Viewing articles by Ivana Pencheff


Friday December 7, 2018 | by Ivana Pencheff

A multi-layered relationship between three prominent artists explored in an exhibition and artist talk on Saturday

"We're like three rocks on the same beach getting tossed around by the ocean together for 30 years - we can't help but round each other's edges"- Dick Weiss. Traver Gallery's ongoing exhibition"Old Friends, New Work," showcases the work of three artists who share a deep friendship: Charlie Parriott, Cappy Thompson, and Dick Weiss. Each artist has contributed independent work to be displayed together, revealing the relationships and influence they have had upon one another. In an email exchange with the Glass Quarterly Hot Sheet, gallery owner Sarah Traver said that “This is the first time that we will have exhibited these three artists together.” She explained how each artist created individual bodies of work, not explicitly intended to explore their decades-long friendship, but with insights into their long-running affections for one another an inevitable byproduct. “They are displayed together in the gallery collectively so that those connections can be revealed and discovered organically,” said Traver.

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The New Jersey Council of County Colleges recently presented the first statewide Community College Distinguished Alumnus Award to Salem Community College Alumnus Paul J. Stankard. From L to R: The association's president Aaron Fichtner, chair Helen Albright, honoree Paul Stankard, Salem Community College board chair Dorothy Hall, and Salem's President Michael Gorman. 

Thursday November 29, 2018 | by Ivana Pencheff

AWARD: Artist Paul Stankard honored by academic association

Flameworker Paul Stankard was honored by the New Jersey Council of County Colleges in a November 16, 2018, ceremony. The award recognizes New Jersey community college graduates that have made honorable contributions to their respective professional fields. In a telephone interview with the Glass Quarterly Hot Sheet, Stankard said that, "Salem Community College offered me a beautiful platform to stand on and build a career." He credits his 1961 enrollment in what was then named the Salem County Vocational Technical Institute’s scientific glassblowing program for instilling not only a strong technical foundation but also where he found an emotional connection to glass art. Interacting and sharing with other glassworkers is what he holds of most importance. "Sharing can be a two-way street. Interacting with young people and sharing my philosophy and process helps me articulate what is important to me," Stankard said.

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GLASS: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for 35 years.