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Urban Glass

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Tuesday December 4, 2001 | by sagevega

The British Glass Biennale and International Festival of Glass gear up to kick off in Late August.
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The British Glass Biennale aims to have artists submit work for selection that has to have been made in the last two years and be available to purchase. Makers have to be living and working the UK for the last two years – i.e. showing a commitment to being based in Britain. Each jury consists of five panel members selected from a range of backgrounds. Each British Glass Biennale features a completely new jury. The juries view all the images anonymously, judging each piece on its own merit. The objective is to give each contributing artist an equal opportunity to have work selected and create as level a playing field for all artists as possible.

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Tuesday December 4, 2001 | by sagevega

Warren Langley’s “Touching Lightly” unveiled in Kingston during Canberra Glassworks’ 3rd anniversary
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As Canberra Glassworks holds its third birthday festivities, a landmark glassworks tower was created and unveiled in unison with the celebrations. The tower was created by acclaimed Australian artist Warren Langley, and is notably establishing itself as a new landmark for the Kingston shoreline. Housed in previously recognized Kingston Power House, Canberra Glassworks’ tower addition is a “stunning reminder of the heritage of the area.”

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Tuesday December 4, 2001 | by apekshavanjari

Opening: New Work by Renowned Studio Glass Artist & Prof. Bill Carlson
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The internationally collected glass artist, Endowed Chair, and UM Art Department Professor William Carlson will be featured in the The University of Miami Lowe Art Museum’s exhibition. Opening April 4 through June 6, 2010 is the “William Carlson: Aquila Non Capit Muscas (An Eagle Does Not Catch Flies)” which will feature Carlson. Along with the William Carlson’s work and exhibition will be the “Annual Juried Student Competion Exhibition” which will be on view through May 9th.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.