Tuesday May 8, 2018 | by Andrew Page

A detail from DuGrenier's work Super Art, a work involving glass and bees, which was displayed in New York City's Fulcrum Gallery in the 1990s.
Thursday May 3, 2018 | by Valerie Hughes
Designer and artist Robert DuGrenier inducted into Illinois State University's fine art hall of fame

In Chicago, James Yood delivered the 2014 Glass Art Society Conference Strattman Lecture entitled “W(h)ither Glass? The Next 50 Years.” photo: heather ahrens. courtesy: glass art society
Tuesday April 24, 2018 | by Andrew Page
In Memoriam: James Yood (1952 - 2018)

Tom Moore, Pyrotechnic Puffer Fish, 2016. Blown and solid glass, epoxy. H 19¾, W 20, D 11 in. (larger fish) photo: grant hancock.
Thursday April 19, 2018 | by Valerie Hughes
Playful glass goblet work takes top honors, $15,000 prize, at contemporary art competition in Australia.
Wednesday April 18, 2018 | by Andrew Page
3 Questions for ... Jeremy Lepisto
GLASS Quarterly Hot Sheet: What have you been working on? Jeremy Lepisto: Currently, my time is divided between my full-time position at the Australian National University’s School of Art and Design as a Technical Officer in the Sculpture Workshop as well as the School’s Work Health and Safety Officer, completing a long-overdue PhD degree, fabricating for others. and making new gallery work. As part of my PhD research, I'm creating a collection of stacking sculptures that compile together (physically and metaphorically) into a mixed-media series of sculptures. The shape and structure of these sculptures are based on the form of a common shipping container. This research looks to explore the duality of effects delivered to the agencies of people/places/objects through the utilization of the modern shipping container. …

Julie Alland, Song File #1 - Friends of Prometheus, 2016. Kilnformed and engraved glass, magnetic audiotape, vintage glass box. H 4 ½, W 6, D 4 in. courtesy: julie alland.
Tuesday April 17, 2018 | by Valerie Hughes
EXHIBITION: Philadelphia glass museum seeks to join the visual and the auditory in "Sound + Vision"

Stephan Cox’s Yellow Spout looks like a crossing between the human body and an exotic, colorful glass bird.
Tuesday April 10, 2018 | by Allison Adler
Morgan Contemporary's twelfth annual teapot exhibition reveals a form rich in symbolism

Andrew Erdos and Yasue Maetake, Amorphous Terrain, 2018. Blown glass, copper corrosion stain on pulp (kozo, abaca and cotton), steel, industrial safety glass, cane and jute rope. H 144, W 60, D 54 in. photo: kariya hirofumi.
Thursday April 5, 2018 | by Valerie Hughes
OPENING: A new collaborative work by Andrew Erdos and Yasue Maetake debuts on Friday in NYC

Attendees at Expanding Horizons 2017 included (L to R) mentor Mark Morris with student Jeremiah Brown from YAYA, New Orleans; student Dantrell Blake with mentor Alex Krueger from Project Fire, Chicago; student Santiago Aquilera with mentor Josh Laabs from Ignite, Chicago; student Nia Fairley with mentor Joe Waropay from Ignite, Chicago; student Taquita Pendelton with mentor Tracy Kirchmann from After School Matters Program, Chicago; and student Tanner Martin with mentor Trenton Quicho from Hilltop, Tacoma.
Wednesday April 4, 2018 | by Andrew Page
Deadline Extended: Week-long, expenses-paid program for under-served glass students accepting applications through April 15th
Wednesday April 4, 2018 | by Valerie Hughes