Viewing: Opening

courtesy: www.vermontglassguild.com/events

Tuesday May 16, 2017 | by Lindsay Hargrave

OPENING: Vermont Glass Guild members unveil new work in second annual exhibition

FILED UNDER: Announcements, Exhibition, Image Gallery, New Work, Opening

UPDATED 5/18/2017

Dan Clayman, Mapping 16,000 Parts, 2017. Burned paper. collection: the artist

Tuesday May 9, 2017 | by Andrew Page

OPENING: Dan Clayman takes his glass panel assemblages to new heights in sculpture park exhibit

FILED UNDER: Announcements, Architecture, Artist Interviews, New Work, News, Opening, Public Art

With a rainy VIP opening on Friday, May 5th, and the sun breaking through for a Saturday "Meet the Artist" afternoon event on May 6th, Dan Clayman unveiled Radiant Landscape, a monumental new project installed at the Grounds for Sculpture's Museum Building in Hamilton, New Jersey. This large-scale work that rises two stories is made up of thousands of 22-by-32-inch glass sheets rigged together in an intricate but elegant engineering solution which presents three fields of glass suspended vertically, at a steep pitch, and horizontally. The individual components are in shades of sunset gold, clear, and oceanic blue glass. The gold and clear are adjacent to one another and interact as they diffuse light that filters into the building's large windows, altering its hue and connecting to the landscape outside, and revealing several of Clayman's mapped-boulder sculptures (named for the geolocation where the natural boulder was found). The blue color field is suspended horizontally, and, bathed in its aquatic hues, one cannot escape the feeling of being under the surface of a large body of water.

Sibylle Peretti, Pearl River, 2017.

Tuesday April 25, 2017 | by Hailey Clark

OPENING: Sibylle Peretti plumbs intricate relationships in nature with new body of work

FILED UNDER: Announcements, Artist Interviews, Exhibition, New Work, Opening

Sibylle Peretti a German-born artist who renders nature-inspired dreamscape will unveil a new body of work at her upcoming exhibition entitled "It Was Such a Beautiful Promise," where she explores a world of complex relationships and issues of survival. Exhibiting at Callan Contemporary in New Orleans from May 4 to June 25, 2017, Peretti’s glass panels are a continuation of her previous work, The Land Behind, where she explored the effects imagination has on creating space. Compared to her earlier work, which exhibits similar themes, the glass artist evolves her use of external symbols, (i.e., bees, vegetation, and crystals) to a different found object: pearls.

Bob Snodgrass, Skull Pipe, 2016. 6 in. courtesy: apexart.

Tuesday April 4, 2017 | by Awura Barnie-Duah

OPENING: Gaining acceptance, glass pipes being shown at larger art venues

FILED UNDER: Announcements, Exhibition, Museums, Opening

Apexart, a downtown Manhattan non-profit arts venue for independent curators and emerging and established artists, is currently showing an exhibition of glass pipes unabashedly celebrated by the show's organizer David Bienenstock, who is the former head of content at High Times magazine and a self-described "cannabis consultant." Despite the growing support for the decriminalization of marijuana (the most recent Gallup poll on the subject found 60-percent of Americans support legalization), Bienenstock has titled the exhibition "Outlaw Glass," and it gathers a wide range of work by a new generation of artists following in the footsteps of pioneering flameworker Bob Snodgrass, whose legacy the exhibition is designed to honor. Not just a showcase of the best work by contemporary glass, the exhibition also delves into the "authentic underground cannabis culture," examining the sometimes shadowy aspects of pipemaking, which has endured targeted law enforcement crackdowns as recently as in 2003's Operation Pipedreams. Bienenstock notes that the fine art world's embrace of pipemaking may be "following the trajectory of graffiti culture, which started literally in the streets amid serious and sustained official repression, only to break through into galleries and then put its stamp on both high art and popular culture."

Monir Farmanfarmaian, Third Family - Heptagon (Detail), 2011. Mirror, reverse-glass painting, and acrylic. photo: robert divers herrick. courtesy: the artist and haines gallery

Thursday March 16, 2017 | by Awura Barnie-Duah

OPENING: Iranian contemporary artist’s richly mirrored work featured at Chrysler Museum of Art

FILED UNDER: Announcements, Exhibition, Museums, Opening

Kandinsky and Mondrian are two Western painters credited with pioneering the form of geometric abstraction. But artwork that focuses on patterns of color and shape rather than figuration goes back to ancient art forms, especially in Islamic Art, where depiction of religious figures has been carefully avoided in respect for the faith's ban on idolatry. The mirror sculptures of Monir Farmanfarmaian, an Iranian artist, bring together influences of Western avant-garde painting and centuries-old Islamic art in works of refraction and geometric abstraction. An opening reception this evening at The Chrysler Museum of Art in Norfolk, Virginia, will kick off an exhibition of Farmanfarmaian's work that will continue through July 30, 2017.

Marita Dingus, Cage Glass Girl, 2016. Mixed media. H 28 1/2, W 9, D 4 in. courtesy: traver gallery, seattle

Wednesday March 1, 2017 | by Gabi Gimson

OPENING: Marita Dingus seeks solace from political upheaval in mixed-media works at Traver

FILED UNDER: Announcements, Exhibition, New Work, Opening

Mixed-media artist, Marita Dingus, will exhibit her most recent body of work at Seattle’s Traver Gallery beginning March 2. "The Gathering" will feature figurative sculptures made from discarded materials—an aesthetic for which Dingus has come to be known, but this exhibition will also include some of her largest-scale work to date. Dingus takes inspiration from African tribal art, particularly the bristly Nkondi sculptures of the Kongo people. Nkondi sculptures are anthropomorphic figures traditionally used to summon spirits for the purpose of correcting and healing social strife.

Kazuki Takizawa, The Minimalist, 2015-2017. Blown glass sculpture. courtesy: the artist

Thursday February 23, 2017 | by Hailey Clark

OPENING: Kazuki Takizawa takes on weighty topic in upcoming solo exhibition at major craft gallery

FILED UNDER: Announcements, Exhibition, New Work, Opening

UPDATED: 05/16/2017

Black Iris Vase, 1909. Porcelaneous earthenware. collection: newark museum

Wednesday February 15, 2017 | by Hailey Clark

OPENING: The Newark Museum explores art boundaries with upcoming exhibit

FILED UNDER: Exhibition, Museums, Opening

On February 22, 2017, the Newark Museum will open a provocative exhibition titled "When Objects Became Art," which presents early twentieth-century glass and ceramic works from its private collection to foster a new understanding of the dividing line between decorative and fine art.

Imagine Museum benefactor Trish Duggan, and museum executive director Nate Jessup, at hard-hat tour. courtesy: imagine museum.

Tuesday February 14, 2017 | by Gabi Gimson

A brand-new glass museum set for grand opening in St. Petersburg, Florida, by end of 2017

FILED UNDER: Announcements, Exhibition, Museums, News, Opening

St. Petersburg, Florida, may seem an unlikely hub for glass art, but the city that holds the world's record for the most consecutive days of sunshine is also soon to be home to a new museum devoted entirely to the material as a medium of sculpture. The brand-new Imagine Museum is currently being installed in a repurposed building just nine blocks away from the Morean Arts Center, which boasts a now-permanent collection of Dale Chihuly’s work. The Imagine Museum expects to have a grand opening before the end of 2017, but it is already hosting events even as it undergoes a major renovation of its building, which has in previous incarnations been a bank, nightclub, and, most recently, a charter school. The museum is in the process of installing signage and building out its museum store. The first floor is on schedule to be complete by the end of February, where it will host occasional activities and events before the museum officially opens.

Carol Prusa, Spooky Action. Glass. courtesy: boca raton museum

Wednesday February 1, 2017 | by Awura Barnie-Duah

OPENING: Berengo’s Glasstress project comes to Boca Raton, Florida

FILED UNDER: Exhibition, Museums, New Work, News, Opening

Adriano Berengo is back with another Glasstress exhibition, this time in partnership with an art museum in Boca Raton, Florida. Known for bringing artists who don't usually utilize glass as a medium together with his team of glass maestros in Murano, Berengo has built Glasstress into an art-world brand since it debuted as a collateral exhibition at the 2009 Venice Bienalle. In addition to his Glasstress exhibits at the international exhibition, Berengo has also been developing "Glasstress World" in which Berengo Project artists display their work in partnership with major museums around the globe.