Seattle art patron Becky Benaroya gifts glass collection — and $14-million — to Tacoma Art Museum

FILED UNDER: Announcements, Exhibition, Museums, News

The Tacoma Art Museum in Tacoma, Washington, has scored a coup as the recipient of a $14-million gift from Becky Benaroya, who, with her late husband, Jack, has been acknowledged as among the most generous and powerful Seattle art patrons. In the Benaroyas seven decades of marriage, they assembled a collection of 225 works of art, with an emphasis on Studio Glass and regional Northwest painters and sculptors. For Becky Benaroya's 93rd birthday, she has promised not only the Benaroya art collection, but nearly $14 million to pay for a new wing at the TAM to house it, as well as to finance the salary of a dedicated curator of the collection and its upkeep.

Tuesday January 12, 2016 | by Andrew Page

HELP WANTED: Toledo Museum of Art seeks paid glass curatorial intern

FILED UNDER: Announcements, Help Wanted, Museums

The Toledo Museum of Art in Toledo, Ohio, is looking for a curatorial intern, preferably someone currently a graduate student with a focus on museum studies or art history, for a paid position. The successful applicant will have an opportunity to work extensively with the museum's renowned collection of decorative and sculptural glass objects. The Hirsch Glass Curatorial Intership, as it is known, involves assistance with exhibition planning and organization, as well as opportunities for research and writing about the glass collection.

Wednesday January 6, 2016 | by Andrew Page

OPENING: April Surgent exhibition debuts at the Museum of Northwest Art on Saturday

FILED UNDER: Announcements, Exhibition, Museums, New Work

Opening January 9, 2016, April Surgent's exhibition at the Museum of Northwest Art entitled "Observations of Life on Ice" employs the age-old practice of cameo glass engraving to comment on and investigate very contemporary issues of our environment in flux. The La Conner, Washington, museum's mission is to connect "people with the art, diverse cultures and environments of the Northwest." The Seattle-based artist's newest work is based on her eight-week residency in the Antarctic during 2013, when she was admitted to the National Science Foundation's Antarctic Artist and Writers Program. (Disclosure: GLASS Quarterly editor Andrew Page moderated a discussion at the 2015 SOFA Expo in Chicago in which Surgent was a panelist.)

Monday November 16, 2015 | by Andrew Page

Today is the 100th birthday of the iconic Coca-Cola bottle design

FILED UNDER: Design, Museums, News

Even though aluminum cans and plastic bottles predominate, there's something about an ice-cold Coca-Cola served in its signature voluptous glass bottle that never fails to impress. The thick glass, shaped to perfectly fit into the hand and with raised lettering, telegraphs ripeness in its organic hourglass form. The patent for this design was issued on November 16, 1915, making today the centennial of this celebrated product packaging that is known around the world. The original design is referenced today in a variety of packaging materials for the world's best-selling soft drink. But it is in the greenish glass blottle that the form is most powerful, providing a visual and tactile sensuality that retains its power despite the proliferation of sophisticated package design in the century since. The story of how this quintessential design came to be is little-known and quite amusing.

The Rakow Commision work Tantric Object (2015) by Swiss studio jeweler Bernhard Schobinger features glass skulls crafted from the bottom of antique poison bottles.

Thursday November 12, 2015 | by Andrew Page

MUSEUMS: Corning to unveil subversive jeweler’s Rakow Commision work today

FILED UNDER: Announcements, Award, Exhibition, Museums, New Work, News

Today, The Corning Museum of Glass will unveil its 30th Rakow Commission, the first to be awarded to a jeweler and the first new work to be added to the collection of the museum's Contemporary Art + Design Wing since the March 2015 opening. The work is titled Tantric Object by the avant-garde Swiss jeweler Bernhard Schobinger. It is a necklace of tiny skulls made from the bottom of green poison bottles. Gold laquer adds a decorative flourish to this provocative neckwear, and the word "GIFT" is evident in one of the glass pieces -- which in German means "posion." In a provocative 45-year career, the artist-jeweler has built his reputation on his use of castaway materials such as broken glass and ceramic shards, worn-out erasers, and even the elastic that once kept underwear from falling down.

Vesna Jovanovic. "Elisabeth Morrow," 2014, 24"x36," Gouache, Ink, Watercolor, Graphite, and Colored Pencil on Paper

Friday November 6, 2015 | by Sia Lenaburg

EXHIBITION: Medical glass takes center stage at Chicago’s International Museum of Surgical Science

FILED UNDER: Curiosities, Education, Exhibition, Museums

Advances in glass technology have paralleled the development of modern medicine since Anton van Leeuwenhoek's breakthroughs in optical lenses and microscopes in the 17th century began to unravel the mysteries of blood flow, yeasts, and the how small parasites can affect human health. Glass instruments in medical science are directly or indirectly responsible for a substantial number of the improvements the world has seen in health and health care, and glass participates in forwarding expansion of the human lifespan. Just how indispensible the material is to the medical field is brought home in an exhibition currently on view at the International Museum of Surgical Science in Chicago, a great detour for those in town for the big SOFA art fair this weekend. The GLASS Quarterly Hot Sheet recently interviewed Collin Pressler, curator at IMSS, to discuss the museum’s take on how glass is both an historical and aesthetic display of beauty and purpose.

Wednesday October 7, 2015 | by Andrew Page

HELP WANTED: National Glass Centre in Sunderland, England, seeks new director

FILED UNDER: Announcements, Help Wanted, Museums

The National Glass Centre in Sunderland, England — an ambitious hub for glass education, research, fabrication, and exhibition — is seeking a new director. The art center is part of the University of Sunderland, and also in the national porfolio of the Arts Council England, meaning it receives substantial funding from the British government. The gallery showing new design and sculpture using glass attracts 250,000 visitors per year, and the center also is the classroom and workshop for 130 students at the University of Sunderland's arts, design and media program. The ideal candidate for the director position will "lead the organisation through the next stage of its development, ensuring its place in local, national, and international networks," according to the official job posting.

Hot Shop Heroes instructor Conor McClellan guides a student through the beginning steps of the glassblowing process.

Friday October 2, 2015 | by Lindsay von Hagn

EXHIBITION: Museum of Glass unveils work made by soldiers and veterans in therapeutic program

FILED UNDER: Announcements, Education, Exhibition, Museums

Recently opened at the Museum of Glass in Tacoma, Washington, the exhibition “Healing in Flames” features work produced by the spring and summer 2015 instructors and students of the museum’s "Hot Shop Heroes: Healing with Fire" program, an educational project to offer glassblowing and art-making experiences to soldiers and veterans. The exhibit showcasing this life-changing program will remain on view through March 2016.

Thursday September 17, 2015 | by Emily Ma-Luongo

OPENING: Katherine Gray’s “A Rainbow Like You” is a Feast for the Senses

FILED UNDER: Announcements, Exhibition, Museums, New Work, Opening

UPDATED 9/19/2015

Wednesday September 16, 2015 | by Andrew Page

Chrysler Museum of Art officially announced as site of 2017 Glass Art Society Conference

FILED UNDER: Announcements, Events, Museums, News

The Glass Art Society has announced that the Chrysler Museum of Art, the main building and neighboring glass studio, will host the 46th annual gathering of the glass art world. With the theme: "Reflections from the Edge: Glass, Art, and Performance," the 2017 conference will run from June 1st through 3rd, 2017, and will be co-chaired by Diane Wright, the glass curator at the Chrysler Museum; Charlotte Potter, manager and program director of the museum's glass studio; and community members Virginia Hitch and Colin McKinnon. Performance art using glass, a focus of the Chrysler Museum of Art Glass Studio under Potter's leadership, will be a central focus of the 2017 event, according to today's announcement. The event will follow the 2016 conference taking place in Corning, New York.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.