Issue 49 | Fall
by Karen S. Chambers
Maria Lugossy: Enclaves essay by Janos Frank, Paris, Birdyland Editions
The Brinkmanship of Jay Musler
by Ben Marks
Bert Frijns: The celebrated Dutch artists who eschews the use of color
by Thimo te Duits
Less is more seems to be the credo of the celebrated Dutch artists who eschews the use of color.
by Ron Glowen
During its heydey, the most progressive of all the art nouveau movements.
Markku Salo: Glass Adventures
by Peggy Scheinin
Markku Salo entered the world of glass nine years ago, embarking on an adventure in which he has realized his artistic visions and stretched the limits of glass as a medium.
by Sylvia Netzer, Laura A. Brunsman, Karen S. Chambers, Patricia Malarcher, Wendy Dubin, Vicky A. Clark, Matthew Kangas
Strangler Vine Chair by Jill Henrietta Davis, SAM Chandelier by Dale Chihuly, Triangular Pavilion by Dan Graham, 15 Times 5 Divided by 2 by Arnulf Komposch, Ombre d'un Instant II by Antoine Leperlier, Proposal for the Emir's New Palace by Linda Lichtman, Blue Group by Dante Marioni, Vapors by Kathleen Mulcahy, Stele for Steven by Gerry Newcomb, Triangle's Ghost C by Norie Sato, Circumference by Robin Stanaway, Cast Crystal by Steven Weinberg