Viewing articles by Gabriela Iacovano


Lorraine Peltz, Landslide, 2019. Oil and acrylic on canvas. H 48, W 36 in. courtesy: the artist

Thursday June 13, 2019 | by Gabriela Iacovano

An artist and critic's life partnership explored in a Chicago exhibition

On view through August 25, 2019, at the Ed Paschke Art Center (EPAC) in Chicago, the exhibition “Lorraine Peltz: This Must Be the Place” investigates the multi-layered relationship between painter Lorraine Peltz and her late art-history professor husband (and prolific Glass magazine contributing editor). James Yood, who died suddenly in 2018, was a longstanding champion of Chicago artists working in many different media, and a prominent figure in the glass-art community, penning essays for numerous books in addition to his writings for this publication. He was also a charismatic professor at the School of the Art Institute of Chicago, where he taught for many years.

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An image of Judith Schaechter with a taxidermy armadillo that was presented along with the presidents award in San Antonio, Texas, on June 4th. courtesy: judson studios / kyle j mickelson

Wednesday June 12, 2019 | by Gabriela Iacovano

Judith Schaechter, who bridges contemporary and traditional approaches to stained glass, is honored by stained-glass associations

Artist Judith Schaechter has single-handedly pioneered traditional stained glass as a medium for contemporary exploration, staunchly advocating for the celebration of decorative and craft arts in academia and beyond. At a stained-glass artist conference in Texas on June 4, 2019, Schaechter was presented with the first-ever joint president’s award (and a taxidermy armadillo) from the American Glass Guild (AGG) and Stained Glass Association of America (SGAA). In addition to recognizing Schaechter’s contributions to the worlds of stained glass and glass art at large, the award commemorated the consolidation of the two groups for their first joint summer conference, which took place in San Antonio, Texas.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for 35 years.