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Printing Techniques for Glass

January 7th - January 11th
Pippa Beveridge |

We are experiencing technical difficulties with the registration via the website.  To sign up for this class use the direct link HERE.  We apologize for any inconvenience.  Please reach out if you are having trouble signing up and we will work with you to get you registered.

From linoleum cuts to decals, the course will cover surface decoration and printing techniques using both mediums, as well as kiln-forming techniques from fusing to slumping, basic mould-making and open-face casting. 

It will touch on a wide variety of techniques providing a basis from which further, more specialized investigation can be carried out. It will cover the application and use of printing techniques in and on glass and also techniques ranging from basic glass-cutting skills to kiln forming, simple mould making, sand-blasting and cold working. Techniques will be introduced via demonstrations during the first two days of the course and the remaining studio time will be spent investigating and combining the techniques taught with the aim of building up a series of test pieces which use one or more of the techniques. Firing schedules and the use of different types of glass will also be discussed and there will be hand-outs for everything covered. No prior experience is required.

Techniques to be explored: 

  • Glass-cutting 
  • Lino cuts
  • Use of decals
  • Basic mould making
  • Fusing 
  • Slumping
  • Gilding
  • Sandblasting 
  • Resists
  • Cold-working and finishing techniques

What to Expect: This course is intended to give students an overview of the potential techniques which can be applied to architectural and sculptural glass and foster an imaginative approach to the medium.

It touches on a wide variety of techniques, giving the student a basis from which further, more specialized investigation can be carried out. They will also become familiar with the essential properties of glass and its subsequent applications in a number of fields.

Read more about how to prepare for class on our Registration Info page. 

Kilnforming work involves a mix of seated and standing activities, including preparing glass pieces for firing, and loading and unloading the kiln. A particulate respirator mask is required when working with fine glass powders or unloading kilns after firing and would be provided for you if needed. Handling glass and tools may require a certain level of dexterity. To learn more about accessibility the Accessibility page on our website.

Eligibility: No previous experience required. Open to ages 12 and up.

Pick-up: The glass needs to be fused in the kiln and cool down overnight, so the students will have to return to UrbanGlass once notified to pick up their work. 

This is an in-person class taking place on-site at UrbanGlass. 

We recommend registering for classes early to reserve your spot! We base materials, and teacher needs off of student enrollment. Early registration not only guarantees your spot in class, but also helps to ensure the class will run. Classes with low enrollment may be canceled within two weeks of the start date of class. Contact our Registrar of Education, Ari Eshoo, at arianna@urbanglass.org if you have questions about the class or would like to arrange a payment plan.

This is an in-person class taking place on-site at UrbanGlass.

Class Schedule
  • 5 Sessions: January 7 — January 11
    Tuesday, 10:00 am - 4:00 pm
Location
UrbanGlass Studio
647 Fulton St
Brooklyn, NY 11217

Pippa Beveridge

‘My work questions the notion of temporality: absence and displacement, identity and a sense of belonging’ Pippa Beveridge is a glass and mixed media artist with a BA in Landscape…

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