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Viewing articles by Andrew Page


Tuesday November 17, 2015 | by Andrew Page

OPENING: The new Glass Wheel Studio expands art offerings in Norfolk, Virginia

The Norfolk, Virginia, glass scene, dominated by the Chrysler Museum of Art Glass Studio, just got bigger with last weekend's opening of a brand-new multi-media art center last Saturday evening, November 14. Unlike the museum's program of demos and performances, the Glass Wheel Studio aims to "serve as an incubator for extraordinary ideas and aim to encourage artists across all disciplines to pursue and elevate their craft." (Disclosure: Glass Wheel Studio is an advertiser in GLASS Quarterly magazine.) As its name implies, the organization puts a special emphasis on work in glass but is open to artists working in all materials. The 8,500-square-foot facility features two rotating galleries and affordable artist studios. Each year, it will provide 13 visual artists an immersive studio practice program, which provides opportunities "for research, experimentation, and professional development." The inaugural exhibition features the glass work of Philadelphia-based artist Jon Goldberg, founder of East Falls Glassworks. Also featured is work by Natalie Abrams and Liz Berk. The

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Monday November 16, 2015 | by Andrew Page

Today is the 100th birthday of the iconic Coca-Cola bottle design

FILED UNDER: Design, Museums, News
Even though aluminum cans and plastic bottles predominate, there's something about an ice-cold Coca-Cola served in its signature voluptous glass bottle that never fails to impress. The thick glass, shaped to perfectly fit into the hand and with raised lettering, telegraphs ripeness in its organic hourglass form. The patent for this design was issued on November 16, 1915, making today the centennial of this celebrated product packaging that is known around the world. The original design is referenced today in a variety of packaging materials for the world's best-selling soft drink. But it is in the greenish glass blottle that the form is most powerful, providing a visual and tactile sensuality that retains its power despite the proliferation of sophisticated package design in the century since. The story of how this quintessential design came to be is little-known and quite amusing.

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Monday November 16, 2015 | by Andrew Page

AWARD: Therman Statom named as 2015 United States Artists Fellow, receives $50,000 prize

FILED UNDER: Announcements, Award, News
Therman Statom has been named as one of 36 United States Artists Fellows for 2015. With the honor, which includes an unrestricted $50,000 award, Statom joins the ranks of artists working with glass such as Beth Lipman, Sibylle Peretti, Judith Schaechter, Mary Shaffer, Joyce Scott, and Einar & Jamex de la Torre, all of whom have been honored by the organization since it was founded in 2006. The purpose of the fellowship is to identify "the most accomplished and innovative artists working in the fields of Architecture & Design, Crafts, Dance, Literature, Media, Music, Theater & Performance, Traditional Arts and Visual Arts." Though the organization identifies Statom as a "sculptor, glass artist, and painter" who is "most notably known as a pioneer of the contemporary glass movement for his life-size glass ladders, chairs, tables, constructed box-like paintings, and small scale houses; all created through the technique of gluing glass plate together," he, like the other artists working in glass who have won the award, is listed in the "Crafts" category. 

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The Rakow Commision work Tantric Object (2015) by Swiss studio jeweler Bernhard Schobinger features glass skulls crafted from the bottom of antique poison bottles.

Thursday November 12, 2015 | by Andrew Page

MUSEUMS: Corning to unveil subversive jeweler’s Rakow Commision work today

Today, The Corning Museum of Glass will unveil its 30th Rakow Commission, the first to be awarded to a jeweler and the first new work to be added to the collection of the museum's Contemporary Art + Design Wing since the March 2015 opening. The work is titled Tantric Object by the avant-garde Swiss jeweler Bernhard Schobinger. It is a necklace of tiny skulls made from the bottom of green poison bottles. Gold laquer adds a decorative flourish to this provocative neckwear, and the word "GIFT" is evident in one of the glass pieces -- which in German means "posion." In a provocative 45-year career, the artist-jeweler has built his reputation on his use of castaway materials such as broken glass and ceramic shards, worn-out erasers, and even the elastic that once kept underwear from falling down.

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Wednesday November 11, 2015 | by Andrew Page

3 Questions for ... Jean-Simon Trottier

GLASS Quarterly Hot Sheet: What are you working on?Jean-Simon Trottier: For the past two years, I've been working continuously on a collaborative project with my partner Montserrat Duran Muntadas. We have created several sculptural installations that explore the issues of immigration and borders. For this project, we were especially inspired by seeds of various plants as metaphorical symbols of freedom. Because the organic forms of our sculpture were inspired by nature, this especially made our technical research an enriching one, while giving us pieces that surpassed our expectations.

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Wednesday November 4, 2015 | by Andrew Page

HELP WANTED: Royal College of Art seeks new Head of Glass & Ceramics Program

FILED UNDER: Education, Help Wanted, News
The Royal College of Art, located in the Kensington area of London, is seeking a new head of its Ceramics & Glass Program, which is unique in only offering graduate-level studies. Masters and doctoral students at RCA are pursing glass and ceramics from different perspectives, including as product designers and individual artists, but all are driven by a desire to achieve material understanding. Reporting to the college's dean of the "School of Material," the successful applicant to head the program will be in charge of the academic direction, research, and resources allocations of the program and its staff, according to the official job posting. Key qualities sought are business acumen and creative thinking to help bolster the program's prestige as a venue where creativity, science, and technology meet.

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Tuesday October 20, 2015 | by Andrew Page

Two new Dan Graham installations in Paris embrace urban flux

Through October 25th, the busy Place Vendome, ground zero for Parisian fashion boutiques, will feature two new works by American sculptor Dan Graham, whose architectural installations employ partially mirrored surfaces and refraction to juxtapose viewers with their surrounds and one-another. Two Nodes (2015) features two mirrored cylinders that mix reflectivity with transparency to create a constantly shifting environment that distorts bodies, and overlaps images. In an adjacent outdoor work, Passage Intime (2015), Graham invites users to traverse a narrow passageway, which also provides shape-shifting reflections to viewers, as well as draws narrow boundaries of shared public space.

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Tuesday October 20, 2015 | by Andrew Page

3 Questions For ... Doreen Garner

Anyone who dismisses the material of glass as too beautiful or perfect to communicate signifcant content or emotion hasn't encountered Doreen Garner's raw mixed media work, which cultivates strong reactions ranging from from desire to disgust. Walk into an exhibit of this 2014 graduate of RISD's MFA program and you know this is sophisticated work that plows deep psychological territory, confronting viewers with sometimes-disturbing works that take on the human body, sexuality, race, gore, and objectification. By adding unexpected materials such as latex or petroleum jelly as well as organic substances such as human hair, this Philadelphia native cannily pursues her agenda of peeling away layers of distance, digging down into a primordial strata of experience and consciousness. There's no shortage of concept either, with her recent work confronting the assault on black bodies in the name of medical research. The work's boldness is no surprise to those who saw the artist's 2014 "Observatory" exhibition in which she exhibited herself as a specimen unclothed in a glass box covered in glitter and stuffed condoms. There's nobody in glass taking on these issues in this manner, or with this level of risk-taking. GLASS recently interviewed Garner via email about where her work is going and where it can be seen.

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Thursday October 15, 2015 | by Andrew Page

Matt Szösz awarded 2015 University of the Arts Borowsky Prize

FILED UNDER: Announcements, Award, News
The Irvin Borowsky Prize in Glass Arts, a $5,000 award and artist residency organized by the University of the Arts since 2013, has been awarded to glass artist Matthew Szösz for 2015. Designed to recognized "an artist whose work advances the field of contemporary glass art," the recipient is also given a residency at the Philadelphia university's studios, and is invited to give a talk, which Szösz will deliver on November 12, 2015. This year, two additional Jurors' Awards were announced, going to the Chrysler Museum of Art Glass Studio programming director and manager Charlotte Potter and artist-educator David King.

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Wednesday October 7, 2015 | by Andrew Page

HELP WANTED: National Glass Centre in Sunderland, England, seeks new director

The National Glass Centre in Sunderland, England — an ambitious hub for glass education, research, fabrication, and exhibition — is seeking a new director. The art center is part of the University of Sunderland, and also in the national porfolio of the Arts Council England, meaning it receives substantial funding from the British government. The gallery showing new design and sculpture using glass attracts 250,000 visitors per year, and the center also is the classroom and workshop for 130 students at the University of Sunderland's arts, design and media program. The ideal candidate for the director position will "lead the organisation through the next stage of its development, ensuring its place in local, national, and international networks," according to the official job posting.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.