Viewing articles by Andrew Page

April Surgent, Overshadow, 2014. Cameo engraved glass. H 14 7/8, W 20 1/4, D 2 in.

Friday June 6, 2014 | by Andrew Page

OPENING: April Surgent’s photographic glass panels debut at Heller Gallery

FILED UNDER: Exhibition, New Work, Opening

UPDATED 06- 07-2014; 8:06 PM

Thursday May 29, 2014 | by Andrew Page

GLASS subscribers receive special bonus of latest edition of Corning’s New Glass Review

FILED UNDER: Announcements, Special Offer

At no extra charge, current subscribers to GLASS: The UrbanGlass Art Quarterly will receive the latest version of The Corning Museum of Glass's annual exhibition in print of notable new work, juried this year by GLASS contributing editor James Yood, Van Teetterode Glass Studio director Caroline Prisse (Amsterdam), architect Paul Haigh, and Corning curator of modern glass Tina Oldknow. The four have chosen the 100 most important works in glass from the submissions of over 900 artists around the world. Subscriber copies will arrive in mailboxes shortly, shrink-wrapped with the extra bonus of the beautifully printed New Glass Review 35.

Photo Credit Michael Schwalbe Portrait Rockriver

Sally Resnik Rockriver at work in the studio. photo: michael schwalbe

Wednesday May 28, 2014 | by Andrew Page

3 Questions For ... Sally Resnik Rockriver

FILED UNDER: Artist Interviews, New Work

GLASS Quarterly Hot Sheet: What are you working on? Sally Resnik Rockriver: In the past, I made geochemical reefs growing on underwater architecture. This theme has come back to me, except the lost city is not Atlantis, but one from our future. My new pieces have buildings that are overtaken by creatures from another place in time. I am making structures out of refractory materials and clay. I then kiln-fuse these walls with ceramic glazes and blown glass. The body of work is a group of scenes which tell the story of tension between the past and future. In these pieces, otherworldly specimens encounter the confines of an aging society. As a resolution, the bricks expand to allow enough space for new formations.

Amber Cowan, Shell Pink Bowl, 2013. Flameworked and fused American pressed glass. D 17 1/2 in. copyright: amber cowan

Tuesday May 20, 2014 | by Andrew Page

Amber Cowan awarded 2015 Corning Museum of Glass Rakow Commission

FILED UNDER: Announcements, Museums, New Work

Artist Amber Cowan, who is also an adjunct professor in the glass program at the Tyler School of Art, Philadelphia, has been awarded The Corning Museum of Glass's 29th Rakow Commission. The program provides $25,000 to encourage artists working in glass to explore new types of work without concern for financial limits, and has been offered to select artists each year since 1986, when the late Dr. and Mrs. Leonard S. Rakow created it. The award goes to an artist not yet represented in the museum's collection, and who is identified by the curator of modern glass, currently Tina Oldknow. The Rakow Commission works become part of the Corning permanent collection.

Marc Petrovic leading a demo at the Cleveland Institute of Art in Spring. The campus visit was an audition for the position he has been awarded after an international search. photo: robert muller

Saturday May 17, 2014 | by Andrew Page

Marc Petrovic hired to chair glass department at Cleveland Institute of Art

FILED UNDER: Announcements, Education, News

After an international search, the Cleveland Institute of Art has hired Marc Petrovic to chair its glass program, selecting him from the 35 qualified applicants for the position. The artist, a Cleveland native and alumnus of CIA, will join its faculty as an assistant professor for the upcoming Fall semester, taking over for his former professor and the longtime glass department chair Brent-Kee Young, who is retiring after 41 years. Petrovic will be relocating from Connecticut, where he has lived and worked for the past 20 years, and returning to the city where he was born, and where he earned his B.F.A. from CIA in 1991.

Thomas and George Woodall, The Intruders, ca. 1893, and The Attack, 1896 Blown, cased, acid-etched, and cameo-carved glass.

Saturday May 10, 2014 | by Andrew Page

The Chrysler Museum of Art showcases new glass acquisitions as doors reopen to the public today

FILED UNDER: Museums, News, Opening

After an 18-month major expansion and renovation of its main building, the Chrysler Museum of Art in Norfolk, Virginia opens to the public today with a 30-percent increase in the number of items in its glass collection on display, as well as greater connections to the activities of its glass studio. Proceeds from museum’s $45 million capital campaign—which included funding for the glass studio that opened in November 2011—financed this $24-million-project. An additional 10,000 square feet of exhibition space allows greater flexibiltiy for exhibiiton design as well as new paths for visitors to navigate the museum. Two new wings now flank the historic front entrance.

courtesy: the artist

Saturday May 10, 2014 | by Andrew Page

OPENING: Mary Shaffer exhibition opens in Taos, New Mexico

FILED UNDER: Events, Exhibition, Opening

A solo exhibition of pioneering Studio Glass artist Mary Shaffer opens today at the E.L. Blumenschein Museum, a historic landmark in Taos, New Mexico. Up through June 22, 2014, the exhibtion entitled "A Different View" features the artist's signature "mid-air slumping" technique. Antique farm tools such as buggy wrenches and sheep sheers are adorned by a flourish of drippinghot glass, strategically cooled to preserve the fluidity and grace of the material subject to gravity.

Tuesday April 29, 2014 | by Andrew Page

OPENING: Dan Graham collaborates with landscape architect for Metropolitan Museum rooftop project

FILED UNDER: Events, Exhibition, Museums, New Work, Public Art

On a blustery spring day, the site-specific work "The Roof Garden Commission" by artist Dan Graham in collaboration with landscape architect Günther Vogt opened atop the Metropolitan Museum of Art in Manhattan. Architectural constructions of sensuously curving beams of steel supporting curved panels of lightly mirrored glass, the work is arranged on a grassy lawn that connects the rooftop to the adjacent green landscape of Central Park. The glass is carefully designed to both reflect and be permeable to light, offering complex and constantly-shifting perspectives for visitors walking in and out of the structure. The outdoor installation will be up through November 2, 2014, available to museum visitors when the weather permits.

Friday April 25, 2014 | by Andrew Page

3 Questions for ... Daniel Cutrone

FILED UNDER: Artist Interviews, Exhibition, New Work

The GLASS Quarterly Hot Sheet blog recently caught up to Daniel Cutrone, an assistant professor in the glass area at Tyler School of Art in Philadelphia, and a practicing artist with a solo exhibition currently on view at the Delaware Center for the Contemporary Arts. Holding an MFA in glass from Tyler, as well as a BFA in painting from the University of the Arts, Cutrone writes in his artist statment about his work's efforts to "engender a state of questioning" and to test and challenge boundaries. Below, we present an exchange with the artist about his latest work, his inspirations, and where his work is on view.

Tuesday April 15, 2014 | by Andrew Page

Coburg Glass Prize awarded to Danish artist Karen Lise Krabbe

FILED UNDER: Award, Exhibition, New Work, News

The fourth Coburg Prize for Contemporary Glass was awarded over the weekend, with the top honor including a 15,000 Euro (more than US$ 20,000) prize going to Karen Lise Krabbe of Denmark. Open to European artists working with glass, the richest prize in glass is awarded at multi-year intervals. The first was given in 1977, followed by 1985, and 2006. Second prize was awarded to American Jeff Zimmer (currently living in Scotland and thus qualifying for the competition). Sylvie Vandenhoucke of Belgium won third prize.

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