Giuseppe Barovier for Salviati. Granzioli Dragon Compote, ca. 1877–1914, Blown and applied glass. gift: marjorie reed gordon. courtesy: chrysler museum of art

Tuesday March 26, 2024 | by Jana Elsayed

With glorious glass goblets as the focus, Chrysler exhibition traces the triumphant rebirth of Venetian glass in the late 19th and early 20th centuries

In the secretive culture of Venetian glassmaking, craftsmanship became a whispered tale, a dance of techniques kept from prying eyes and kept alive against others determined to steal the techniques, or, later, against onerous taxation that practically destroyed the centuries-old industry. As you step into an exhibition showcasing 50 masterpieces from The Chrysler Museum of Art's collection, fine glassware festooned with imaginary creatures that might have surfaced from the depths of the Venetian lagoon, the fanciful figures could be seen as representations of the powerful techniques emerging from hiding places in and around Murano, the Venetian island where glass remains the focus. These imaginative embellishments of the glassmakers reached their heights among glassmakers laboring to reclaim the glory of Venetian glass in the 19th century as Venice was freed from the yoke of the oppression of the Hapsburg Empire. Knowing the history, these creatures unfurl like the secrets of a captivating story, weaving through the intricate threads of Venetian glass history.

Ros Lemoh residency in the studio [1.11.23] from Canberra Glassworks

Tuesday March 26, 2024 | by Jana Elsayed

Rosalind Lemoh showcases the untold stories of Australia's capital city in works that expand the historical narrative

Australia's capital city, Canberra, was established in 1913 as the former British colonies on the continent created a federation and began to establish a national identity of their own. The site itself was chosen to settle fierce competition between the cities of Sydney and Melbourne, both of which were vying for the honor. Located between the two large cities, Canberra would be built on a site that had been continuously inhabited by indigenous people for more than 20,000 years. The first public building constructed in the nascent capital was the Kingston Powerhouse, so named because it generated electricity as this city grew up around it, boasting a current population of nearly half a million.

A 2011 photo of Jeffrey Beers at an UrbanGlass gala celebration.

Wednesday March 20, 2024 | by Andrew Page

In Memoriam: Architect, artist, and longtime UrbanGlass board member Jeffrey Beers dies of cancer (1956 - 2024)

New York City-based architect Jeffrey Beers, founder and CEO of the successful hotel and hospitality design firm Jeffrey Beers International, died on Monday, March 18, 2024, from complications of cancer. Even as he built JBI into the global architecture firm it has become, and, with his wife, Connie, raised two sons, Beers found time to remain an active board member of UrbanGlass, which publishes the Glass Quarterly Hot Sheet. As an architecture student at Rhode Island School of Design, Beers had taken courses in glass with department chair Dale Chihuly, and, when he later moved to New York City, he continued to blow glass at The New York Experimental Glass Workshop before it moved to Brooklyn and became UrbanGlass.

Tuesday March 19, 2024 | by Andrew Page

Cedric Mitchell featured in the Los Angeles TImes for his bold designs, work ethic, willingness to take chances, and successful reinvention.

El Segundo, California-based glassblower Cedric Mitchell and his Etorre Sotsass-inspired glass designs are the subjects of a feature article in the Los Angeles Times. Staff Writer Lisa Boone tracks Mitchell's evolution from his mid-20s as an up-and-coming hip-hop artist born and raised in Tulsa, Oklahoma. The article credits his discovery of glass at the Tulsa Glassblowing School, and his rapid skills acquisition to all the hard work and dedication Mitchell has devoted to mastering glassblowing. The article also notes some of the artist's fortuitous meetings, including his long friendship with Joe Carriati, which brought Mitchell to Los Angeles, and led to further connections in the design world that have allowed Mitchell to launch his own successful business, Cedric Mitchell Design.

Bill Gudenrath Instructing Winter 2024 Studio Class at CMoG

Photo credit: The Corning Museum of Glass. Photography by
Emily Smith.

Tuesday March 19, 2024 | by Jana Elsayed

Corning's Bill Gudenrath shares his discoveries of ancient glass process in new e-book "The Techniques of Roman-Period Glassblowing"

Even for those who've never set foot in The Corning Museum of Glass, their website is a treasure trove of information. Thanks to an ambitious digitization project that included the museum hiring a digital asset manager and strategist in 2016, you can learn about the "most comprehensive glass collection in the world" at cmog.org through text and images supplemented by a wide range of videos linked to the museum's extensive YouTube channel. Click on the "Learning and Research" tab from the main Corning landing page, and you can also select "Museum Publications," where you can order exhibition catalogs or copies of the annual exhibition-in-print New Glass Review. However, most prominently displayed is the latest e-book by Corning's own Bill Gudenrath, the renowned glassblower, scholar, and Resident Advisor at The Studio of The Corning Museum of Glass, who has been exploring how historic glass might have been made using his impressive arsenal of glass techniques honed over his decades spent at the glassblowing furnace.

Saturday February 24, 2024 | by Andrew Page

HOT OFF THE PRESSES: The Spring 2024 edition of Glass (#174)

The Spring 2024 edition of Glass: The UrbanGlass Art Quarterly (#174) is hitting newsstands and subscriber mailboxes. On the cover is a striking collage of works by the father-and-son team of Leopold and Rudolf Blaschka, who, in the 19th century, were hired by universities around the world to create life-like models of plants and invertebrates for scientific study. The article considers the invertebrates drawn from the Harvard University collection, which are currently on view at the Mystic Seaport Museum in Connecticut in an exhibition that blends art, history, and science. Because the Blaschkas were not divers themselves, they had to imagine how the examples pulled from the deep would have appeared far below the surface, as the article’s author and experienced scuba diver William Warmus points out in his wide-ranging article that considers how to best understand this work in our contemporary moment.

Friday February 23, 2024 | by Jana Elsayed

CONVERSATION: Michiko Sakano debuts "Droplets," her sculptural lighting series at New York City's Heller Gallery

Michiko Sakano, a Brooklyn-based glassblower known for her technical precision and originality, steps into the limelight with her first solo exhibition, "Droplets," at Heller Gallery in New York. This collection represents a radical departure from contemporary trends in lighting design, introducing sculptural, molten forms that are not suspended but sit on a tabletop, as they were displayed at the gallery, glowing in hues of pink, yellow, and white. The exhibition is testament to Sakano's commitment to embrace the spontaneous, and present glass in a fluid form independent of the rigid engineering that defines much of lighting popular today.

An example of a Yoshitomo Nara Snow Globe (H 4 1/2, W 4, D 4 in) listed by EBay reseller Tokyo Select 55, which identified the Brand as MOMA.

Friday February 23, 2024 | by Jahlil Rush

Yoshitomo Nara’s glass snowglobes face recall due to safety concerns

At first glance, Japanese Neo-Pop artist Yohshitomo Nara's portraits of children seem familiar, rendered in the iconic anime style of soft hues, pastel colors, with thick outlines. But look closer and you might notice the facial expressions are not the usual generic friendliness. Instead there are shades of something malevolent -- an adult-like scowl of discontent, a downcast gaze, or, on rare occasions, an actual weapon in hand. With an international cult following for his unique vision of dark cuteness, Nara has exhibited his canvases at the Los Angeles County Museum of Art and at the Museum of Modern Art in New York. In fact, the MOMA Design Store even carries a line of objects for sale credited to the artist, but it is no longer offering the glass spheres encasing figures in Nara’s “Little Wanderer” snow globes. These have faced a recall from the United States Consumer Products Safety Commission, because, according to the CPSC, the glass globes are susceptible to fracture easily and pose a danger of injury.

Tuesday February 20, 2024 | by Andrew Page

CONVERSATION: Curator Davira S. Taragin on her exhibition "Look What Harvey Did" at the Chazen Museum of Art in Wisconsin

The Chazen Museum of Art, which originally opened on the University of Wisconsin's Madison campus in 1970, is home to 24,000 works in its permanent collection, ranging from ancient Greek to modern African. In 2005, the museum was renamed after a major gift from university alumni Simona and Jerome Chazen (1927 - 2002), which allowed for a significant expansion when a second museum building opened in 2011. Running through August 16, 2024, is an exhibition of 40 works from the patrons' glass works. Titled "Look What Harvey Did! Harvey K. Littleton's Legacy in the Simona and Jerome Chazen Collection of Studio Glass," the exhibition spans 60 years and includes works from Michael Aschenbrenner, Dale Chihuly, Daniel Clayman, Dan Dailey, Clifford Rainey, Ginny Ruffner, and Lino Tagliapietra, among others. The exhibition was curated by Davira S. Taragin, who spoke to the Glass Quarterly Hot Sheet by telephone about how she approached the project.

Danny Perkins & Richard Royal standing in front of their new joint exhibition, Parallel

Friday February 9, 2024 | by Jana Elsayed

Danny Perkins and Richard Royal celebrate a friendship and share an exhibition space at the Patricia Rovzar Gallery in Seattle

Light, be it through layers of resin over abstract color fields on canvas, or embedded in glass sculptural objects, is the theme of a dual exhibition running through the end of February. Danny Perkins and Richard Royal are exhibiting together at the Patricia Rovzar Gallery. The two-person exhibition entitled "Parallel" celebrates an enduring friendship between two artists who first crossed paths during the early years of the Pilchuck Glass School. Each individually delve into and extend the inherent attributes of their chosen mediums in works that share a preoccupation around the transformative influence of light on color.

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.