UrbanGlass Office, Studio, and Store are closed this Saturday, June 19 in observance of Juneteenth

Viewing articles by Gabriella Sanderson

Friday October 2, 2020 | by Gabriella Sanderson

BOOK REPORT: Major art book publisher delivers 256-page monograph of Karen LaMonte's work

The first published monograph of the work of Karen LaMonte, a 256-page volume published by Rizzoli, presents LaMonte's hauntingly beautiful work in over 250 images. This lavish coffee-table book features essays by Arthur Danto, Brett Lipman, Laura Addison, Tina Oldknow, Steven A. Nash and Lucy R. Lippard, offering leading critical voices that place the work in a larger contemporary-art context. Lucy R. Lippard, an American writer, art critic, activist and curator, explores the female narrative in contemporary art in her essay. Museum director Steven A. Nash and Brett Littman, the director of the Isamu Noguchi Foundation and the Garden Museum in Long Island City, provide a broader insight into LaMonte's extraordinary career. Arthur Danto, who teaches at Columbia University and writes for Artforum, delivers an internationally-known critic's perspective. Curators Laura Addison(Museum of International Folk Art in Santa Fe) and Tina Oldknow (formerly with Corning, and now an independent curator) bring additional approaches to the analysis of LeMonte’s contemporary sculptures.

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Anna Mlasowsky adding the Gallery name to her new exhibition space. courtesy: @das.schaufenster

Thursday July 23, 2020 | by Gabriella Sanderson

CONVERSATION: Glass-based performance artist and innovator Anna Mlasowsky on starting a new gallery for emerging artists

A native of Germany, Anna Mlasowsky is an artist, innovator, and newly-minted gallerist who currently resides in the Seattle area. Since the pandemic, she's been faced with new visa requirements and travel bans on the one hand, and the postponement of scheduled residencies and exhibitions on the other. In response to these setbacks, delays, and uncertainties, Mlasowsky has devoted herself to transforming her residence into a gallery space to support emerging artists who are gravely under-represented in the art world, and immigrant artists whose status is made precarious by the pandemic. Via telephone, the Glass Quarterly Hot Sheet recently had the opportunity to interview Mlasowsky about her recent projects, her ongoing experiments in glass processes, and her new gallery space.

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Erdos Pouring

Erdos uses a 50-pound ladle to pour the molten glass onto the steel armature. courtesy: the chimney, new york

Tuesday July 14, 2020 | by Gabriella Sanderson

INSTALLATION: Andrew Erdos unveils monumental commission at Brooklyn gallery

Andrew Erdos, an American sculptor based in Brooklyn, New York, has been experimenting with the medium of glass since he was 15 years old. Now 35, he has just unveiled his latest work, a monumental mixed-media work entitled Not for the Peak, but for the Mountain (2020), which was commissioned by and is being exhibited at The Chimney Gallery, NYC. Since June 2015, The Chimney Gallery, based in Brooklyn, New York, has been exhibiting both multidisciplinary and international artists in various exhibition venues in the United States, France, Mexico and Senegal. They re-purpose historical and industrial buildings to house their exhibitions in addition to artist workshops, live events and art professionals talks. The sculpture was made at his alma mater Alfred University's National Casting Center. (Erdos holds a 2007 BFA from Alfred University).

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Friday July 10, 2020 | by Gabriella Sanderson

PREVIEW: Virtual studio tour and artist talk with Martin Janecký

Czech-born Martin Janecký is a renowned contemporary glass artist whose uncannily realistic glass sculptures have left audiences speechless. On Saturday, July 11 at 1 pm EST, the Czech-born artist is offering an opportunity to virtually touring his new studio space in Prague where the artist will also discuss his upcoming and current works. The virtual visit is organised by the Sandra Ainsley Gallery in Toronto.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.