Press coverage from October 1, 2017 by Liz Logan for American Craft Magazine - Link
Press Coverage
Press coverage from September 5, 2017 by Benjamin Sutton for Hyperallergic - Link
Freezing and Smashing Trump’s Words in a Glassblowing Studio
Press coverage from August 24, 2017 by Laura Hoffmann for Artforum - Link
Suzanne McClelland
Suzanne McClelland’s exhibition “Just Left Feel Right” at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, is a survey that includes some of the artist’s recent forays into unfamiliar territory. Here, she discusses her glass piece Runners Up, 2014–16, in the context of her twenty-five years of painting. The show is on view through September 4, 2017.
Press coverage from August 21, 2017 by Liz Logan for 1st Dibs - Introspective Magazine - Link
How One Workshop Became the East Coast Epicenter of Glass Art
Press coverage from August 15, 2017 by Ariela Gittlen for Artsy - Link
These 7 Artists Are Testing the Limits of Glass-Making
“Until recently, the scientific community couldn’t agree if glass was a liquid or a solid, which is rather insane,” Cybele Maylone tells me. “It speaks to the magical properties that make glass so enchanting to artists.”
Press coverage from August 3, 2017 by Alexandra Alexa for Artsy - Link
11 of the World’s Most Inspiring Design Residencies
Design moves forward through conversation, and residency programs tailored to design and craft-based disciplines play an instrumental role in nurturing that dialogue.
Press coverage from July 24, 2017 by Hannah Martin for Architectural Digest - Link
Look Inside the New York Glass Studio Used by More Than 200 Artists and Designers
On its 40th anniversary, UrbanGlass still proves a necessary resource for New York's creative community. Maybe you've never heard of UrbanGlass. But chances are, you've seen a thing or two that was made there.
Press coverage from July 21, 2017 by Producer: Nick Ravich. Director: Nick Ravich. for Art21 - Link
Caroline Woolard’s Floating Possibility
What if the ocean was your studio? Artist Caroline Woolard and a group of collaborators embark on Carried on Both Sides, a research-based sculptural project that reimagines the past and future of a once ubiquitous object, the Roman amphora.
Press coverage from July 12, 2017 by Alina Cohen for Gallerie Magazine - Link
See Inside this Legendary Glassmaking Studio
In the 1980s, New York glassblowers befriended the mafia. At least, that’s the story UrbanGlass executive director Cybele Maylone heard at the organization’s 40th anniversary benefit in May. The founders initially established the glass studio (originally called the New York Experimental Glass Workshop) on Great Jones Street in 1977.
Press coverage from May 22, 2017 by MICHAEL ANTHONY FARLEY for Art F City - Link
This Week’s Must-See Art Events
This week you’re in for a weird ride. From Aaron Pexa’s installation inspired by faeries from Welsh mythology (opening Wednesday at UrbanGlass) to a show of fake John Waters memorabilia Thursday night at La MaMa, there’s a lot of idiosyncratic happenings to partake in.