CONVERSATION: Contributing editor Samantha De Tillio on winning the 2023 Lois Moran Award for Craft Writing

Samantha De Tillio. a contributing editor to Glass: The UrbanGlass Art Quarterly and an independent curator, has been recognized for her outstanding article on glass performances of the late 20th and early 21st century, which was published in the Summer 2023 edition of Glass (#171). De Tillio was named a recipient of the 2023 Lois Moran Award for Craft Writing in an announcement that cited the original interviews and archival research she conducted for the article entitled “Live Glass at the Turn of the Millennium: The Performance Troupe."

Thursday October 5, 2023 | by Andrew Page

John Miller goes big for solo exhibition at a Florida Art Museum

When John Miller was in kindergarten, meals with his motorcycle-dealer Dad at a drive-in diner left a lasting imprint on him. Everything from the fast food served in generous portions to the automobile culture of the era, where people came as much to eat as to show off their gas-guzzling 1970s cars, imprinted themselves in Miller's mind. Years later, as an undergraduate student of glass art at Southern Connecticut State University, he found himself sketching crinkle-cut french fries in sculpture class no matter the assignment. Bubbling up was inspiration in his memories of a by-gone era of indulgence. He's far from the first to revel in turning everyday objects into monumental pop-art sculptures, but to Miller, these seemingly whimsical objects are freighted with meaning.

Thursday September 28, 2023 | by Andrew Page

Paper and resin artist Dolores Furtado creates timeless, ethereal glass works on view in New York

Artist residencies can be welcome opportunities for an artist to pursue their lifelong passions for a material, or they can be game-changing experiences of seeing their ideas jump from one media to another. In the case of Dolores Furtado, it is the latter phenomenon as her richly textured colored forms made from sculpted paper pulp take on a new dimension of live-ness in the light-refracting material of glass which turns her ideas from stolidly opaque to translucent and something else altogether.

Tuesday September 12, 2023 | by Andrew Page

Pilchuck announces the departure of executive director Christopher Taylor after five years

In a brief announcement issued in the late afternoon on Monday, September 11th, the board of the Pilchuck Glass School announced the departure of its executive director, Christopher R. Taylor, after five-and-a-half years at the helm. Pilchuck's deputy director Donna Davies was named as interim executive director, effective immediately.

Scenes from the 2017 Robert M. Minkoff Foundation Academic Symposium at UrbanGlass, where head of the RISD glass art department Rachel Berwick was the keynote speaker (top left).

Thursday September 7, 2023 | by Andrew Page

This Fall, a bumper crop of glass-educator gatherings will offer multiple opportunities to connect and exchange ideas

Three separate gatherings this fall -- in Amsterdam, Netherlands; Madison, Wisconsin; and Brooklyn, New York -- will each offer a unique opportunity for glass educators to consider the issues facing the field of glass art.

Thursday August 31, 2023 | by Andrew Page

HOT OFF THE PRESSES: The Fall 2023 edition of Glass (#172)

You could be forgiven if you didn't immediately think "Paul Stankard" when viewing the close-up of sinewy human bodies intertwined with flower blossoms, mossy grasses, and seed pods on the cover of the Fall 2023 edition of Glass: The UrbanGlass Art Quarterly. Stankard is well-known for his lush floral arrangements encased in glass, detailed depictions that accurately capture the organic complexity of their delicate beauty.

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Wednesday August 30, 2023 | by Andrew Page

CONVERSATION: Jane Bruce on the battle to save North Lands from liquidation

Jane Bruce, who from 2002 to 2007 served as the artistic director of North Lands Creative Glass (before the word "Glass" was removed from its title) is investigating ways to save the studio, buildings, and equipment of this European center for glass along the windswept coast of Northeast Scotland. As debts mounted over the past year, the staff was let go, and recently, the facilities have been secured and a liquidator has been assigned to sell off the assets of this beloved institution that dates back to 1996. For decades, it drew artists from around the world to the Scottish coastal fishing village of Lybster in the county of Caithness. Bruce is actively looking to partner with other artists who might want to invest in saving the infrastructure from being sold off, and to restart the furnaces and kilns in a newly structured organization that may or may not become again an officially registered charity. The Glass Quarterly Hot Sheet had an opportunity to discuss the fast-moving situation with Bruce in an in-person interview in the offices of UrbanGlass, the nonprofit art center in Brooklyn, New York, that publishes Glass: The UrbanGlass Art Quarterly as well as this online publication.

Saturday July 22, 2023 | by Andrew Page

Artist and educator Alli Hoag named as Toledo Museum of Art GAPP artist for Fall

The head of the glass art program at Bowling Green Sate University, Alli Hoag, has been named the latest Guest Artist Pavilion Project artist-in-residence by the Toledo Museum of Art. From August 23 through September 1, 2023, Hoag will be on site at the museum's glass studio creating new work, and also will present to the public about her process and her ideas on August 25th at 7 PM.

Tuesday July 11, 2023 | by Andrew Page

Brooklyn artist Layo Bright receives the 2023 Pittsburgh Glass Center's Ron Desmett Award

Brooklyn-based artist Layo Bright has been named as the 2023 recipient of the Ron Desmett Memorial Award celebrating artists "who think outside of the box, practice curiosity, and take risks to create unique, imaginative works in glass," according to the official announcement. Named in honor of PGC's late co-founder, the award cited Bright's explorations of African design techniques and symbolism through her glass sculptures as the reason for the award.

Monochromatic Cuboid, 2023. Glass. H 8 3/4, W 8 1/4, D 8 1/4 in.

Thursday July 6, 2023 | by Andrew Page

OPENING: Jiyong Lee debuts at Traver Gallery with "Invisible Microcosm" through July 29, 2023

South Korean-born artist Jiyong Lee, who has headed the Southern Illinois University glass program since 2005, will open his first solo exhibition at Seattle's Traver Gallery tonight with an exhibition entitled "Invisible Microcosm." An opening reception this evening at Traver Gallery will offer the first look at some of Lee's new explorations of the beauty of cellular biology, a focus of the artist's exacting work for decades. Rigorous cutting, lamination, carving and surface treatments are just some of the techniques he has perfected to achieve his understated but refined aesthetic of the "Segmentation" series. Lee will be the subject of an in-depth feature article in the upcoming Fall 2023 edition of Glass: The UrbanGlass Art Quarterly (#172) by contributing editor William Ganis.