Karen LaMonte’s ethereal female figures are absent save for an intimate record of their corporeal presence evoked by the exquisitely detailed drape of clothing. The models who sat for the artist as she created these suggestive forms have left, and what remains is a sculptural rendering of the uncanny, of lingering loss, paradoxes, and strange dualities. LaMonte's dresses thus occupy an intentionally undefined space between presence and absence, tradition and innovation, emptiness and overflowing with meaning. Through September 2nd, 2018, the exhibition "Embodied Beauty" offers 32 of LaMonte's figures to viewers at the Hunter Museum of American Art in Chattanooga, Tennessee. It unites two distinct series of works from her oeuvre, "Nocturnes" and "Floating World," and represents the largest museum exhibition to date of LaMonte’s work in the United States, bringing together her figures in cast glass, clay, bronze, and iron.