Editor's Letter
by Andrew Page
At the Glass Weekend panel he moderated last July, GLASS contributing editor and critic James Yood asked museum curators, a museum director, and myself to look into a crystal ball at the future of glass (see "Roundtable," p. 40). With the 50th anniversary of Studio Glass (2012 will mark a half-century since Harvey Littleton's Toledo workshops) looming a scant three years from now, Yood wondered whether we were nearing the end of a golden age for sculpture made from glass, a period that saw the rise of collecting, curating, writing about, and exhibiting glass. He asked how the Studio Glass movement would emerge on the other side of this milestone, and whether the next 50 years of art made from glass would look anything like the first.