The Center for Crafts, the non-profit arts organization based in Asheville, North Carolina, that advances the field of art from craft media, has announced two new $20,000 Craft Research Fund Artist Fellowships targeting mid-career artists. While the Craft Research Fund has been providing fellowships since 2005, most are limited to emerging artists or recent graduates. Following a July 2018 meeting with national leaders of the art, craft, and philanthropy fields at the Center for Craft, a new fellowship program was designed for artists of any age throughout their career.
On view through the summer at Schantz Galleries in Stockbridge, Massachusetts, is an exhibition of new work from Richard Royal, one of the pioneers of the Studio Glass movement. Three years in development, Royal’s latest body of work is a geometric series that achieves a larger scale and features a commanding palette of primary colors. After 11 years of developing a process and system, Royal’s geometric series is playful but structurally complex, with titles offering homages to famous figures in art and architecture.
Adjacent exhibitions now on view at the Traver Gallery in Seattle feature work by artists Jane Rosen and Hiroshi Yamano, both of whom look to the natural environment in appreciation for the world around us. Though united in general interest, Rosen and Yamano use distinctly different approaches to glass and varied materials to illustrate a sensuous connection to the natural world.
The third iteration of “Emanation,” the biennial exhibition launched by former WheatonArts’ glass studio creative director Hank Adams in 2015, features a different approach as well as a new curator. While under the leadership of Adams, the 2015 and 2017 exhibitions brought well-known high-profile contemporary artists, such as Judy Pfaff, Donald Lipski, and Mark Dion, to the remote Millville, New Jersey, glass center to work with skilled assistants and realize new work in glass. The 2019 edition was overseen by independent curator Julie Courtney, Adams’ hand-picked successor to organize the exhibit, and she has focused on prominent but somewhat less well-known artists, many from the Philadelphia area where she is based. The resulting artwork is varied and sometimes unexpected, and overall offers a more youthful and spontaneous feeling.
GLASS: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for 35 years.