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Viewing: Exhibition


Hiroshi Yamano From East To West Scene Of Japan Fs 159 2012 Blown Sculpted Glass Silver Leaf Engraving Copper Plating 5X10X9
Hiroshi Yamano's From East to West "Scene of Japan" (FS #159), H 18 1/2, W 26, D 17 3/4 in.

Friday August 1, 2014 | by Andrew Page

OPENING: Hiroshi Yamano’s “Branches” exhibition explores natural beauty

FILED UNDER: Award, Exhibition, New Work, News, Opening
Art, at its best, is interpretation. It allows the viewer, for a brief time, to share in the artist’s perspective on reality, be it the physical or the metaphysical — and gain new insights into one's own experience as a result. In the joint exhibition “Branches,” which opens at the LewAllen Galleries in the Santa Fe Railyard on August 8, artists Hiroshi Yamano and Pedro Surroca offer up different perspectives on the understated beauty of tree branches.  

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Saturday July 26, 2014 | by Andrew Page

OPENING: Jim Loewer’s Asian-influenced bowls and vases featured in museum shop exhibit

The Alternatives Museum Shop at the Delaware Center for the Contemporary Arts will feature the intense colors of Jim Loewer's glass vessels in a special exhibition debuting July 31st and running through September 25th, 2014. Based in Philadelphia, Loewer was trained as a painter, but now devotes himself to flamerworked borosilicate glass vases and bowls based on forms influenced by Japanese vesselware. He is self-taught and appreciates slight irregularities in his work which adds to their character.

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Mushroomlamp
John Ditchfield, Organic Mushroom Lamp (from the "Unique Collection" series).

Friday July 25, 2014 | by Lindsay von Hagn

EXHIBITION: Contemporary Glass Society showcases Northern UK glass artists in “Glass in the Bank”

The work of ten glass artists from the Northern United Kingdom is currently on display in “Glass in the Bank”, an exhibition housed in the Lytham Heritage Centre in Lytham St Anne’s, Lancashire in England. The exhibition was organized by Northern Hub of The Contemporary Glass Society, an organization that aims to support both emerging and established artists working in glass and to promote contemporary glass within the scope of the greater art world. To this end, the CGS organizes exhibitions, publishes Glass Network magazine, and holds conferences and workshops.

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"Lightness of Being / New Work," 2012 Dennos Museum Center

Thursday July 24, 2014 | by Elena Tafone

OPENING: Howard Ben Tré museum exhibition in Tacoma debuts this September

Howard Ben Tré, an artist who redefined the scale possible in glass sculpture with monumental glass totems often accented with metallic foil surfaces, will have a solo exhibition at the Museum of Glass, in Tacoma, Washington. Entitled “Lightness of Being,” the show opens September 14, and has been described as an indoor forest of vertical shapes, featuring towering sculptures cast in glass and bronze, some as much as 8-feet tall. The show seems to reprise work shown in 2012 at the Dennos Sculpture Center in Traverse City, Michigan.

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Pyrex glass sculptures by Jane D'Arensbourg

Thursday July 17, 2014 | by Paulina Switniewska

OPENING: Jane D’Arensbourg’s borosilicate creations debuting in Manhattan retail space tonight

Glass and jewelry artist Jane D’Arensbourg, known for her unique styles of wearable glass and multimedia art and sculpture, will be showcasing her work tonight at retail store and gallery “Project No. 8” at 38 Orchard Street, New York. D’Arensbourg possesses many items in her repertoire, including smaller sculptures, rings, earrings, bracelets, necklaces, and other etceteras. The exhibition will commence at 6 PM, with refreshments provided by Fung Tu restaurant. 

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Camo
Claire Lieberman, Camo Frosted Sparkle Shooter, 2010. H 7 1/2, W 4 1/2, D 2 1/4 in. photo: ken kashian

Tuesday July 15, 2014 | by Elena Tafone

OPENING: Claire Lieberman brings her glass guns to Brooklyn art center

FILED UNDER: Exhibition, New Work, News, Opening
Located on Brooklyn’s Red Hook waterfront, the Hot Woods Art Center will host the opening reception for a duo exhibition on July 25, featuring the glass firearms of multimedia artist Claire Lieberman. Since 1999, Lieberman has explored and subverted the functionality of form with her “Ice Gun” series. The guns, like something from an 80s sci-fi flick, are meant to be cartoonish in their design. Over the years, they have only become less and less realistic, most lacking vital components, such as bullets and triggers, that would make the firearms functional. This “purely aesthetic” effect is enhanced by the glass from which these pieces are sculpted. While some are colored, creating an almost candy like appearance, the majority are clear, as if crafted from ice.   

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Tricorni (detail), courtesy of Traver Gallery

Thursday July 3, 2014 | by Lindsay von Hagn

OPENING: Vibrant new work by Davide Salvadore debuts at Traver tonight

New, vividly colored work by Muranese glassblower Davide Salvadore is the focus of a new exhibition at Seattle's Traver Gallery. Titled simply "Davide Salvadore: New Work," the show that blazes new chromatic ground for this artist best known for his sculptural stringed-instrument objects, opens tonight, July 3 and will be on view through Sunday, August 3, 2014. Salvadore, born into a family of glass workers, has devoted his career to reinterpreting and modernizing the traditional techniques and aesthetics he uses in his work. He often instructs students on non-traditional murrini-making techniques and how to employ the tiny detailed pieces in compelling ways. In his own work, he draws inspiration from ancient musical instruments, African symbols and textiles, and the colors of the African landscape. While many of the shapes in this exhibition are not new, Salvadore has added a number of intense new colors to his palette, using less of his characteristic earth tones in favor of bright turquoise, yellows, and oranges. Sometimes these colors fill the entire piece, and sometimes the colors jump out from a background of neutral colored, yet equally intricate patterns.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.