Thursday August 1, 2019 | by Meghan Hayfield

With clients offering ever-larger spaces, Jennifer and Thor Bueno create expressive stone installations that bring the complexity of the natural world indoors

Jennifer and Thor Bueno, the husband-and-wife team behind Bueno Glass, have been collaborating on large-scale stone sculptures for at least 10 years, and they've been bringing assemblages of these variegated patterns that reference natural geology into the architecture of homes, hospitals, and corporate offices. Their latest installation, entitled Cerulean Streams, is massive in scale and was installed in an unidentified corporate headquarters in Virginia.

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Wednesday July 31, 2019 | by Meghan Hayfield

EXHIBITION: Bergstrom-Mahler Museum of Glass tackles a myriad of social issues in group show

The current exhibition at the Bergstrom-Mahler Museum of Glass seeks to confront a range of social concerns -- from racist violence to explorations of gender identity -- through the work of varied group of contemporary glass artists. Located in a small Wisconsin city and once known primarily as a showcase of historic paperweights, the Bergstrom-Mahler is an unexpected venue for such an exhibition, and perhaps the broadly disparate works don't quite fit under the vague umbrella of "diversity." But the exhibition titled “Reflecting Perspectives: Artists Confront Social Issues of Diversity and Inclusion” also provided a venue for more confrontational works that encourage viewers to question belief systems and likley challenged viewers with other ways of approaching the world than their own.

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Tuesday July 23, 2019 | by Gabriela Iacovano

Refract, the Seattle area's first-ever region-wide glass festival coming up in October, is designed to celebrate the importance of the material in the Northwest

From October 17th through the 20th, glass-art institutions from Tacoma to Everett will collaborate on a first-ever region-wide event called "Refract Seattle." This four-day event is anchored by Chihuly Garden and Glass (CGG) and Visit Seattle, a private nonprofit marketing association, which co-host the festival, with over 30 partners organizing their own programming throughout the region, and it will overlap with the Pilchuck annual auction weekend. The event will kick off with a party at Chihuly Garden and Glass near the Space Needle, and conclude with a street party on Pike Place Market, with museum events, open studios, and a glass-art street market at Pratt.

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Monday July 22, 2019 | by Andrew Page

CONVERSATION: Deborah Czeresko, who won the Netflix glassblowing competition Blown Away, tells all

New York-based artist Deborah Czeresko has a foot in two glass camps. She was drawn to glass by the precision of Venetian glassblowing, which she studied at the New York Experimental Glass Workshop under the tutelage of William Gudenrath, now resident advisor at the Corning Studio. (Disclosure: Czeresko is currently a board member of UrbanGlass, the successor of NYEGW.) But she is also an accomplished conceptual and performance artist, and has fabricated work for Kiki Smith and Rob Wynne, among other prominent contemporary artists. When not making her own work, or fabricating for others, she is often at work on her lighting-design line that helps provide income. Surprisingly, despite her wide-ranging skill and high-level art-world connections, Czeresko is not presently represented by an art gallery, though that might change given her recent star performance (and victory) in the Netflix reality show Blown Away. If you've somehow missed the big debates about the program, think of the Great British Baking Show except, instead of fancy desserts, the contestants are asked to create on-demand glass artworks under time pressure. The Glass Quarterly Hot Sheet caught up with Czeresko to discuss her experience behind and in front of the Blown Away cameras in an exclusive interview with the show's winner.

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Wednesday July 17, 2019 | by Gabriela Iacovano

After a year as interim executive director, Brandi Clark earns the full leadership position at the Glass Art Society

After a year-long national search, the Board of Directors of the Glass Art Society (GAS) has named Brandi Clark its new Executive Director.

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Tuesday July 16, 2019 | by Meghan Hayfield

Tyler School of Art in Philadelphia debuts a name change and new glass-program head

On July 1, 2019, the Tyler School of Art in Philadelphia debuted its newly expanded name and officially became the "Tyler School of Art and Architecture." The change is part of a reorganization of the existing programs at this art school, which is part of the larger institution Temple University. In October 2018, the Temple board of directors voted to eliminate the separate departments of Craft as well as Painting, Drawing, and Sculpture, unifying them under a single "Department of Art." Recently, there has also been a shuffle in Tyler's glass-program faculty, with assistant professor Jessica Julius, who has taught at Tyler for more than a decade, taking over as program head, while her predecessor Sharyn O’Mara will continue as a full-time professor with more time to devote to her own art practice.

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Thursday July 11, 2019 | by Meghan Hayfield

OPENING: John Drury continues mapping an alternative history of glass art with show at Traver Gallery

“As in Also: An Alternative Too,” a group exhibition curated by Glass contributing editor John Drury opens this evening at the Traver Gallery in Seattle on July 11. The exhibit features work from artists that question the boundaries of glass including Scott Darlington, Jen Elek, Eli Hansen, Amy Lemaire, Robbie Miller, Morgan Peterson, Jerry Pethick, Brian Pike, George Sawchuk, Buster Simpson, Megan Stelljes, Leo Tecosky, and Simon Klenell.

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Wednesday July 10, 2019 | by Meghan Hayfield

OPENING: Lino Tagliapietra to attend Friday's exhibition opening at Schantz Galleries in Massachusetts

Glass maestro Lino Tagliapietra will be visiting Schantz Galleries in Stockbridge, Massachusetts, on Friday, July 12, 2019, from 3 PM to 5 PM. It will be the public opening of his solo exhibition titled "Visionary," which features 40 of his latest works. The exhibition honors Tagliapietra for his unusual and intricate explorations that continue to expand the boundaries of the glass medium. The new work reveals Lino's innovative use of color and pattern. Owner Jim Schantz told the Glass Quarterly Hot Sheet that the title of the show is an acknowledgement of the ways the artist continues to experiment and explore new ways to create within the glass medium.

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Wednesday July 10, 2019 | by Gabriela Iacovano

CALL FOR ENTRIES: Canberra Glassworks seeks Australian applicants for first Klaus Moje Award

Canberra Glassworks has announced the next iteration of its annual Hindmarsh Prize, which has honored contemporary glass artists from the Canberra region since 2016. The first biennial Klaus Moje Glass Award (KMGA), named for the artist and founder of Canberra’s Australian National University School of Art Glass Workshop, has broadened the focus to include participants from across the nation of Australia, and honors the legacy of one of the most important pioneers of Australian glass, Klaus Moje (1936 - 2016). The deadline to apply is August 14, 2019.

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Sunday July 7, 2019 | by Meghan Hayfield

CALL FOR ENTRIES: Bullseye applications for Spring/Summer 2020 residencies due September 1st

Bullseye Glass Company is now accepting applications for its 2020 winter/spring artist residency program. The residencies take place in five locations: the Bullseye Studio in Portland, Oregon, and in each of the Bullseye Resource Centers, which are located in Santa Fe, the Bay Area, Los Angeles, and New York. Accommodations are not provided, except at the Portland location if needed. The deadline to apply for the residencies (taking place between January and June 2020) is September 1st, 2019.

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