Wavy Functions, is a show of James Corporan’s recent sculptural works. It is a collection of objects and images with which the artist attempts to create contemplation and internalization of the truly bizarre nature of reality. Opening Reception: Wednesday, March 23 from 6-8pm.
Continue ReadingRender highlights the provocative complexity of glass, exploring the decisions contemporary artists make in responding to the material through drawing. Curated by Rachel Nackman, Render opens on February 24th.
Continue ReadingBreathe and Stop is a breathing installation where artist Doreen Garner explores the potential of inflatables and their ability to expand and collapse to avoid sacrificing scale.
Continue ReadingJoseph Cavalieri is showcasing a selection of his illuminated pop-culture inspired glass art in the Window Gallery Space at UrbanGlass. The subjects of Cavalieri's painted stained glass range from Jackie O to Isaac Hayes.
Continue ReadingProblematica is the term given to geological specimens that defy categorization; they may be true fossils of organic origin or specimens that merely resemble once-living things. They are objects of unknown origin.
Continue ReadingIn Becloud, Helen Lee explores the relationship between language, text, and the inscription of cultural identity.
Continue ReadingThe Latest Findings is on view in the Agnes Varis Art Center through September 6, this body this body of work presents artifacts found by the investigative team around the world.
Continue ReadingNew Work features 4 artists from around the United States: Doreen Garner, Shaun Griffiths, Tatara Siegel, and Kim Watters, all recent MFA recipients.
Continue ReadingNick Mount is one of Australia’s most accomplished and celebrated studio glass artists. He has been at the forefront of innovation and achievement since the early 1970s. Nick Mount: The Fabric of Work features a series of sculptural assemblages that range in scale and character and describe an aesthetic that is both provocative and playful, intimate, and spectacular.
Continue ReadingMaterial Location has two aims. First, to catalogue the range of glassmaking activities in New York City, both within and outside of the hub of UrbanGlass. Secondly, to explore the state-the conceptual location-of glassmaking and glass thinking at this time. To these ends, the artists included in Material Location explore a range of processes and conceptual approaches related to glass.
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