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Viewing: Announcements


Rose Macchia
Dale Chihuly, Rose Blush Macchia Studio Edition, 2017. Blown Glass. H 6, W 9, H 9 in. courtesy: schantz galleries

Tuesday March 28, 2017 | by Hailey Clark

Released in limited variety each year, Chihuly’s Studio Editions offer more accessible prices

FILED UNDER: Announcements, News
Hand blown, smaller-scale, and created in multiples, each year's crop of Studio Editions reference some of the best-known unique works by Dale Chihuly, perhaps the best-known artist working with glass, whose signature adorns each one. Each season since 2012, the Chihuly Workshop has released four new studio editions, part of a series designed to offer Chihuly works at a more affordable price-point. These are available at galleries specializing in glass such as Schantz Galleries in Stockbridge, Massachusetts.

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Mizer 3
Artist Sarah Mizer at work in the studio.

Wednesday March 22, 2017 | by Hailey Clark

3 Questions for ... Sarah Mizer

Glass artist, Sarah Mizer, explores polarization, overindulgence, and nostalgia in her exhibition "Of Most Excellent Fancy," on view through April 1, 2017 at a project space in Laurel Park, North Carolina, that is the contemporary art component of a novel retail wine market called the Crate Project. Drawing inspiration from Vanitas Dutch still life imagery, and dialog from Shakespeare’s Hamlet, Mizer created three groups of art forms that reside on individual walls. Each set of works evoke a sense of conflicting ideas, such as life and death, like Vanitas imagery, while incorporating her own experiences from her time as an artist residence at the Penland School of Crafts. In these three questions, Mizer expands on how her botanical studies mesh with 17th-century sources of inspiration.

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Image003
Monir Farmanfarmaian, Third Family - Heptagon (Detail), 2011. Mirror, reverse-glass painting, and acrylic. photo: robert divers herrick. courtesy: the artist and haines gallery

Thursday March 16, 2017 | by Awura Barnie-Duah

OPENING: Iranian contemporary artist’s richly mirrored work featured at Chrysler Museum of Art

Kandinsky and Mondrian are two Western painters credited with pioneering the form of geometric abstraction. But artwork that focuses on patterns of color and shape rather than figuration goes back to ancient art forms, especially in Islamic Art, where depiction of religious figures has been carefully avoided in respect for the faith's ban on idolatry. The mirror sculptures of Monir Farmanfarmaian, an Iranian artist, bring together influences of Western avant-garde painting and centuries-old Islamic art in works of refraction and geometric abstraction. An opening reception this evening at The Chrysler Museum of Art in Norfolk, Virginia, will kick off an exhibition of Farmanfarmaian's work that will continue through July 30, 2017.

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2017 Hauberg Photos
Pilchuck announces its 2017 John H. Hauberg Fellows, Tempestuous Commons. courtesy: pilchuck glass school.

Wednesday March 15, 2017 | by Malcolm Morano

Pilchuck announces a female-focused multi-media collaborative as 2017 Hauberg Fellows

FILED UNDER: Announcements, Fellowship, News
Pilchuck Glass School has announced its 2017 John H. Hauberg Fellowship recipients, a group called Tempestuous Commons, who plan to “explore the female form as a narrative tool for expression,” according to the announcement. Tempestuous Commons, a newly formed group of emerging artists working largely in mixed-media sculpture, is comprised of Ashley Berkman, Jade Usackas, Kelsie McNair, and Nadira Narine. Their Pilchuck residency, which provides living accommodations and access to all Pilchuck studios except its hot glass shop, will take place from April 26th to May 12th, 2017.

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Lino Panel Pma
Lino Tagliapietra standing in front of his 2013 panel, Campo dei Fiori (Field of Flowers), installed at the Philadelphia Museum of Art.

Thursday March 9, 2017 | by Gabi Gimson

OPENING: Lino Tagliapietra at the Morris will be maestro’s second art museum exhibit in Mid-Atlantic

FILED UNDER: Announcements, Exhibition
Master glass artist Lino Tagliapietra will showcase works from the past 15 years in an upcoming solo exhibition at the Morris Museum in Morristown, New Jersey, opening with a private reception on Saturday. "Lino Tagliapietra: Maestro of a Glass Renaissance" brings together works from private collections as well as the artist’s personal holdings. The exhibition has been organized by Morris Museum curator Alexandra Willis with consultation from Jim Schantz, director of the Stockbridge, Massachusetts, gallery that bears his name. New York City's Heller Gallery was also involved in the organization and support of the exhibition.

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Page 2
Penland School of Crafts, Inspired: Life In Penland's Resident Artist and Core Fellowship Programs, cover. courtesy of Penland School of crafts

Wednesday March 8, 2017 | by Hailey Clark

BOOK REPORT: Penland publishes a lavish celebration of its unique residency program

In many words and pictures, Penland School of Crafts' new book, entitled Inspired: Life In Penland’s Resident Artists and Core Fellowship Programs, tells the story of this North Carolina craft center's mission and artist outcomes through the voices of its staff and 32 of the artist residents. These voices share their positive experiences during their time in residency, whether it was for 8 months or the uniquely long 3 year fellowship, and how they benefited from the institution's educational and residency programs. Over the course of 192 pages, this new coffeetable book delves into the history of Penland, first founded in the 1920s (it established its first glass program in 1965), and the core reason for its existence: to provide the perfect balance of solidarity and isolation for upmost creative growth. This hardcover book, according to Penland executive director Jean McLaughlin on page 8, "aim[s] to acknowledge the remarkable near-fifty-year history of these two programs and begin to document this history through the stories of participating artists." 

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Denver
Inside the Denver gallery, billed as the "flagship" location of Tansey Contemporary.

Tuesday March 7, 2017 | by Andrew Page

Santa Fe’s Tansey Contemporary opens new “flagship” location in Denver, Colorado

FILED UNDER: Announcements, News
When Jane Sauer Gallery, a Santa Fe outpost for ambitious art from craft materials including glass, was acquired by Jennifer and Michael Tansey in 2013, the Denver-based couple renamed it Tansey Contemporary but maintained relationships with most of its artists. Today, the Tanseys have opened the doors of a second, larger gallery space at 1743 Wazee Street in Denver, Colorado, which they are referring to as their "flagship" and headquarters where the owners will direct an "international expansion." Although this might sound overly ambitious given the challenging economy for work in glass, keep in mind that the gallery's co-owner Michael Tansey is also the chairman and owner of Art Miami, LLC, which runs not only the biggest Art Basel Miami Beach satellite fair each December but several other important art fairs in the New York and Palm Beach markets. The Santa Fe location will remain open on Canyon Road.

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Maritadingus
Marita Dingus, Cage Glass Girl, 2016. Mixed media. H 28 1/2, W 9, D 4 in. courtesy: traver gallery, seattle

Wednesday March 1, 2017 | by Gabi Gimson

OPENING: Marita Dingus seeks solace from political upheaval in mixed-media works at Traver

Mixed-media artist, Marita Dingus, will exhibit her most recent body of work at Seattle’s Traver Gallery beginning March 2. "The Gathering" will feature figurative sculptures made from discarded materials—an aesthetic for which Dingus has come to be known, but this exhibition will also include some of her largest-scale work to date. Dingus takes inspiration from African tribal art, particularly the bristly Nkondi sculptures of the Kongo people. Nkondi sculptures are anthropomorphic figures traditionally used to summon spirits for the purpose of correcting and healing social strife.

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Apple Glass
Apple claims its exterior glass cladding represents the "world's largest curved glass panels." courtesy: apple

Thursday February 23, 2017 | by Andrew Page

ARCHITECTURE: Glass plays lead role in new state-of-the-art Apple headquarters by Foster + Partners

Apple employees will be moving their desks to the much-anticipated new headquarters, Apple Park, sometime in April, according to a company press release, even though the construction process on the Santa Clara Valley, California, facility won't be complete until fall 2017. Billed as one of the world's most energy-efficient buildings thanks to its massive rooftop solar array and a natural ventilation system that is projected to need no heat or air conditioning 9 months of the year, the massive ring-shaped central building designed by Foster + Partners also claims to have the world's largest curved glass panels, which clad the space-ship like structure in seamless sheets of silica. Over 12,000 people will eventually occupy the new complex when it's fully occupied. The main building alone will provide 2.8 million square feet of space.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.