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Thursday May 13, 2021 | by Andrew Page

THE GLASS QUARTERLY CONVERSATION: Christopher Day discusses how his work engages historic racial brutality (from the pages of Glass #162)

For our second installment of the "Glass Quarterly Conversation" series, editor Andrew Page speaks with British glassblower Christopher Day, the subject of Emma Park's feature article in the Spring 2021 edition of Glass: The UrbanGlass Art Quarterly (#162). A relative newcomer to glass, Day turned his decades of experience as a tradesman to quickly gain a distinct vocabulary in hot glass -- and develop a powerful voice. Embedding copper pipe and wires into mottled and gnarled blown-glass forms, the artist explores his own racial identity and the brutal histories of slavery and lynchings of Black people in works of raw expressive power.


Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.