Reviews
Robert Carlson, "Space, Light, Glass," John deWit, Jacobite Glass, Flora C. Mace, and Joey Kirkpatrick, "Fireworks," Timo Sarpavena, Miyuki Shinkai
Robert Carlson, "Space, Light, Glass," John deWit, Jacobite Glass, Flora C. Mace, and Joey Kirkpatrick, "Fireworks," Timo Sarpavena, Miyuki Shinkai
UrbanGlass News
If this issue has a theme, it might be "ways of working." In our look at Bruce Chao's research, this idea is explicit; investigation is part of his work. And in our profile of three female artists, "Women of New York,: it's plain that these artists have to account for economic as well as technical and philosophical pressures in their work. Ways of working are part of Nancy Bowen's story as much as they would be for any artist, and method is really the essence of what we have to talk about when it comes to a business like teh BUllseye Glass Company. However, as ways of working specifically with glass came up as a question through the articles in this issue, I was moved to wonder again about the relevance of Harvey Littleton's remark from the 1960s, "technique is cheap."
Lino Tagliapietra: Glass, by Giovanni Sarpellon.
Ron Glowen tells us how this company has done well by doing good.
The path of one artist, as discussed by Janet Koplos.
Bruce Chao presents his research to GLASS.
Three young artists who wrestle with ideas in their work, by Victoria Milne.
John Brekke