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Tuesday January 12, 2010 | by Andrew Page

Book Report: Gillian Hulse’s beginner kiln-forming guide takes a coloring-book approach

FILED UNDER: Book Report

The just-published book Kiln-Formed Glass: Over 25 Projects for Fused and Slumped Designs (St. Martin Griffin, $24.99) by British illustrator and glass artist Gillian Hulse offers novice students 25 glass projects that range from panels to plates to jewelry. Each project is clearly explained with before and after pictures, a step-by-step description, a list of equipment and materials needed, and a technical discussion. The book briefly (perhaps too briefly) touches on cutting techniques, kilns, kiln furniture, annealing, and the essential tools for the kiln-forming process. While Hulse does a very good job at articulating these simple projects through clear descriptions and quality photographs, the focus seems to be on hand-holding so that a beginner can duplicate her designs rather than encouraging creative expression.

The projects that Ms. Hulse leads readers through are a shallow dip into the expansive and growing world of kiln-forming. Readers are instructed to mimic her very “crafty” aesthetic rather than to think as an artist. While the book does make kiln-forming accessible to the total novice it does not lay the foundations of creative expression as do other beginner books, such as Kiln Firing Glass: Glass Fusing Book One by Boyce Lundstrom (with Bullseye founder Dan Schwoerer).

Hulse does a good job of discussing safety, and most of her technical information is on target (though some annealing temperatures seemed about 10 degrees off, not enough to negatively impact the project). But the book could have done more to encourage individual vision and aesthetic rather than rote repetition, even at the introductory level. While well-produced and clearly presented, Kiln-Formed Glass, in the end, is analgous to giving someone interested in learning to draw a coloring book.

—Erica Rosenfeld

Erica Rosenfeld is a New York-based artist, designer, and educator who works primarily with kiln-forming.


Glass: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for more than 40 years.