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Tuesday February 19, 2013 | by Andrew Page

2013 International Flameworking Conference to feature Venetian Vittorio Costantini

FILED UNDER: Events, News

Japanese Cranes, a work by Venetian flameworking master Vittorio Constantini, reveals an effortless ability to coax organic form out of glass. Japanese Cranes, a work by Venetian flameworking master Vittorio Costantini, reveals an effortless ability to coax organic form out of glass.

As the featured artist for Salem Community College’s International Flameworking Conference, master of the torch Vittorio Costantini will offer attendees both the chance to hear him speak as well as to see him create his refined works in glass. Trained as a glassblower in a Murano glass factory, Costantini began his career as an apprentice at the age of 11. Flameworking was his hobby, something he undertook to unwind after a full day in the factory. Now, his studies of small-scale natural objects — insects, flowers, fish, and small birds — are virtuosic examples of what is possible using the torch.

Costantini will be honored during the three-day event’s opening evening presentation Friday, March 22nd, 2013, at 7 PM, followed by a reception. He will demonstrate his skills the following morning, part of a full day of technically focused presentations that will also include Eunsuh Choi, Micah Evans, and Kim Fields. On Sunday, the 12th annual Flameworking Conference’s feature presenter, Abe Fleishman of borosilicate supplier Northstar Glass will give a talk and demonstration. The event’s last demo will be by marble maestro Gateson Recko, followed by a panel discussion with Abe Fleishman, Sheila Morley, Gateson Recko, and Kenan Tiemeyer on the subject of orbs.

View the full conference brochure here, or download the registration form here.

IF YOU GO:

The 2013 International Flameworking Conference
March 22nd — 24th, 2013
Salem Community College
Carney’s Point, New Jersey
Website: www.salemcc.edu/glass/conference/index.php

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.