Viewing articles by Andrew Page

The first gallery is organized around works inspired by nature, and this exhibit will be anchored by Katherine Gray’s 2009 work Forest Glass.

Sunday June 29, 2014 | by Andrew Page

Corning Museum of Glass pushes back opening date for new contemporary wing

FILED UNDER: Design, Exhibition, Museums, New Work, News

Originally set for a December 2014 opening, the new North Wing of the Corning Museum of Glass is now going to open to the public on March 20, 2015. The construction of the ambitious expansion project with a $64 million budget is on schedule, according to a Corning Museum spokesperson, but the additional time is needed for installing the 70 works that will be the hallmark of the new 26,000-square-foot gallery dedicated to showcasing the larger scale typical of contemporary work in glass. "We will begin installing our objects in the galleries once the building is complete," writes Yvette Sterbenk, the museum's senior manager of communications in an email exchange with the GLASS Quarterly Hot Sheet. "As the caretakers of the world’s most important collection of glass, we want to make sure we give ourselves time to do this appropriately. Instead of opening in the winter, we set the opening around the vernal equinox – the start of spring – which gives us a great opportunity to celebrate the idea of light, as befits the new building."

Tuesday June 10, 2014 | by Andrew Page

EXHIBITION: Glass exhibition on Bainbridge Island puts the focus on Seattle scene

FILED UNDER: Announcements, Exhibition, New Work, News, Opening

Through June 30th, 2014, the Bainbridge Arts & Crafts Gallery is hosting "Blown Away, Cast Away," an exhibition curated by GLASS Quarterly contributing editor Victoria Josslin. Featuring the work of Granite Calimpong, Bruce Greek, Janusz Pozniak, Lynn E. Read, Boyd Sugiki, Takuya Tokizawa, and Lisa Zerkowitz, the exhibition combines sculptural and design works in glass.

Using motion capture technology, as well as chronophotography and projection, Harty recreates the silhouettes of Venetian glass forms.

Sunday June 8, 2014 | by Andrew Page

EXHIBITION: Kim Harty’s quest for motion capture informs a wide-ranging body of work

FILED UNDER: Exhibition, New Work, News

The photos are lined up neatly, like a checkerboard, fixed to the wall with binder clips. They feature a blurred figure caught in motion, her arms tracing the lines of sculptures in front of her. This is just one piece by artist Kim Harty, BOLT Resident artist, as she breaks down artmaking frame by frame in her new exhibition "Human Factors." Using motion capture technology, chronophotography, and projection, Harty's pieces seek to record the elusive artistic process and examine the dichotomy between human expression and industrial efficiency. The solo exhibition is on view at the Chicago Artists Coalition throughl Tuesday, June 14. (Disclosure: Kim is the former managing editor of GLASS Quarterly.)

April Surgent, Overshadow, 2014. Cameo engraved glass. H 14 7/8, W 20 1/4, D 2 in.

Friday June 6, 2014 | by Andrew Page

OPENING: April Surgent’s photographic glass panels debut at Heller Gallery

FILED UNDER: Exhibition, New Work, Opening

UPDATED 06- 07-2014; 8:06 PM

Thursday May 29, 2014 | by Andrew Page

GLASS subscribers receive special bonus of latest edition of Corning’s New Glass Review

FILED UNDER: Announcements, Special Offer

At no extra charge, current subscribers to GLASS: The UrbanGlass Art Quarterly will receive the latest version of The Corning Museum of Glass's annual exhibition in print of notable new work, juried this year by GLASS contributing editor James Yood, Van Teetterode Glass Studio director Caroline Prisse (Amsterdam), architect Paul Haigh, and Corning curator of modern glass Tina Oldknow. The four have chosen the 100 most important works in glass from the submissions of over 900 artists around the world. Subscriber copies will arrive in mailboxes shortly, shrink-wrapped with the extra bonus of the beautifully printed New Glass Review 35.

Photo Credit Michael Schwalbe Portrait Rockriver

Sally Resnik Rockriver at work in the studio. photo: michael schwalbe

Wednesday May 28, 2014 | by Andrew Page

3 Questions For ... Sally Resnik Rockriver

FILED UNDER: Artist Interviews, New Work

GLASS Quarterly Hot Sheet: What are you working on? Sally Resnik Rockriver: In the past, I made geochemical reefs growing on underwater architecture. This theme has come back to me, except the lost city is not Atlantis, but one from our future. My new pieces have buildings that are overtaken by creatures from another place in time. I am making structures out of refractory materials and clay. I then kiln-fuse these walls with ceramic glazes and blown glass. The body of work is a group of scenes which tell the story of tension between the past and future. In these pieces, otherworldly specimens encounter the confines of an aging society. As a resolution, the bricks expand to allow enough space for new formations.

Amber Cowan, Shell Pink Bowl, 2013. Flameworked and fused American pressed glass. D 17 1/2 in. copyright: amber cowan

Tuesday May 20, 2014 | by Andrew Page

Amber Cowan awarded 2015 Corning Museum of Glass Rakow Commission

FILED UNDER: Announcements, Museums, New Work

Artist Amber Cowan, who is also an adjunct professor in the glass program at the Tyler School of Art, Philadelphia, has been awarded The Corning Museum of Glass's 29th Rakow Commission. The program provides $25,000 to encourage artists working in glass to explore new types of work without concern for financial limits, and has been offered to select artists each year since 1986, when the late Dr. and Mrs. Leonard S. Rakow created it. The award goes to an artist not yet represented in the museum's collection, and who is identified by the curator of modern glass, currently Tina Oldknow. The Rakow Commission works become part of the Corning permanent collection.

Marc Petrovic leading a demo at the Cleveland Institute of Art in Spring. The campus visit was an audition for the position he has been awarded after an international search. photo: robert muller

Saturday May 17, 2014 | by Andrew Page

Marc Petrovic hired to chair glass department at Cleveland Institute of Art

FILED UNDER: Announcements, Education, News

After an international search, the Cleveland Institute of Art has hired Marc Petrovic to chair its glass program, selecting him from the 35 qualified applicants for the position. The artist, a Cleveland native and alumnus of CIA, will join its faculty as an assistant professor for the upcoming Fall semester, taking over for his former professor and the longtime glass department chair Brent-Kee Young, who is retiring after 41 years. Petrovic will be relocating from Connecticut, where he has lived and worked for the past 20 years, and returning to the city where he was born, and where he earned his B.F.A. from CIA in 1991.

Thomas and George Woodall, The Intruders, ca. 1893, and The Attack, 1896 Blown, cased, acid-etched, and cameo-carved glass.

Saturday May 10, 2014 | by Andrew Page

The Chrysler Museum of Art showcases new glass acquisitions as doors reopen to the public today

FILED UNDER: Museums, News, Opening

After an 18-month major expansion and renovation of its main building, the Chrysler Museum of Art in Norfolk, Virginia opens to the public today with a 30-percent increase in the number of items in its glass collection on display, as well as greater connections to the activities of its glass studio. Proceeds from museum’s $45 million capital campaign—which included funding for the glass studio that opened in November 2011—financed this $24-million-project. An additional 10,000 square feet of exhibition space allows greater flexibiltiy for exhibiiton design as well as new paths for visitors to navigate the museum. Two new wings now flank the historic front entrance.

courtesy: the artist

Saturday May 10, 2014 | by Andrew Page

OPENING: Mary Shaffer exhibition opens in Taos, New Mexico

FILED UNDER: Events, Exhibition, Opening

A solo exhibition of pioneering Studio Glass artist Mary Shaffer opens today at the E.L. Blumenschein Museum, a historic landmark in Taos, New Mexico. Up through June 22, 2014, the exhibtion entitled "A Different View" features the artist's signature "mid-air slumping" technique. Antique farm tools such as buggy wrenches and sheep sheers are adorned by a flourish of drippinghot glass, strategically cooled to preserve the fluidity and grace of the material subject to gravity.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.