Tuesday March 24, 2015 | by Andrew Page

The glorious new Corning wing pioneers the use of Gorilla Glass to make display cases disappear

FILED UNDER: Architecture, Design, Exhibition, Museums, News, Opening

As readers of the Spring 2015 edition of GLASS (#138) know, the design of the new Contemporary Art + Design wing at The Corning Museum of Glass is based on the power of natural light to allow artwork in glass to come alive. The issue's feature article ("A New Frame for Contemporary Glass") and back-page essay by the wing's architect Thomas Phifer ("Designing the New Contemporary Wing of The Corning Museum of Glass") reveal a single-minded focus on bathing glass in indirect natural daylight to provide optimal viewing conditions. With architect Phifer viewing the museum wing itself as a vitrine, how to approach protecting the work without interfering with the visual effects so painstakingly achieved? The answer came when the architect, together with the Corning team and exhibit designer Kubik Maltbie, hit upon using the museum's corporate parent's specialty-glass known as "Corning Gorilla Glass," which is widely used in smart phones and tablet computers for its strength, lightness, and optical clarity.

Tuesday March 17, 2015 | by Andrew Page

Flameworkers to gather in South Jersey for international conference this weekend

FILED UNDER: Announcements, Events, News

Headlining the 2015 International Flameworking Conference (IFC) at Salem Community College taking place this weekend (March 20 - 22) will be Junichi Kojima, a.k.a, Rose Roads, and David Willis. Collaborative demonstrations by Eric Franklin and Jason Chakravarty will also be a major draw. The three-day event kicks off Friday evening at 7 PM with a presentation by the Chrysler Museum of Art curator of glass, Diane Wright who will deliver a lecture titled "From B.C. to Boro: A Short History of Flameworking" at the Sol and Jean Davidow Performing Arts Theatre at Davidow Hall on the community college's Carneys Point, New Jersey, campus.

Richard Whiteley addressed a panel discussion that included Dan Clayman, Sharyn O'Mara, and Jack Wax during the 2013 symposium at UrbanGlass.

Sunday March 8, 2015 | by Andrew Page

CALL FOR PAPERS: UrbanGlass announces October 2015 symposium of academics and educators

FILED UNDER: Announcements, Call for Submissions, Events, News

Two years after the successful inaugural symposium in December 2013, UrbanGlass is again partnering with the Robert M. Minkoff Foundation to present a gathering of department heads, professors, and educators to discuss best practices in the lecture hall and studio. The upcoming symposium, titled "Issues in Glass Pedagogy: New Technologies in Practice" will be taking place from October 22 -24, 2015 in Brooklyn, New York. The meeting of glass art educators will focus on new technology, with an empahsis on which of the new developments have the most relevance to the practice of glass art. The keynote presentation will be delivered by Tina Aufiero, artistic director of Pilchuck and the former director of the BFA Design & Technology Program at Parsons in New York City. Titled "bits + bytes: migratory investigations," Aufiero's talk aims to discuss the "technological implications for the field of glass."

Wednesday March 4, 2015 | by Andrew Page

Rui Sasaki wins the 2015 Jutta Cuny-Franz Memorial Award

FILED UNDER: Announcements, Award, News

Japanese artist Rui Sasaki, who spent time in the U.S. earning her MFA from RISD (2010), has been awarded the 2015 Jutta Cuny-Franz Memorial Award, which comes with a prize of € 10,000 (more than U.S. $ 11,000). The award is given each year to an artist who is under 40, and judges only consider work within the past two years. This year's award saw 164 applications from 28 countries. Two Talent Awards of the Jutta Cuny-Franz Foundation were also given to Maria Bang Espersen of Denmark, and Anne Weber of Germany. Each will receive an award of € 1,500.

Denise Pepper at work in the studio.

Wednesday August 6, 2014 | by Andrew Page

3 Questions for ... Denise Pepper

FILED UNDER: Artist Interviews, New Work

GLASS Quarterly Hot Sheet: What are you working on? Denise Pepper: My art practice is professionally motivated, forming sculptures that intentionally redefine common objects from the mundane. Fundamentally a glass artist, I specialize in pâté de verre glass casting, but also enjoy creating art for public sculpture exhibitions. I'm very much a maker in my art practice and desire in my art glass practice to form a unique and highly crafted pate de verre glass casting process developing innovative skills and techniques. My art glass practice focuses on the replication and presentation of detail and intricacy found in traditional lace making. I've also explored this medium with its application in fashion principally associated to undergarments.

The Canadian and Glass Gallery in Waterloo, Ontario is currently seeking a new curator.

Tuesday August 5, 2014 | by Andrew Page

HELP WANTED: Curator sought by the Canadian Clay and Glass Gallery

FILED UNDER: Announcements, Help Wanted, News

The Canadian Clay and Glass Gallery is searching for a new curator to replace Christian Bernard Singer, who announced his resignation in June. The new curator will be expected to bring their own vision to the Waterloo, Ontario based Gallery, which prides itself on pushing the boundaries, both materially and conceptually.

Hiroshi Yamano From East To West Scene Of Japan Fs 159 2012 Blown Sculpted Glass Silver Leaf Engraving Copper Plating 5X10X9

Hiroshi Yamano's From East to West "Scene of Japan" (FS #159), H 18 1/2, W 26, D 17 3/4 in.

Friday August 1, 2014 | by Andrew Page

OPENING: Hiroshi Yamano’s “Branches” exhibition explores natural beauty

FILED UNDER: Award, Exhibition, New Work, News, Opening

Art, at its best, is interpretation. It allows the viewer, for a brief time, to share in the artist’s perspective on reality, be it the physical or the metaphysical — and gain new insights into one's own experience as a result. In the joint exhibition “Branches,” which opens at the LewAllen Galleries in the Santa Fe Railyard on August 8, artists Hiroshi Yamano and Pedro Surroca offer up different perspectives on the understated beauty of tree branches.

Saturday July 26, 2014 | by Andrew Page

OPENING: Jim Loewer’s Asian-influenced bowls and vases featured in museum shop exhibit

FILED UNDER: Design, Exhibition, Museums, New Work, Opening

The Alternatives Museum Shop at the Delaware Center for the Contemporary Arts will feature the intense colors of Jim Loewer's glass vessels in a special exhibition debuting July 31st and running through September 25th, 2014. Based in Philadelphia, Loewer was trained as a painter, but now devotes himself to flamerworked borosilicate glass vases and bowls based on forms influenced by Japanese vesselware. He is self-taught and appreciates slight irregularities in his work which adds to their character.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.