Viewing: Announcements

Matthew Szösz, untitled (inflatable) no.73, 2017. H 12 1/2 W 7 D 8 in. Glass. courtesy: Wheaton Arts

Monday May 29, 2017 | by Lindsay Hargrave

OPENING: Second “Emanation” at WheatonArts harnesses synergy between fabrication and concept

FILED UNDER: Announcements, Events, Exhibition, Museums, New Work, News, Opening

WheatonArts in Millville, New Jersey, is preparing to unveil its second “Emanation” exhibition during its long-running GlassWeekend event, a biennial gathering of collectors and artists to celebrate, discuss, buy and sell glass artwork coming up on June 9, 10 and 11, 2017. WheatonArts is a multi-dimensional nonprofit in Southern New Jersey, with programs ranging from a museum of American glass history to programming celebrating regional folk culture. But “Emanation,” initiated in 2015, is focused on the contemporary moment in art through an ambitious program to break down the barriers between fabricators and contemporary artists, something that other programs such as the high-profile Glasstress program by Berengo Studio in Venice don't directly address. Unlike that program, which brings well-known artists to Venice to have their ideas realized by glass masters, the "Emanation" project is based in the studios of WheatonArts' Creative Glass Center of America, best-known for its long-running fellowship program that allows artists free rein to realize experimental ideas at this unique facility. The New Jersey project is careful to avoid the one-way street of becoming a fabrication station. There are multiple efforts to create synergy between the artists and the facility, including during the installation of the exhibition component. The artists chosen for the second iteration of "Emanation" -- Emily Brown, Vanessa German, Michael Joo, Lorna Simpson, Therman Statom, Matthew Szösz, and the group Flock the Optic -- reveal varying levels of technical expertise working with glass, which creates interactions that cross-pollinate between artists approaching the project with different perspectives.

The exterior of Chihuly Garden and Glass in Seattle as pictured on its website.

Wednesday May 24, 2017 | by Lindsay Hargrave

SCHOLARSHIP: Chihuly Garden and Glass offers $10,000 for Seattle-area emerging glass artist

FILED UNDER: Announcements, Call for Submissions, Education, News

In honor of its fifth anniversary, Chihuly Garden and Glass, the for-profit long-term Chihuly exhibition in Seattle Center, is offering a $10,000 scholarship for an emerging glass artist in the Seattle region to take classes at either Pilchuck Glass School or Pratt Fine Arts Center. The program is offered in conjunction with the Chihuly Studio. Though announced through Facebook and a press release, information on how to apply for this opportunity hasn't been easy to locate. The application is on the Garden and Glass website, but only under "Events," where it comes up at the bottom of an article about the organization's fifth-anniversary activities. Still, this is a generous opportunity, one of a series of initiatives to give back to the glass art community, and worthy of attention for every Seattle-area glass artist who fits the criteria.

The cover of the upcoming edition of New Glass Review features work by Thaddeus Wolfe.

Tuesday May 23, 2017 | by Andrew Page

HOT OFF THE PRESSES: The Summer 2017 edition of GLASS (#147)

FILED UNDER: Announcements, New Work, News, Print Edition

The Summer 2017 edition of GLASS: The UrbanGlass Art Quarterly (#147) is hitting newsstands and subscriber mailboxes next week. Once again, GLASS is partnering with The Corning Museum of Glass to distribute the latest edition of its annual exhibition-in-print, New Glass Review (#38), which is bundled with the summer issue of GLASS magazine at no extra charge to subscribers (newsstand copies carry an increased cover price for the special bonus issue). On the front of the new edition of GLASS is a striking work in neon and paint by celebrated American artist Glenn Ligon investigates issues of racial identity, American history, as well as the nature of language itself. The 2012 work Double America, features the word "America" shown twice, in white neon and inverted and painted black, creating a powerful graphic that challenges the nation's ideals and aspirations at a time when the country is so profoundly divided.

2016 TIGA Artist-in-Residence, Matthew Szösz, Ampere's Law. glass fiber. courtesy: artist website.

Tuesday May 23, 2017 | by Gabi Gimson

CALL FOR APPLICATIONS: Toyama, Japan, glass program’s artist-in-residence program open to applicants

FILED UNDER: Announcements, Call for Submissions

The Toyama City Institute of Glass Art (TIGA) is now accepting applications for its sought-after artist-in-residence program, set to take place October 19 to November 29, 2017. Each year, TIGA selects one artist of any glassmaking discipline to work and live for six weeks in Toyama, Japan, aptly dubbed “Glass Town”—a seaside city with a 400 year-old crafts tradition. TIGA’s artist-in-residence program was established in 2010 to invigorate the local community and promote Toyama’s rich cultural and arts heritage. Former artists-in-residence, selected from an international and diverse group of applicants, include Anna Mlasowsky (2011), Ethan Stern (2012), Ben Wright (2013), Pavlina Cambalova (2015), and Matthew Szösz (2016). The current faculty includes head professor Jin Hongo and associate professor Amy Rueffert.

rendering of the Chihuly Sanctuary. courtesy: Buffet Cancer Center website.

Friday May 19, 2017 | by Gabi Gimson

OPENING: Chihuly Sanctuary lends comfort to patients at Buffett Cancer Center

FILED UNDER: Announcements, Architecture, New Work, News, Public Art

This afternoon, the Fred & Pamela Buffett Cancer Center in Omaha, Nebraska, will unveil The Chihuly Sanctuary—an extensive installation, featuring more than 200 original works by lauded glass maestro, Dale Chihuly. The sanctuary is a keystone of the Healing Arts Program at the University of Nebraska Medical Center and its clinical partner, Nebraska Medicine. and was made possible by a lead gift from Omaha philanthropists, Walter Scott and his late wife, Suzanne. The Fred & Pamela Buffett Cancer Center began construction in 2010 thanks to a major donation by Pamela Buffet and her late husband Fred, a relative of billionaire and Omaha native, Warren Buffet. Fred Buffett died of complications from kidney cancer in 1997. The 615,000-square-foot building cost $323 million to construct and is set to open its doors to patients in June.

courtesy: www.vermontglassguild.com/events

Tuesday May 16, 2017 | by Lindsay Hargrave

OPENING: Vermont Glass Guild members unveil new work in second annual exhibition

FILED UNDER: Announcements, Exhibition, Image Gallery, New Work, Opening

UPDATED 5/18/2017

courtesy of yaya website

Tuesday May 16, 2017 | by Lindsay Hargrave

Artist James Vella named glass studio manager of New Orleans nonprofit program

FILED UNDER: Announcements, Education, News

New Orleans-based artist James Vella, known for his strikingly realistic glass trout and delicate goblets, has assumed the position of glass studio manager as of May 1, 2017, at YAYA (Young Aspirations Young Artists), a New Orleans-nonprofit that offers classes and after school programs to local children and teenagers. Vella's full-time position will be responsible for duties formerly filled by two part-time employees, and this expanded role was developed in response to the organization’s growing audience and educational ventures in the New Orleans community.

Dan Clayman, Mapping 16,000 Parts, 2017. Burned paper. collection: the artist

Tuesday May 9, 2017 | by Andrew Page

OPENING: Dan Clayman takes his glass panel assemblages to new heights in sculpture park exhibit

FILED UNDER: Announcements, Architecture, Artist Interviews, New Work, News, Opening, Public Art

With a rainy VIP opening on Friday, May 5th, and the sun breaking through for a Saturday "Meet the Artist" afternoon event on May 6th, Dan Clayman unveiled Radiant Landscape, a monumental new project installed at the Grounds for Sculpture's Museum Building in Hamilton, New Jersey. This large-scale work that rises two stories is made up of thousands of 22-by-32-inch glass sheets rigged together in an intricate but elegant engineering solution which presents three fields of glass suspended vertically, at a steep pitch, and horizontally. The individual components are in shades of sunset gold, clear, and oceanic blue glass. The gold and clear are adjacent to one another and interact as they diffuse light that filters into the building's large windows, altering its hue and connecting to the landscape outside, and revealing several of Clayman's mapped-boulder sculptures (named for the geolocation where the natural boulder was found). The blue color field is suspended horizontally, and, bathed in its aquatic hues, one cannot escape the feeling of being under the surface of a large body of water.

Thursday April 27, 2017 | by Awura Barnie-Duah

HELP WANTED: The expanding Pittsburgh Glass Center seeks a full-time development manager

FILED UNDER: Announcements, Help Wanted

The Pittsburgh Glass Center is accepting applications for the full-time position of Development Manager. The nonprofit art center includes a public-access glass studio, visiting artist residencies, an education program, and ambitious exhibitions. This brand new position has been created to support the glass center's expansion. The center has come to grow and develop its individual giving, corporate sponsorship, and new foundation support. As part of the job, the development manager will be responsible for a number of tasks that uphold fundraising. These tasks include, "researching new foundation prospects, grant writing, funder reports, individual donor research, cultivation, and tracking, corporate sponsorship and other administrative duties".

Ruben Toledo, Summer Heat Wave, 2009. Screenprint with hand painting. courtesy: pilchuck glass school

Wednesday April 26, 2017 | by Hailey Clark

Chrysler exhibition celebrates Harvey Littleton’s lesser-known innovation: vitreography

FILED UNDER: Announcements, Exhibition, Museums, News

In her tenure as director of marketing and communications at the Pilchuck Glass School, Diane Wright became enamored of the little-known print collection in the school's archive of work made through the glass plate printing process known as vitreography. These are works in paper that are printed using a cold-worked sheet of glass as the plate, offering a number of advantages over a metal plate, including that it can be laid over the paper it will eventually be printed on during its creation, and it doesn't break down during repeat uses. Since she was appointed curator of glass at the Chrysler Museum of Art in December 2013, Wright had been looking forward to giving a platform to highlight this less well-known artform. "I wanted to be able to show them here in an environment where we have a strong focus on glass, but we also show a lot of other work," Wright said in a telephone interview with the GLASS Quarterly Hot Sheet. "There's this wonderful marriage between 2-D work that uses glass as a printing matrix and it also illustrates an interesting range of artists who who have worked at Pilchuck."