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Viewing articles by Eve Aaron


Joshua Bernbaum Fraunhofer Rectangle White

Joshua Bernbaum, Fraunhofer Lines (Horizontal Pane), 2017. H 12, W 25 in.

Thursday November 22, 2018 | by Eve Aaron

CONVERSATION: Artist Joshua Bernbaum and Dealer Simon Abrahms talk optics, color, and glass art

The Chesterfield Gallery in New York City is curently featuring new work by Vermont-based glass artist Joshua Bernbaum that stretches outside of the artist's usual signature aesthetic, departing from design and moving into a much more conceptual, abstract realm. Bernbaum is deepening his focus on color and gesturing towards science as he does so. The Glass Quarterly Hot Sheet spoke with both Bernbaum and the owner of the Chesterfield Gallery, Simon Abrahms, to learn more about this new exhibition.

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Sunday November 18, 2018 | by Eve Aaron

HELP WANTED: Pilchuck announces search for a new artistic director, a redefined position likely with less operational duties

The Pilchuck School is seeking a new artistic director to bring the institution into its next phase of educational and artistic programming. The official job posting for the position states that the artistic director will "Set and lead the organization's programmatic vision; represent the organization to its past, present, and prospective constituents; and manage interactions with an array of creative professionals on and off campus." The deadline to apply is December 21, 2018.

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You Brita Werk Face

Photo: Courtesy of Kyle J. Mickelson

Friday November 9, 2018 | by Eve Aaron

Reclaiming words that hurt, an edgy New York City venture seeks to defuse language by recontextualization

Artist Matthew Day Perez, has stepped away from his usual methodical and material-focused work style and is endeavoring in a new project that sits heavily in the world of social politics. Perez and his collaborator, neon artist Kate Hush -- or, as they like to call her, "The Madame of Neon" -- have created a limited-liability company that they adventurously call FagSigns, an unusual moniker that reflects the company's goal to reclaim hurtful language used against the LGBTQ community as well as any other individuals that might feel marginalized. The company's product line are personalized neon signs with a word of the customer's choice that he or she has felt particularly affected by. Through Kickstarter, the artists have nearly raised 90-persent of the funds needed to start a workshop in which to produce the signs and their ultimate goal is to be able to open an apprenticeship that will bring employment opportunity to disadvantaged individuals, particularly from the LGBTQ community, who are interested in working in glass.

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Sarah Briland, Problematica (Pink Slump/Pink Crystal), 2015

Thursday November 8, 2018 | by Eve Aaron

Artist Sarah Briland, winner of the 2018 Irvin Borowsky International Prize Winner in Glass Arts, lectures Philadelphia this evening

Sarah Briland, who has been chosen as the 6th annual winner of the Irvin Borowsky International Prize in Glass Arts, will deliver her award lecture this evening at The University of the Arts in Philadelphia. Briland was selected by an international panel of artists, educators and collectors. Her recent work consists of combining glass with found objects such as wasps nests, honey and architectural fragments to make organic and environmentally inspired forms that mimic natural scientific processes like crystallization and fossilization. She takes much of her influence from the surroundings she was exposed to at an early age in West Virginia's coal mining region, thinking about man's connectivity to the earth. She has additional knowledge in the fields of environmental science and landscape architecture, backgrounds that continue to play a large role in her work as well.

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Mike Hernandez, Utopia, Neon, H 40, W 84, D 6 in. courtesy: huntington beach art center

Monday October 29, 2018 | by Eve Aaron

EXHIBITION: "Shines Through" celebrates the unique glass-art community in Southern California

Representing the third part of the contemporary art series "The Power of Pigment: A Celebration of Color" at the Huntington Beach Art Center in Southern California, Hiromi Takizawa curated "Shines Through," an exhibition featuring 33 established and emerging glass artists whose works cover a wide range of glass-making practices.

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Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.