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Wednesday February 21, 2018 | by Andrew Page

Pilchuck's new executive director, Christopher Taylor, is former head of prominent ceramics nonprofit

In the months since James Baker announced he'd step down as Pilchuck's executive director last August after eight years at its helm, the board of Pilchuck Glass School have been searching for a replacement to lead this international glass center. Tonight, Baker's replacement has been announced: Christopher Taylor, who has been leading The Clay Studio based in Philadelphia since 2011, will be relocating to Washington State. The official announcement by Pilchuck cites Taylor's success growing the ceramics organization, expanding its audience, and boosting fundraising power, as well as his potential in helping to grow the glass center's outreach to youth and underserved youth in the Northwest Coast area.

"We are delighted to have Chris take the helm of Pilchuck Glass School," board president Kent Carlson said in a prepared statement. "The board and staff are energized by his approach to emboldening both audience development and engagement. An artist himself, his perspective will help enrich the student experience that we continually strive to enhance each year. We value Chris’s experience and track record in sound management and development."

"I am thrilled to accept the opportunity to be a part of Team Pilchuck and lead this celebrated organization," said Taylor in a prepared statement. "For years I have admired Pilchuck Glass School and the many artists who credit its renowned educational experience and unique environment in their development. The versatility of glass is layered with complexity and possibility, when it’s used alone and when it’s used in partnership with other mediums. As Pilchuck looks forward, I’m excited to support the advancement of outreach programs,  continue improvements of campus facilities and offerings, and build upon its excellent legacy as an international center
for artists. To be a part of Pilchuck’s rich historic timeline and partner with board and staff to develop its future is an incredible opportunity, and one I heartily embrace."

Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.