Viewing:

"Precious Stonewall" series and "Stairs to Paradise" (2020), installation view. courtesy: kukje gallery.

Thursday January 21, 2021 | by Lindsay von Hagn

EXHIBITION: Jean-Michel Othoniel "New Works" created during the COVID-19 pandemic lockdown on view in South Korea

Through January 31, Kukje Gallery in Seoul, South Korea is exhibiting new works by French artist Jean-Michel Othoniel from his time spent in lockdown due to the pandemic. Known for his colorful, reflective, and resplendent works in glass, as well as materials like sulfur and wax, Othoniel's took to his sketchbook, which led him to minimalist forms and fresh color combinations in new glass brick works, lithographs, and rose-inspired paintings and sculptures created in celebration of the 30th anniversary of the iconic pyramid at the Louvre museum.

Thursday January 14, 2021 | by Andrew Page

CALL FOR ENTRIES: To grace its entryway, the New York Hall of Science seeks proposals for a large-scale glass sculpture with $45,000 budget

"Inspire an openness for exploration, discovery, and making." This is one of the goals officials from the New York Hall of Science and UrbanGlass are looking for from a long-term commission to be installed and exhibited in the Corona, Queens, science museum's dramatic two-story entrance rotunda. Hoping to have a visually striking piece of glass art on view prior to the New York Hall of Science's scheduled summer 2021 re-opening, there is a short deadline for proposals. Entries must be received before midnight, February 8, 2021. The successful proposal will unlock a budget of $45,000, and, to qualify, the selected artist must live in the Northeastern U.S.

Thursday January 14, 2021 | by Andrew Page

VIRTUAL: The Speed Museum, reviving its online programming, will feature Norwood Viviano discussing his curatorial project

Reviving its "Virtual After Dark" programming series, the Louisville, Kentucky-based Speed Museum will feature a discussion this Friday, January 15, of its upcoming exhibition "Collecting – A Love Story: Glass from the Adele and Leonard Leight Collection" by its co-curators. The exhibition, which opens February 5 and will run through June 20, 2021, was organized by Speed curator of decorative arts and design Scott Erbes and artist and educator Norwood Viviano, who developed the exhibition's concept and made the selection of more than 60 works from the promised art collection from the noted Louisville arts patrons.

Monday January 11, 2021 | by Andrew Page

VIRTUAL: Curator Samantha De Tillio discusses Beth Lipman's exhibition at the Museum of Arts and Design via Zoom

Museum of Arts and Design curator of collections Samantha De Tillio -- who organized the mid-career retrospective exhibition of the work of Beth Lipman entitled "Collective Elegy" on view at MAD through April 4, 2021 -- will discuss the artist's inspirations and technical challenges in a Zoom lecture on the evening of Tuesday, January 12, 2021, at 6:30 PM. The event is being presented as the first of the year by the New York City-based Art Glass Forum. De Tillio (who is a contributing editor at Glass: The UrbanGlass Art Quarterly, will discuss the rich symbolism in Lipman's works that explore excess consumption, environmental overexploitation, and human mortality.

Tuesday January 5, 2021 | by Andrew Page

Youth-nonprofit GlassRoots seeks executive director as long-time leader Barbara Heisler steps back after eight years

As it embarks on its 20th year, the Newark, New Jersey-based nonprofit GlassRoots has announced a search for a new executive director to take over as its longtime leader Barbara Heisler steps back. Dedicated to using the unique power of glass art to reach young people, and help them develop the skills and confidence to succeed in life, the organization is poised for a year of major changes. It is preparing to move into a brand-new facility later this year, growing its footprint from a 5,700-square-foot facility to a 25,000-square-foot location in a newly created center called the Newark Arts Commons, and broadening its offerings to include a coffee shop and a worker space to support emerging craft artists in multiple media.

Thursday December 31, 2020 | by Andrew Page

Without crowds, the six-ton Waterford Crystal ball will descend in New York's Times Square this evening, marking the transition to a more-hopeful new year

Each year since the turn of the millennium, the Waterford Crystal brand has been involved in the famous ball drop in Times Square. It unveiled a totally updated all-crystal design in 2009, and has been renewing its 12-foot "New Year's Eve Times Square" ball, made up of more than 2,500 individual crystals and weighing almost six tons, around a new theme every year. When the team chose for 2020, the pandemic hadn't hit yet, but the "happiness" theme they arrived at could not be a more perfect reminder as the calendar turns to 2021. With vaccines and promising treatments, there is reason to hope for an improvement and, eventually, a resolution to the Covid-19 virus that has killed more Americans this year than soldiers who died in battle in all of World War II. When the ball descends 70-feet this midnight, it will be to an empty Times Square save for a few celebrity performers. But the event, like so much in 2020, will be experienced virtually through live broadcast on television and via this link, to an estimated 1-billion-person live audience.

Wednesday December 23, 2020 | by Lindsay von Hagn

Corning's "Virtual Fireplace" is the perfect way to wind down 2020

If this is the season for "Chestnuts Roasting on an Open Fire," why not "Goblets Roasting in an Open Glory Hole?" Just in time for Christmas 2020, The Corning Museum of Glass has added its spin on the virtual fireplace and burning yule-log videos with a decidedly glassy rendition of the trend -- three hours of footage from inside the blazing glory hole. Splicing together Corning's exclusive inside angle on glassmaking shot during demos with a specially protected video camera mounted inside raging red heat of the glory hole, the static camera shot captures the evolution of blown work at the end of a blowpipe. The fiery red and orange hues are enough to keep winter's chill at bay just by the sense of intense heat that makes you squint when watching.

Wednesday December 16, 2020 | by Andrew Page

CONVERSATION: With a new body of work on view at Traver Gallery, Matthew Szösz discusses experimentation, innovation, and survival

Billed by Traver Gallery as a "surprise exhibition" and presented within a high-end interior residential setting set up within the gallery space, the unique experimental work of Matthew Szösz is on view at the leading Seattle glass gallery through January 9, 2021. The Glass Quarterly Hot Sheet caught up with the Seattle-based artist to discuss the show's German title "Luftschlösser", how his experimental forced-air glassblowing process has evolved, and his newfound embrace of color.

Monday December 14, 2020 | by Andrew Page

Holiday Flash Sale -- Give a gift subscription to Glass, and get a gift-wrapped bonus of the year in glass arriving before Christmas

For a limited time only, when you give the gift of a year's subscription to Glass: The UrbanGlass Art Quarterly, there's no waiting for the first issue to arrive. Before Christmas, your gift recipient will receive a special bonus gift ($44 value) of all four issues from 2020, gift-wrapped and sporting a hand-written holiday card with your name on it.

Monday November 30, 2020 | by Andrew Page

HOT OFF THE PRESSES: The Winter 2020 edition of Glass (#161)

The Winter 2020 edition of Glass: The UrbanGlass Art Quarterly (#161) is hitting newsstands and subscriber mailboxes. On the cover is a work as voluptuous as it is complex by the late Michael Glancy (2050 - 2020), who passed away in August due to complications of lung cancer. The 2014 work is titled Shimmer, and features a repeating plus-sign pattern that forms a type of metal armor which is not uniformly protective but is broached several places by clear sections where the pattern on the opposing blown-vessel wall is visible from beneath. The work hints at complexities that lie beneath surfaces, revealing an inner dimension that can never be fully understood given the restricted vantage points. Viewed from our current perspective of political and pandemic turmoil, the plus signs might be seen as voting marks or positive Covid-19 test results, neither on Glancy's mind when he created it, but which speaks to the timelessness of his sculptural expressions.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.